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DTSTART;TZID=Asia/Taipei:20260101T100000
DTEND;TZID=Asia/Taipei:20260406T180000
DTSTAMP:20260420T124210
CREATED:20251224T062940Z
LAST-MODIFIED:20251224T062940Z
UID:10001577-1767261600-1775498400@events.mcu.edu.tw
SUMMARY:『永恆畢卡索 Eternal Picasso』光影藝術展 An Immersive Light and Shadow Art Exhibition：藝術、繆思與知己 Art\, Muses and Companions
DESCRIPTION:「永恆畢卡索」光影藝術展：藝術、繆思與知己 —— 全台首次沉浸式畢卡索光影展，帶你走進畢卡索的創作靈魂。在二十世紀的藝術長河中，畢卡索如同不滅的火焰，燃燒著創作與探索的精神，勇於打破常規、開創嶄新視界，每一次創作都是對自我與時代的深刻提問。展覽從藍色的孤寂到粉紅的柔情，從立體派的顛覆到七位繆思的愛與靈感，呈現藝術與靈感交織的創作源泉。 \n展覽五大亮點：光影重現《格爾尼卡》的震撼現場，以聲光重構戰爭的哀歌與人性的吶喊；七位繆思的靈感，揭示畢卡索情感與創作的交會；全台首次沉浸式畢卡索光影體驗，走進畫布感受色彩流動與情感共鳴；經典作品高品質重現，呈現從藍色、粉紅到立體派的創作脈絡，見證畢卡索的創造力與時代變革；一場「看得懂的畢卡索」展覽，透過故事、光影與情感，引導觀眾理解藝術，也看見自己。 \nEternal Picasso: Art\, Muses and Companions is Taiwan’s first-ever immersive light and shadow exhibition dedicated to Pablo Picasso\, inviting audiences into the very soul of his creative universe. In the vast current of twentieth-century art\, Picasso burned like an undying flame—relentlessly driven by creation and exploration\, boldly breaking conventions and opening new artistic horizons. Every work he produced was a profound question posed to both himself and his era. From the solitude of the Blue Period to the tenderness of the Rose Period\, from the revolutionary vision of Cubism to the love and inspiration drawn from seven muses\, the exhibition reveals the wellspring where art and inspiration intertwine. \nFive Exhibition Highlights \n\n\nA powerful reimagining of Guernica through light and sound\, reconstructing the lament of war and humanity’s anguished cry \n\n\nThe inspiration of seven muses\, unveiling the intersection of Picasso’s emotional life and artistic creation \n\n\nTaiwan’s first immersive Picasso light-and-shadow experience\, allowing visitors to step into the canvas and feel the flow of color and emotion \n\n\nHigh-quality recreations of iconic works\, tracing Picasso’s artistic evolution from the Blue and Rose periods to Cubism\, and witnessing his creative force amid historical change \n\n\nA “Picasso You Can Understand” exhibition—through stories\, visuals\, and emotion\, guiding audiences to understand art and\, in turn\, see themselves \n\n\n序區｜你所不知道的畢卡索 \n透過畢卡索的名言與逸聞，觀眾將走進他鮮為人知的世界。從生活趣事到創作片段，我們得以窺見他不被眾人理解的幽默、執著與矛盾。這裡，是通往畢卡索內心世界的入口。 \nIntroductory Zone | The Picasso You Didn’t Know \nThrough Picasso’s quotes and anecdotes\, visitors enter a lesser-known world of the artist. From moments of daily life to fragments of creation\, this section reveals his misunderstood humor\, persistence\, and inner contradictions. It is the gateway into Picasso’s inner world. \n \n展區一｜時代巨浪中的藝術先鋒 \n沿著時間的軸線前行，一窺年輕天才如何在二十世紀的巨浪中成長。從青少年時期的藝術萌芽，到巴塞隆納與巴黎的求學探索，每一步都與戰爭、政治與社會變遷緊密交織。每幅影像、每段故事提醒觀眾：藝術不只是自我表達，它也能挑戰世界、改寫歷史。 \nZone 1 | An Artistic Pioneer Amid the Tides of History \nFollowing a chronological path\, this zone traces the growth of a young prodigy amid the upheavals of the twentieth century. From his early artistic awakening to his studies and explorations in Barcelona and Paris\, each step is intertwined with war\, politics\, and social change. Every image and story reminds us that art is not merely self-expression—it can challenge the world and reshape history. \n \n展區二｜畢卡索畫廊：解構與重塑 \n重現畢卡索的經典作品—藍色孤寂低語，粉紅柔情流動；立體派挑戰你的視線，戰後思索靜默等待。線條跳動、形狀重組、色彩翻轉，每一筆每一色都承載冒險與思索，引領你走入畢卡索的筆下世界。 \nZone 2 | The Picasso Gallery: Deconstruction and Reconstruction \nThis zone recreates Picasso’s classic works: the whispered solitude of blue\, the flowing tenderness of pink; Cubism challenges your vision\, while postwar reflections wait in quiet contemplation. Lines leap\, forms reassemble\, colors invert—each stroke carries risk and reflection\, drawing visitors into Picasso’s painted universe. \n \n展區三｜格爾尼卡：戰爭的哀號 \n這個展間獻給畢卡索的反戰巨作《格爾尼卡》。透過大型投影、創作草圖以及感官體驗，感受這幅畫作的痛苦與力量。展區將引導觀眾理解《格爾尼卡》背後的歷史背景與藝術表達，探索藝術如何成為反思戰爭、呼喚和平的永恆語言。 \nZone 3 | Guernica: The Cry of War \nDedicated to Picasso’s monumental anti-war masterpiece Guernica\, this space uses large-scale projections\, preparatory sketches\, and sensory experiences to convey the painting’s pain and power. Visitors are guided to understand its historical background and artistic language\, exploring how art becomes an eternal voice against war and a call for peace. \n \n展區四｜永恆畢卡索 \n360度沉浸式劇場，以影像、聲音與色彩致敬畢卡索。觀眾置身流動光影中，感受色彩與形體律動，體驗創作背後的情感張力與藝術韻律。光影的每次變化呼應作品精神，將藝術家對世界、生命與情感的思索化為視覺與聽覺的共鳴。 \nZone 4 | Eternal Picasso \nA 360-degree immersive theater pays tribute to Picasso through image\, sound\, and color. Surrounded by flowing light and shadow\, visitors experience the rhythm of form and color\, and feel the emotional tension behind creation. Each transformation of light echoes the spirit of Picasso’s works\, translating his reflections on the world\, life\, and emotion into visual and auditory resonance. \n \n展區五｜我是畢卡索 \n自畫像貫穿畢卡索一生，是他自我探索的重要表達。本區展示從青年到晚年的自我描繪，呈現他對身份、生命經驗與藝術追求的思索。觀眾可感受藝術家如何將自我投射於畫布，體驗創作與自我之間的微妙對話。 \nZone 5 | I Am Picasso \nSelf-portraits span Picasso’s lifetime and serve as a vital expression of self-exploration. From youth to old age\, this zone presents his reflections on identity\, lived experience\, and artistic pursuit. Visitors witness how the artist projected himself onto the canvas\, engaging in a subtle dialogue between creation and self. \n \n展區六｜畫中的繆思 \n七位深刻影響畢卡索的女性—從費爾蘭迪到賈桂琳—既是摯愛，也是靈感的源泉。透過照片、物件與畫作，本區呈現她們如何影響不同時期的創作與生活。觀眾將看到愛情、靈感與藝術交織的故事，理解情感如何成為創作催化劑，並窺見藝術家與繆思之間細膩複雜的關係。 \nZone 6 | The Muses Within the Paintings \nSeven women who profoundly influenced Picasso—from Fernande to Jacqueline—were both beloved companions and sources of inspiration. Through photographs\, objects\, and artworks\, this zone illustrates how they shaped different periods of his life and art. Visitors encounter stories where love\, inspiration\, and art intertwine\, understanding how emotion becomes a catalyst for creation and glimpsing the nuanced\, complex relationships between artist and muse. \n \n✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦✦ \n購票須知 Ticketing Information \n\n活動期間 Exhibition Period：2026/01/01 – 2026/04/06\n開放時間 Opening Hours：週一到週日 Monday to Sunday 10:00-18:00（17:00停止售票、入場 last admission and ticket sales at 17:00）\n農曆除夕（2/16一）、初一（2/17二）及二二八和平紀念日（2/28六）為中正紀念堂公告休館日 Closed on Lunar New Year’s Eve (Feb 16)\, Lunar New Year’s Day (Feb 17)\, and Peace Memorial Day (Feb 28)\, in accordance with Chiang Kai-shek Memorial Hall announcements.\n報名 To apply｜https://www.accupass.com/eflow/ticket/2510151159461521020315?utm_source=Web&utm_medium=home_north&utm_campaign=accu_theme\n\n\n每張票券限單次入場，入場聯一經核銷後無效，恕不接受退票。\n票券請妥善保管，若遺失、損毀或逾期等情形，一概不予補發、更換。\n套票之商品及贈品需最遲於展覽結束當日17:00現場兌換，逾期概不補發。\n凡持電子票券、電子序號憑證者，不需換票請直接至展場入口處核銷進場；已核銷之QR code及電子序號，恕不接受退票。\n票券若為貴賓券，禁止轉售或兌換現金，未經主辦單位許可，違反者將依法處理。\n本活動委託ACCUPASS代為處理退款事宜，依退款規則辦理。如需申請退款請於「購買成功24小時後，並於活動票券有效開始日前8日」辦理，並依文化部訂定『藝文展覽票券定型化契約應記載及不得記載事項』第六項「退、換票機制」之規定辦理，酌收票價10%退票手續費，逾期恕不受理。\n若於活動票券有效開始日之8日以下辦理申請退款，請於2026/04/06 17:00前填寫表單，逾期主辦單位概不受理。退票並將酌收票價10%退票手續費。表單連結：https://forms.gle/NztWoP2g44Jmu99h7\n詳細退票辦法及辦理方式請來電(02)2772-8880（週一至週五10:00-17:30）洽詢。\n其他票務相關規定或因本票券致生之任何消費爭議，依文化部頒佈之藝文展覽票券定型化契約應記載及不得記載事項辦理。\n為顧及參與民眾健康及配合政府防疫措施，請配合現場工作人員指示，測量額溫、酒精消毒雙手，如有咳嗽、發燒（≧ 37.5 °C）等症狀，主辦單位有權要求離場，恕不退還或補償門票費用。展覽相關規定、事項若有未盡事宜，主辦單位保留活動之解釋權利。\n\n\n\nEach ticket is valid for one-time entry only. Once scanned\, the ticket becomes invalid and is non-refundable. \n\n\nTickets must be kept safely; lost\, damaged\, or expired tickets will not be reissued or replaced. \n\n\nBundle items and gifts must be redeemed on-site by 17:00 on the final exhibition day; late redemption will not be accepted. \n\n\nHolders of e-tickets or digital codes may proceed directly to the exhibition entrance for scanning; scanned QR codes and serial numbers are non-refundable. \n\n\nComplimentary or VIP tickets may not be resold or exchanged for cash. Violations will be handled in accordance with the law. \n\n\nRefunds are handled by ACCUPASS. Refund requests must be made 24 hours after purchase and at least 8 days before the ticket’s valid start date\, subject to a 10% handling fee in accordance with the Ministry of Culture’s standard ticketing contract. \n\n\nRefund requests within 8 days prior to the ticket’s valid start date must be submitted by April 6\, 2026\, 17:00 via the designated form:https://forms.gle/NztWoP2g44Jmu99h7 \n\n\nFor details\, please call (02) 2772-8880 (Mon–Fri\, 10:00–17:30). \n\n\nAll ticketing disputes are governed by the Ministry of Culture’s standard exhibition ticketing regulations. \n\n\nFor public health and safety\, visitors must comply with on-site health measures\, including temperature checks and hand sanitization. Visitors with symptoms such as coughing or fever (≥ 37.5°C) may be asked to leave without refund or compensation. \n\n\nThe organizer reserves the right to interpret and amend exhibition-related regulations. \n\n\n注意事項 Notes \n\n展場內不提供寄物服務，不負責個人之財物損失，請妥善保管好隨身及貴重物品。\n請遵守政府防疫規定、參觀動線、展場規則及現場工作人員指示，如遇人潮眾多，敬請依序排隊等候。\n展場內禁止嬉戲、奔跑與飲食，請勿攜帶食物或飲料入場；禁止吸菸、嚼食口香糖及檳榔。\n禁止於展場現場兜售、轉賣票券；如有不當行為經規勸無效者，則須立即離場且不得有異議，恕不補償或退還門票費用。\n展場內不可攜帶寵物(導盲犬除外)、長柄雨傘、嬰兒車及各式危險物品與違禁品入場。\n展場內禁止拍打、觸摸或攀爬展品以及展櫃，如有損壞事宜，需照價賠償。\n展場內皆有定點工作人員維護場內秩序，如發現任何可疑人物或不明物體、撿到遺失物品、或身體感到不適，請立即通知附近的工作人員尋求協助。\n如當日需重複入場，請至出口處蓋印驗證章，並於入口處出示驗證章再次排隊入場，限當日有效。\n展覽營業時間及規定若有所異動，請依現場或官方粉絲團公告為準，上述事項若有未盡事宜，主辦單位保留活動之解釋權利。\n\n\n\nNo cloakroom service is provided. The organizer is not responsible for personal belongings; please keep valuables secure. \n\n\nPlease follow government health regulations\, exhibition routes\, venue rules\, and staff instructions. Queue patiently during peak hours. \n\n\nRunning\, playing\, eating\, or drinking inside the venue is prohibited. Smoking\, chewing gum\, and betel nut are also not allowed. \n\n\nOn-site ticket scalping or resale is prohibited. Visitors who refuse to comply after warning will be asked to leave without refund or compensation. \n\n\nPets (except guide dogs)\, long-handled umbrellas\, strollers\, hazardous items\, and prohibited objects are not allowed inside. \n\n\nTouching\, striking\, or climbing on exhibits or display cases is strictly prohibited. Any damage will require compensation at full value. \n\n\nStaff members are stationed throughout the venue. If you notice suspicious activity\, lost items\, or feel unwell\, please notify staff immediately. \n\n\nFor same-day re-entry\, please obtain a validation stamp at the exit and present it at the entrance for re-entry; valid on the same day only. \n\n\nExhibition hours and regulations are subject to change based on on-site or official announcements. The organizer reserves the right of final interpretation.
URL:https://events.mcu.edu.tw/event/%e3%80%8e%e6%b0%b8%e6%81%86%e7%95%a2%e5%8d%a1%e7%b4%a2-eternal-picasso%e3%80%8f%e5%85%89%e5%bd%b1%e8%97%9d%e8%a1%93%e5%b1%95-an-immersive-light-and-shadow-art-exhibition%ef%bc%9a%e8%97%9d%e8%a1%93/
LOCATION:中正紀念堂\, 中正區中山南路21號\, 台北市\, Taiwan
CATEGORIES:ACCUPASS,翡冷翠文創事業股份有限公司
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BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250901T100000
DTEND;TZID=Asia/Taipei:20251012T180000
DTSTAMP:20260420T124210
CREATED:20250819T063836Z
LAST-MODIFIED:20250819T063836Z
UID:10001377-1756720800-1760292000@events.mcu.edu.tw
SUMMARY:威廉．透納特展 William Turner：崇高的迴響 Sublime Echoes 英國泰德美術館典藏 Tate Modern\, UK Exhibition
DESCRIPTION:英國最偉大的畫家，約瑟夫·馬洛德·威廉·透納（Joseph Mallord William Turner，1775-1851），素有「光之畫家」的美名，他擅長通過對色彩及光線的卓越掌控能力，生動捕捉大自然的動態與力量，並重新定義了何謂「風景畫」。 \n2025年適逢威廉·透納250周年誕辰，英國泰德美術館發起「Turner 250」一系列的紀念活動，當中的重頭戲，也是史上最大規模的威廉·透納全球巡迴展覽：「威廉·透納特展-崇高的迴響」，將繼摩納哥、上海站之後，全球第三站即將於今年6月移展至台灣展出，包含素描、油畫、水彩等高達80件的威廉·透納真跡畫作，完整體現他一生精采的創作歷程，堪稱今年度台灣最重量級藝術饗宴！ \nJoseph Mallord William Turner (1775-1851)\, Britain’s greatest painter\, is known as the “Painter of Light”. Through his exceptional control of color and light\, he vividly captured the movement and power of nature\, redefining the meaning of landscape painting. \n2025 marks the 250th anniversary of William Turner’s birth. The Tate Modern in London has launched a series of commemorative events\, titled “Turner 250”. The highlight is the largest-ever global touring exhibition of William Turner’s work: “William Turner: Sublime Echoes”. Following stops in Monaco and Shanghai\, the exhibition will return to Taiwan in June of this year. Featuring 80 authentic works by Turner\, including drawings\, oil paintings\, and watercolors\, the exhibition fully captures his remarkable creative journey\, making it Taiwan’s most significant art event of the year! \n⊳英國泰德美術館 Tate Modern\, UK \n從私人收藏到國家級美術館 打破傳統博物館思維的藝術機構 \nFrom private collection to national art museum\, an art institution that breaks the traditional museum mentality \n英國泰德美術館於1897年由利物浦糖商亨利·泰德（Henry Tate）爵士創立，早年以國家藝廊的方向發展，至今在英國已有四座美術館的規模，包括歷史最悠久的泰德不列顛美術館（Tate Britain） 、英國北方藝術重鎮泰德利物浦美術館（Tate Liverpool）、深耕在地文化發展的泰德聖艾夫斯美術館（Tate St Ives）、以及人氣最旺的泰德現代美術館（Tate Modern）等。而作為英國最具代表性、參觀人數名列前茅的泰德美術館，其館藏涵蓋英國及西洋藝術史500年來的珍貴鉅作，其中尤以威廉．透納臨終捐贈的數百件油畫及上萬件水彩及素描作品最受矚目，更是世人參觀必訪的重點。近年泰德美術館更以打破年代界線的主題式策展開創新局，是全世界最具前瞻性美術館之一。 \nFounded in 1897 by Liverpool sugar merchant Sir Henry Tate\, the Tate Gallery in the UK initially developed as a national gallery. Today\, it encompasses four galleries in the UK: Tate Britain\, the oldest; Tate Liverpool\, a major hub for Northern art; Tate St Ives\, deeply engaged in local cultural development; and Tate Modern\, the most popular. As the UK’s most representative and highly visited gallery\, the Tate Gallery boasts a collection encompassing 500 years of British and Western art\, with a particularly significant collection of masterpieces by William H. The hundreds of paintings and tens of thousands of watercolors and drawings donated by Turner during his final years are among the most sought-after and must-see attractions. In recent years\, the Tate Modern has pioneered thematic exhibitions that transcend timelines\, establishing it as one of the most forward-thinking art museums in the world. \n全球史上最大規模 威廉．透納真跡畫展首度登台 \nThe world’s largest exhibition of William Turner’s authentic paintings debuts in Taiwan \n威廉·透納在世時就創立了基金，意在幫助貧窮的藝術家，這也成為泰德美術館成立英國最著名的藝術獎「透納獎」最重要的原因。在他逝世後部分畫作遺贈國家，大部分作品保存在泰德美術館，而擁有最多透納作品收藏的泰德美術館，本次將帶來80件透納的真跡畫作，以英國風景、阿爾卑斯山、威尼斯、海上風暴、海天之間、歷史故事、崇高美學等，分為7大展區，貫穿他整個創作生涯。為了凸顯透納作品的劃時代，泰德美術館另精選近30件當代藝術家作品加入展出，打造出前所未有、最大規模也是最全面的威廉．透納特展。 \nDuring his lifetime\, William Turner established a fund to aid impoverished artists\, a key reason for the Tate Modern to establish the Turner Prize\, Britain’s most prestigious art award. After his death\, some of his paintings were bequeathed to the nation\, while the majority remain at the Tate Modern. As the largest collection of Turner’s works\, the Tate Modern will present 80 authentic Turner paintings\, organized into seven sections: English Landscapes\, the Alps\, Venice\, Storms at Sea\, Between Sea and Sky\, Historical Stories\, and Sublime Aesthetics\, spanning his career. To highlight the defining era of Turner’s work\, the Tate Modern has also selected nearly 30 works by contemporary artists\, creating an unprecedented\, largest\, and most comprehensive exhibition dedicated to William Turner. \n展區亮點 Highlights of the exhibition area \n⊳始於英國風景 Starting from the British landscape \n透納因早期探索英國風景，而成為大自然崇高力量的熱情觀察者，他詳細描繪這些自然的景象，更讓他聲名遠播。為了真實捕捉環境的氛圍，透納經常沉浸在大自然中進行研究，並將現場草圖、記憶和想像融入其中，並將這些元素變成令人驚嘆的畫作。 \nTurner’s early explorations of the English landscape established him as a passionate observer of the sublime power of nature\, and his meticulous depiction of these natural scenes further cemented his fame. To authentically capture the atmosphere of his surroundings\, Turner often immersed himself in nature for research\, incorporating on-site sketches\, memory\, and imagination into his paintings\, transforming these elements into breathtaking compositions. \n \n懸崖上的城堡廢墟風景畫（Landscape Composition with a Ruined Castle on a Cliff）約瑟夫·馬洛德·威廉·透納（Joseph Mallord William Turner），1792–3。（圖片來源：TATE） \nLandscape Composition with a Ruined Castle on a Cliff by Joseph Mallord William Turner\, 1792–3. (Image source: TATE) \n⊳走入山間 Walk into the mountains \n透納在1802年第一次遊歷歐洲時，立即受到阿爾卑斯山的壯麗景色強烈吸引。他開始穿越山脈進行探險，並使用素描和水彩畫直接記錄他的經歷。透納同時對山脈獨有的光線與氛圍十分著迷，他觀察雪、水和天空的色彩反射，完成了數千項基本元素研究，運用出人意料的大膽色彩，創造出引人注目的效果。他對光線和色彩的掌握，啟發了莫內和法國印象派畫家，而他的創新手法更影響了一代又一代的藝術家創作。 \nOn his first trip to Europe in 1802\, Turner was instantly captivated by the majestic beauty of the Alps. He began exploring the mountains\, documenting his experiences firsthand through sketches and watercolors. Turner was also captivated by the unique light and atmosphere of the mountains. He observed the reflections of colors in snow\, water\, and sky\, completing thousands of elementary studies and applying unexpectedly bold colors to striking effect. His mastery of light and color inspired Monet and the French Impressionists\, and his innovative techniques have influenced generations of artists. \n \n布魯嫩，從琉森湖的視角：樣本研究畫（Brunnen\, from the Lake of Lucerne: Sample Study）約瑟夫·馬洛德·威廉·透納（Joseph Mallord William Turner），1843-5。（圖片來源：TATE） \nBrunnen\, from the Lake of Lucerne: Sample Study by Joseph Mallord William Turner\, 1843-5. (Image source: TATE) \n⊳歷史故事 Historical Stories \n透納身處的十八世紀，認為栩栩如生地呈現神話或聖經故事的畫作，是高雅藝術中最尊貴的形式，其畫風大多偏向如詩如畫的古典主義風格。而透納卻開創出獨特的新局，他採用古典場景，運用創新的繪畫技巧呈現出不會太理想化、在情感上更具感染力，且符合新興品味的畫作，不僅獲得同時代人們的讚賞，甚至讓之後數個世紀的觀賞者也驚嘆不已。 \nIn the 18th century\, Turner lived in a world where paintings that vividly depicted myths or biblical stories were considered the most noble form of fine art. Most paintings tended towards a poetic and picturesque classicism. However\, Turner broke new ground. He employed classical scenes and innovative painting techniques to create paintings that were less idealistic\, more emotionally affecting\, and in line with emerging tastes. His works not only won the admiration of his contemporaries\, but also amazed viewers for centuries to come. \n \n阿波羅和達芙妮的故事（Story of Apollo and Daphne）約瑟夫·馬洛德·威廉·透納（Joseph Mallord William Turner），1837。（圖片來源：TATE） \nStory of Apollo and Daphne by Joseph Mallord William Turner\, 1837. (Image source: TATE) \n⊳威尼斯：壯麗的城市 Venice: A magnificent city \n在眾多以威尼斯為主題創作的藝術家中，透納是少數幾位可以將這座壯麗水上城市的獨特氣質，找到情感共鳴的藝術家之一。他的藝術生涯因其成就和創新而引人注目，而他所描繪的威尼斯畫作在第一批觀眾參觀後，立即被認定為他最神奇、最亮眼的作品之一。直至今日，透納的視角依然別具意義，它表達出威尼斯的美麗與哀愁，以及面對大海吞噬的恐怖威脅。 \nOf the many artists who have depicted Venice\, Turner is one of the few who has found an emotional connection with the unique character of this magnificent water city. His career is remarkable for its achievements and innovations\, and his paintings of Venice were immediately recognized as some of his most magical and dazzling works upon their first viewing. To this day\, Turner’s vision remains uniquely significant\, capturing both the beauty and sadness of Venice\, and the terrifying threat of the sea swallowing it. \n \n威尼斯-安康聖母大教堂（Venice – Maria della Salute）約瑟夫·馬洛德·威廉·透納（Joseph Mallord William Turner），1844。（圖片來源：TATE） \nVenice – Maria della Salute\, Joseph Mallord William Turner\, 1844. (Image source: TATE) \n⊳海上風暴 Sea storm \n在透納的作品中，海景畫佔了一半以上，包括捕鯨船、漁船、沉船和戰爭的畫作。這些是他最具爆發力、最令人回味的作品。他在畫中捕捉了海洋的危險，以及人類在大自然面前的渺小與無力。 \nSeascapes comprise over half of Turner’s oeuvre\, including paintings of whaling vessels\, fishing boats\, shipwrecks and battles. These are his most explosive and evocative works\, capturing the perils of the ocean and humanity’s insignificance and powerlessness in the face of nature. \n \n「好棒啊！厄瑞波斯號捕鯨船！又一條魚！」（‘Hurrah! for the Whaler Erebus! Another Fish!’）約瑟夫·馬洛德·威廉·透納（Joseph Mallord William Turner），1846。（圖片來源：TATE） \n‘Hurrah! for the Whaler Erebus! Another Fish!’ Joseph Mallord William Turner\, 1846. (Image source: TATE) \n⊳海天之間 Between Sea and Sky \n透納不僅在畫作中體現大自然的偉大力量，更強調其具有詩意和催眠的特質。他在海洋與天空的描繪中，將飄渺的雲彩、充滿能量的浪花、和洶湧的海浪等細節，進行了數百次近距離研究，若將這些細節放在一起觀察，便可看出透納對海洋和天空最深的敬畏感。 \nTurner not only captured the majestic power of nature in his paintings\, but also emphasized its poetic and hypnotic qualities. His depictions of sea and sky involved hundreds of close studies of details such as drifting clouds\, energetic waves\, and surging surf. These details\, when viewed together\, reveal Turner’s profound awe for both the sea and the sky. \n \n藍色瑞吉山之日出（The Blue Rigi\, Sunrise）約瑟夫·馬洛德·威廉·透納（Joseph Mallord William Turner），1842。（圖片來源：TATE） \nThe Blue Rigi\, Sunrise\, Joseph Mallord William Turner\, 1842. (Image source: TATE) \n⊳大自然的崇高美學 The sublime aesthetics of nature \n透納在晚年時期創作了許多純粹描繪光線和氛圍元素的畫作，此類抽像作品包含極少的具像或地形元素，甚至在當時被認為是「未完成的」作品。然而，從透納工作室中保存此類的作品數量來看，他已經將這些件品完成到令他滿意的程度。這些體現透納晚期風格的作品，為他贏得現代繪畫先知的美譽。 \nIn his later years\, Turner produced numerous paintings that depict purely light and atmospheric elements. These abstract works\, containing minimal figurative or topographical elements\, were often considered “unfinished” at the time. However\, the number of such works preserved in Turner’s studio suggests that he had completed them to his satisfaction. These works\, embodying Turner’s late style\, earned him the reputation of a prophet of modern painting. \n \n三個海景（Three Seascapes）約瑟夫·馬洛德·威廉·透納（Joseph Mallord William Turner），1827。（圖片來源：TATE） \nThree Seascapes by Joseph Mallord William Turner\, 1827. (Image source: TATE) \n史上最多最完整透納作品全球巡展，台灣首見 \nThe largest and most complete Turner exhibition ever\, a global tour\, first in Taiwan \n策展人伊莉莎白·布魯克（Elizabeth Brooke）提到，泰德美術館從未一次出借數量如此龐大的透納作品，其中更包含了40多幅油畫，這將是前所未有、最大規模的全球巡展，展覽亦將透過與約翰·亞康法、奧拉佛·埃利亞松、理查德·朗、科妮莉亞·帕克、凱蒂·帕特森、馬克·羅斯科、潔西卡·沃博伊斯等近30件頂尖藝術家的作品對話，展現威廉·透納對繪畫以及西方藝術中崇高表現的決定性影響。她並表示:「2025年適逢透納誕生250周年，讓今夏在台的展出更別具意義，其中最受矚目的展品之一《藍色瑞吉山，日出》在巡展結束後，將會回到泰德美術館封存10年，我們誠摯地邀請大家，把握這個難得的機會，親眼見證威廉·透納的藝術魅力。」 \nCurator Elizabeth Brooke noted that the Tate Modern has never loaned such a large number of Turner works at once\, including over 40 oil paintings. This will be the largest-ever global touring exhibition. The exhibition will showcase William Turner’s defining influence on painting and the representation of the sublime in Western art through dialogue with works by nearly 30 leading artists\, including John Akonfa\, Olafur Eliasson\, Richard Long\, Cornelia Parker\, Katie Patterson\, Mark Roscoe and Jessica Worboys. She added\, “2025 marks the 250th anniversary of Turner’s birth\, making this summer’s exhibition in Taiwan even more meaningful. One of the most eye-catching works\, ‘Blue Rigi\, Sunrise’\, will return to the Tate Modern for a 10-year period after its tour. We sincerely invite everyone to seize this rare opportunity and witness the magic of William Turner’s art firsthand.” \n報名 To apply：https://www.opentix.life/event/1914580546594426880?srsltid=AfmBOoqBCcUaWmpgrEL_eEsR88CAgAZgnJDtCO3StRLfEB80Eintm17T
URL:https://events.mcu.edu.tw/event/%e5%a8%81%e5%bb%89%ef%bc%8e%e9%80%8f%e7%b4%8d%e7%89%b9%e5%b1%95-william-turner%ef%bc%9a%e5%b4%87%e9%ab%98%e7%9a%84%e8%bf%b4%e9%9f%bf-sublime-echoes-%e8%8b%b1%e5%9c%8b%e6%b3%b0%e5%be%b7%e7%be%8e/
LOCATION:中正紀念堂\, 中正區中山南路21號\, 台北市\, Taiwan
CATEGORIES:聯合數位文創股份有限公司
ATTACH;FMTTYPE=image/jpeg:https://events.mcu.edu.tw/wp-content/uploads/2025/08/activity_7b1400e134.jpg
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