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DTSTART;TZID=Asia/Taipei:20251210T080000
DTEND;TZID=Asia/Taipei:20251217T200000
DTSTAMP:20260405T181847
CREATED:20251210T070225Z
LAST-MODIFIED:20251210T070225Z
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SUMMARY:電機資訊學院 School of Electrical and Information Engineering｜資訊之夜 Information Night
DESCRIPTION:冬夜初降，校園即將迎來一場電力滿載的盛事。電機資訊學院將於12/17（三）18:00在桃園校區體育一館羽球場舉辦年度大型活動「資訊之夜—code球扣不到，資好被電爆」，由電機系、人智系、資管系、資工系四系共同策畫，以強勢舞台與滿滿創意陪伴同學度過十二月最熱鬧的一晚。本次活動推出四款系別限定門票，每款限量100張，歡迎同學提前預購、入場同歡。 \n資訊之夜以多元演出與互動活動為核心，包含各系舞台表演、小遊戲體驗及現場抽獎，讓參與者在音樂、燈光與掌聲中感受期末前最純粹的青春能量。門票售價為NT$150，已繳系費者可享第一張優惠價NT$100（第二張恢復原價）。門票領取將於12/8–12/11的10:00–14:00於各系攤位辦理，提醒同學務必在期限內完成取票，以免錯過活動。 \n電機資訊學院表示，今年的資訊之夜希望成為四系同學彼此交流、展現活力的共同舞台。無論是想欣賞表演、參加互動，或單純期待抽獎驚喜，都歡迎同學帶著好心情加入這場冬季限定的校園派對。 \n更多最新資訊可至Instagram【tzu_damn_nt】查詢。 \nAs winter settles in\, the campus is about to welcome a highly charged celebration. School of Electrical and Information Engineering will host its annual large-scale event “Information Night — Code It or Get Shocked” on December 17 (Wed)\, 18:00 at Taoyuan Campus Gymnasium I (Badminton Courts). The event is jointly planned by four departments — Electrical Engineering\, Applied Artificial Intelligence\, Information Management\, and Computer Science & Information Engineering — bringing an energetic stage and full creativity to light up the most exciting night of December. Four department-exclusive ticket designs will be available\, each limited to 100 pieces\, and students are encouraged to purchase in advance and join the fun. \nThe evening features diverse performances and interactive activities\, including department stage showcases\, mini-games\, and live prize draws — inviting participants to immerse themselves in music\, lights\, and applause\, and enjoy the pure youthful energy before finals. Tickets are priced at NT$150. Students who have already paid department fees may purchase one ticket at the discounted price of NT$100 (a second ticket reverts to the original price). Ticket pickup will be available at each department booth from December 8–11\, 10:00–14:00. Students are reminded to collect their tickets within the designated period to avoid missing out. \nThe School of Electrical and Information Engineering hopes this year’s Information Night will serve as a shared stage for students across all four departments to connect and showcase their spirit. Whether you’re coming to enjoy the performances\, join activities\, or simply anticipate the thrill of the lucky draw\, everyone is welcome to bring great vibes and join this winter-exclusive campus party. \nFor the latest updates\, please visit Instagram tzu_damn_nt.
URL:https://events.mcu.edu.tw/event/%e9%9b%bb%e6%a9%9f%e8%b3%87%e8%a8%8a%e5%ad%b8%e9%99%a2-school-of-electrical-and-information-engineering%ef%bd%9c%e8%b3%87%e8%a8%8a%e4%b9%8b%e5%a4%9c-information-night/
LOCATION:桃園校區Taoyuan Campus\, 龜山區德明路5號\, 桃園市\, Taiwan
CATEGORIES:人工智慧應用學系,資訊工程學系,資訊管理學系,電機資訊學院
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DTSTART;TZID=Asia/Taipei:20251206T100000
DTEND;TZID=Asia/Taipei:20251206T220000
DTSTAMP:20260405T181847
CREATED:20251202T055637Z
LAST-MODIFIED:20251202T055637Z
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SUMMARY:TXRX 互動體驗大會 Interactive Festival 2025
DESCRIPTION:本次大會論壇採 「實體入場」與「線上直播」並行模式，請依照您購買的票種參加。\n（在購票頁面請選擇「現場」或是「線上」分組，再選擇對應票券） \nThis year’s conference offers both on-site admission and online live streaming.Please participate according to the ticket type you purchased.(When purchasing\, select the “On-site” or “Online” category\, then choose the corresponding ticket.) \n論壇現場票 On-site Forum Tickets｜限量100席 Limited to 100 seats\n（由於空間有限，有興趣參與者請盡早報名以確保席位！ Due to limited capacity\, we recommend registering early to secure your spot!） \nTXRX互動體驗大會是一場融合科技、藝術與創意的年度盛會\n致力於打造跨領域交流與創新平台，讓創作者、廠商與潛在合作夥伴匯聚交流 \n由Luxmin與透視Perspertives兩個團隊共同策劃，\n專為「創意科技 x 體驗設計 x 音像表演」打造。 \n是創作者與品牌、技術與藝術、產業與實踐真正對話的舞台。\n無論你來自設計、開發、行銷、或演出領域，都能在此發現靈感、建立合作、轉化願景為作品。 \n我們相信，互動體驗必定是下一個時代的共通語言。 \nThe TXRX Interactive Festival is an annual event that merges technology\, art\, and creativity.It is dedicated to building a cross-disciplinary platform for innovation and exchange\, bringing together creators\, industry partners\, and potential collaborators. \nCo-organized by Luxmin and Perspectives\, the festival is designed for those working across creative technology\, experience design\, and audiovisual performance. \nIt is a true stage where creators and brands\, technology and art\, industry and practice\, meet and converse.Whether you work in design\, development\, marketing\, or performance\, you’ll find inspiration\, discover collaborators\, and transform ideas into projects. \nWe believe that interactive experience is the shared language of the next era. \n音像藝術表演 \n跨越聲音與影像的即時創作演出，\n結合電子音樂、視覺生成與舞台感官設計，帶來沉浸且具實驗性的多媒體表演體驗。 \nAudiovisual Performances \nReal-time creations that merge sound and image\, combining electronic music\, generative visuals\, and stage sensory design to deliver immersive and experimental multimedia performances. \n\n【藝術家】逯燮（賴君昊） \n逯燮（賴君昊）―聲音影像藝術家。 \n創作概念從聲響和影像內部提取各種異質的微小差異；\n利用隨機性建置偶然的和諧，持續生成解域-再域的多樣場域。 \n【藝術家】噪影 \n我們將噪音的不規則性與影像的流動性相互碰撞，試圖從中捕獲那些介於可見與不可見的關聯。這種關聯不僅存在於視聽感官的臨界，同時深植於我們的神經機制與心理認知模式。 \n在感知邊界即將重新定義的瞬間，個體的知覺經驗也將被推向未曾預料的狀態。透過再次解構並重組的過程，構築出充滿張力的感官反射。 \n【藝術家】TAPAS HUMI \n達巴斯胡祕，泰雅族｜視覺藝術家、動態設計師、數位影像工作者\nPinsbkan 岩岩數位藝術負責人。 \n母親來自南投仁愛鄉馬烈霸，自幼在都市與部落間往返生活，是一名視覺藝術家、動態設計師、動畫師、數位影像工作者，善於用多層次的數位影像設計，結合生活創作。 \n「以自己的方式，呈現自己的語言」，熟稔音樂與視覺搭配，在電子音樂活動現場、動畫、電影製作、電視廣告拍攝、展覽等不同活動類型靈活轉換，並試圖在商業與自我血脈的追尋中取得平衡。近年多專注本土文化與自我認同的藝術創作，並拓展實驗性作品與劇場相關之形式演出。 \n【藝術家】LUCA BONACCORSI \n1994於義大利出生，導演、數位藝術家、音樂家。\n作品探討科技新媒體之間的關係以及科技對日常生活狀態的影響。\n近年定居臺灣，從事短片與錄像藝術製作，同時於各地進行多媒體音像表演。 \n【藝術家】Tung yu x Sheng kai \n莊勝凱 Sheng kai ―深受環境電子、噪音藝術以及即興演奏的影響，並長期活躍於實驗電子音樂的演出、聲音設計與配樂創作。對於田野錄音和卡帶技術懷有濃厚的興趣，創作風格介於聲音與音樂之間。2020年開始於非典型空間進行聲響實驗，在作品中更深入地思考聲音的物理性，並從東方哲學與自然元素中汲取靈感。2024年完成首次日本巡演後推出首張個人電子專輯《Cephalopod》，近年常以Ambisonics與多聲道系統進行演出，並以模組合成器即興演奏與各領域藝術家合作展演。 \n劉東昱 Chappie ―專案經理與音像創作者，自街舞文化養成，多年從事專案企劃，後轉向媒體藝術，現以製作、技術、創作多重角色穿梭於街舞、表演藝術、媒體藝術等領域。近年關注即時編碼及音像表演，創作帶有社群觀察與童趣表現。 \nArtist | Lu Xie (Lai Chun-Hao) \nA sound and visual artist whose works extract subtle heterogeneities within sound and image\, building accidental harmonies through randomness and continuously generating de- and re-contextualized spatialities. \nArtist | Noise Image \nTheir work collides the irregularity of noise with the fluidity of visuals\, capturing relationships between the visible and the invisible. These relationships—rooted in both sensory thresholds and human perception—push the audience into unforeseen perceptual states through processes of deconstruction and reconstruction. \nArtist | TAPAS HUMI \nAtayal visual artist\, motion designer\, and digital image creator; founder of Pinsbkan Digital Art.Raised between urban environments and indigenous communities\, he creates multilayered digital visuals that combine daily life experiences. Skilled in matching music with visuals across electronic music events\, animation\, film\, advertising\, and exhibitions. Much of his recent work focuses on indigenous culture\, identity\, and experimental performance. \nArtist | Luca Bonaccorsi \nItalian-born director\, digital artist\, and musician (1994). His works explore relationships between technology and new media\, and how technology affects everyday life. Now based in Taiwan\, he produces video art and multimedia performances. \nArtists | Tung Yu x Sheng Kai \nSheng Kai (Cheng Kai Chuang) — Influenced by ambient electronics\, noise art\, and improvisation\, he works extensively in experimental sound\, design\, and scoring. Interested in field recordings and cassette techniques\, his style lies between sound and music. After touring Japan in 2024\, he released his debut album Cephalopod\, and often performs using ambisonics\, multichannel systems\, and modular synthesis. \nChappie Liu — Project manager and audiovisual creator with roots in street dance culture. Experienced in project planning and media arts\, now active in real-time coding and audiovisual performance\, blending social observation with playful aesthetics. \n論壇與講座 Forums & Talks \n \n【創新技術講座】 \n聚焦互動裝置、即時影像、感測技術、系統整合等技術核心，\n由各領域的技術負責人與工程師深入解析專案及裝置藝術幕後的問題解決過程。\n內容以複雜的技術拆解為核心，帶領創作者從工程角度理解互動體驗的運作原理。 \n與談人   侯憲璋 Patrick – Luxmin 技術總監 \n畢業於中山大學電機所系統晶片組碩士，具備橫跨數位IC設計、嵌入式軟體、Edge AI韌體等領域的實務經驗。在科技業期間曾參與AI NVR、LLM Chat、ROS機器人控制等多項專案，熟悉從硬體到軟體整合的完整開發流程。喜歡研究AI、電子電路等技術，並將技術融合於互動應用與作品內容之中。 \n與談人   陳炯廷 – 馥谷餘創辦人暨執行長 \n以工程為根，陳炯廷致力於從系統與技術層面支撐互動媒體與科技藝術現場，持續關注「技術如何隱形地撐起感知與體驗」。2020年與夥伴創立馥谷餘，專注服務客戶之數位體驗需求。曾活躍於台灣Python相關社群，現則共同組織Creative Media Gathering，帶來更多交流，為社群注入能量。 \n與談人   葉韋鉦 – 華麗邏輯跨域主持設計師 \n畢業於元智大學藝術與設計學士及國立交通大學建築研究所數位設計組碩士。自大學期間學習藝術創作與設計，開始接觸數位製造與互動設計。擅長於實體裝置互動設計、參數式設計、跨媒材整合設計和聲光機裝置創作。 畢業後加入何理互動設計、豪華朗機工團隊、雜波等跨域創作組織，持續各種聲光機裝置解題與創作。 \n與談人   LUCA BONACCORSI – 當代音像藝術家 \n來自義大利，導演，數位藝術家，音樂家。作品探討科技新媒體間的人際關係，以及科技對日常生活狀態的影響。近年定居臺灣，從事短片與錄像藝術製作，同時於各地進行多媒體音樂表演。 \nTechnology Innovation Talks \nFocused on interactive installations\, real-time imaging\, sensing technology\, and system integration.Technical leads and engineers from various sectors break down complex engineering challenges behind interactive artworks and installations. \nSpeaker | Patrick Hou – Technical Director\, LuxminHolds a master’s degree in SoC from NSYSU. Experienced in digital IC design\, embedded software\, edge AI firmware\, and full-stack hardware-software integration. Passionate about integrating AI and electronics into interactive works. \nSpeaker | Chen Chiung-Ting – Founder & CEO\, GoodlinkerEngineer-driven practitioner focusing on system and technical support for interactive and media art. Co-founder of Goodlinker\, dedicated to digital experience solutions; active in Python communities and co-organizer of Creative Media Gathering. \nSpeaker | Yeh Wei-Cheng – Cross-disciplinary Designer\, FancyLogicWith backgrounds in art\, design\, and digital architecture\, he specializes in interactive installations\, parametric design\, and integrated media-mechanical artworks. Former member of leading interdisciplinary studios. \nSpeaker | Luca Bonaccorsi – Contemporary Audiovisual Artist\nBorn in Italy\, a director\, digital artist\, and musician. His works explore interpersonal relationships within technology and new media\, as well as the influence of technology on everyday life. In recent years\, he has been based in Taiwan\, creating short films and video art while performing multimedia music across various venues.\n \n \n【產業應用論壇】 \n從商業案例出發，探討互動內容在展覽、品牌與空間中的應用與市場趨勢。\n邀請在互動與沉浸式內容領域具有豐富經歷的團隊與公司，帶來完整的產業觀點分享。\n從IP展覽、品牌互動、建築光雕到沉浸式娛樂場館，探討互動體驗如何回應市場需求，\n並在不同場景中運用體驗設計。 \n主持人   蘇巧純 – 二三設計總監 \n大學畢業於台大動物系，後於美國紐約大學ITP互動媒體系（NYU-ITP）取得碩士，專長為透過互動設計將資訊、內容轉換成精采的故事說給大眾聽，熱衷於研究展示科技運用在不同領域的成效，同時希望藉由新媒體互動的策展敘事，引起社會對重要議題的關注。 \n與談人   黃啟嘉 – 光滿樓共同創辦人 \n光滿樓共同創辦人黃啟嘉，長期深耕光雕與互動科技產業，結合創意設計與工程整合能力，累積多項光雕互動展演與品牌展演經驗。以實務角度探討創新技術於不同場域的落地挑戰與協作流程，分享跨域團隊在真實專案中的問題解決與執行觀察。 \n與談人   廖純奐 – 夢境現實營運總監 \n廖純奐在互動科技產業已有超過十年的完整經歷，專精於互動多媒體、XR虛實整合、數位策展等。 同時作為夢境現實場館營運總監，從營運策略、行銷媒合、技術整合與異業合作等層面，將夢境現實場館帶向國際化的舞台。 \n與談人   詹嘉華 Dudu Zhan – 黑碼藝識創意統籌/臺藝大兼任專業技術助理教授 \n科技藝術創作者，長期探索科技、記憶與情感的互動關係。作品橫跨劇場、互動裝置與沉浸式展演，曾獲WSD世界劇場設計展銀獎、法國安亙湖國際數位藝術節首獎，並參展 PQ 布拉格劇場設計展及台北當代藝術館個展。近期共同創立黑碼藝識有限公司，並於臺藝大兼任教職，持續推動數位藝術教育與產業間的感知轉譯。 \nIndustry Application Forum \nExploring market trends and applications of interactive content in exhibitions\, branding\, and spatial experiences—from IP exhibitions and brand interactions to architectural projection and immersive venues. \nModerator | Chiao-Chun Su – Creative Director\, TwoThree DesignSpecialized in transforming information into compelling stories through interaction design. Holds an M.A. from NYU ITP. \nSpeaker | Huang Chi-Chia – Co-founder\, Lightfull StudioExperienced in projection mapping and interactive exhibitions\, discussing real-world challenges in cross-disciplinary collaboration. \nSpeaker | Liao Chun-Huan – Operations Director\, MoonShine RealityOver a decade in interactive multimedia\, XR\, and digital exhibition. Leads venue operations\, strategy\, and international collaborations. \nSpeaker | Dudu Zhan – Creative Director\, Black Code Art & Adjunct ProfessorAn award-winning tech artist whose works span theater\, installations\, and immersive experiences. \n \n【藝術家短講】 \n由創作者分享作品概念、技術選擇與創作脈絡，展現多元的科技藝術觀點。 \n與談人   莊向峰 – 陽春麵研究舍技術總監 \n陽春麵研究舍創立於2019年，為陳姿尹與莊向峰組成的創作團體，以裝置、錄像、網路藝術、攝影、AI等多元媒材進行創作。兩人分別來自藝術與資訊背景，共同關注科技產物與人們的互動關係對生活型態產生的轉變及影響，試圖透過跨域思辨創作出像陽春麵一樣，用簡單的材料創造出美妙味道的作品。 \n與談人   Shiro – 創作者 \nShiro是一位正在起步的新媒體藝術創作者與VJ，透過TouchDesigner與VCV Rack結合音樂、影像與互動技術進行實驗性創作。持續以創意編碼探索聲音與影像的連結，尋找屬於自己的即時表演語言與風格。 \n與談人   TAPAS HUMI \n透視音像創辦人，致力於探索聲音、影像與科技於當代表演中的交會。透過策展與講座促進臺灣與國際新媒體藝術對話。2025年於臺北建立Perspectives團隊，邀集跨領域藝術家拓展即時表演的邊界。近期影像聲音作品《花的紀程》於光之曲幕曝光。 \nFounder of Perspectives Audiovisual\, dedicated to exploring the intersections of sound\, image\, and technology in contemporary performance. Through curation and lectures\, he fosters dialogue between Taiwan and the international new media art community. In 2025\, he established the Perspectives team in Taipei\, bringing together interdisciplinary artists to push the boundaries of real-time performance. His recent audiovisual work The Journey of Flowers was showcased in the Curtain of Light exhibition. \nArtist Lightning Talks \nCreators share concepts\, technical decisions\, and creative processes behind their works. \nSpeaker | Chuang Hsiang-Feng – Technical Director\, Yangchunmian StudioExplores how technology reshapes human interaction with digital artifacts. \nSpeaker | Shiro – CreatorNew media artist and VJ working with TouchDesigner and VCV Rack to explore real-time audiovisual expression. \nSpeaker | TAPAS HUMI\nFounder of Perspectives Audiovisual\, he is dedicated to exploring the convergence of sound\, image\, and technology in contemporary performance. Through curatorial projects and lectures\, he fosters dialogue between Taiwan and the global new media art community. In 2025\, he established the Perspectives team in Taipei\, bringing together interdisciplinary artists to expand the possibilities of real-time performance. His recent audiovisual work The Journey of Flowers was presented in the Curtain of Light showcase.\n \nTXRX 大會起源 \n在工程的用語中，TX代表傳輸、RX代表接收，兩者並存則表示「雙向通訊」。互動體驗其實就是作品與體驗者的「雙向通訊」，我們期待TXRX互動體驗大會的所有參與者，也都能一同在這個大會中交流、彼此互動、交換訊息、一同成長。\n且四個字母也各有含意，T與R分別代表科技Tech和藝術aRt，第一個X代表跨域的Cross，第二個X則代表體驗Experience。 \n我們希望聚集來自全球的創作者、藝術家、科技專家和行業領袖，共同分享最新的科技藝術與互動產業趨勢、發展脈絡、新技術應用、創意靈感，共同探索互動體驗的無限可能，活動可能會包含技術講座、工作坊、產業論壇與座談、藝術家分享、彼此交流媒合、展覽、音樂表演、甚至更多形式的藝術展演。 \n這不僅是一場論壇或講座，更是一個激發創意、促進合作的生態系統，連結產業上下游，共同描繪互動體驗的未來。 \nOrigin of TXRX \nIn engineering terms\, TX means transmit and RX means receive—together representing two-way communication.Interactive experience is precisely this: a two-way communication between the work and its audience. \nThe letters also stand for: \n\n\nT — Tech \n\n\nR — aRt \n\n\nX — Cross-disciplinary \n\n\nX — Experience \n\n\nTXRX seeks to gather global creators\, artists\, technologists\, and industry leaders to explore the infinite possibilities of interactive experiences through talks\, workshops\, forums\, performances\, networking\, and exhibitions. \nIt is not merely a conference—it is an ecosystem for creativity\, collaboration\, and shaping the future of interactive experience. \n主辦單位 Organizers \n \nLuxmin – Imagineering Studio： \n一間誕生於臺北的跨領域創意工程工作室，我們將創意科技、互動設計與想像力實踐完美融合，專注於打造純粹實體的感官體驗。透過裝置、展覽與活動的製作，我們讓想像在現實中具象發生。\n我們堅信，精心設計的互動體驗，如同流星劃破黑夜，能照亮人與人之間的夢想，重新連結彼此，讓我們感受超越個體的無限可能，並留下更深刻的記憶。 \nA Taipei-based cross-disciplinary creative engineering studio combining creative tech\, interactive design\, and imagination. Through installations\, exhibitions\, and event production\, Luxmin transforms ideas into tangible sensory experiences. \nWebsite｜Instagram｜Threads \n \n透視音像 Perspectives（岩岩數位藝術）： \n岩岩數位藝術成立初衷為推廣音像藝術並促成不同領域藝術家的合作。\n作為透視音像Perspectives的主要推動者，不僅參與策劃，也與藝術家深度合作，期望與場地方建立穩定的合作關係，為更多藝術形式提供展示與交流的平台。 \nFounded to promote audiovisual art and cross-disciplinary collaboration. They curate\, produce\, and connect artists with venues to foster new-media performance. \nInstagram｜Threads \n【 活動資訊 】\n活動日期｜2025/12/06（六）\n論壇時間｜10:00-16:30\n演出時間｜18:30-22:00\n活動地點｜台北流行音樂中心 Live House D（台北市南港區市民大道八段99號）\n（論壇同步開放線上直播票） \n報名 To apply：https://www.accupass.com/eflow/ticket/2511101140251265501588?utm_source=Web&utm_medium=home_north&utm_campaign=accu_theme \n【 交通資訊 】\n➤捷運/MRT\n捷運昆陽站｜4號出口出站，向東步行約8分鐘\n捷運南港站｜1A連通道出站，沿指標前行至CITYLINK B棟（由一樓走出大門後沿市民大道向西步行約11分鐘抵達） \n【 公司或團體報名須知 】\n若您為公司行號或團體，並且需要開立統編或公司抬頭，請於購票前先私訊我們，以便協助您後續的報名與開立憑證流程。\n未事先告知者，活動當日恕無法補開統編，敬請見諒。 \n【 聯繫方式 】\n➤聯繫窗口｜Tapas H.\n→ 0977-553-551  /  pinsbkan@gmail.com\n➤票務窗口｜張小姐\n→ 0989-362-520  /  shuwsuechang@gmail.com\n➤官網IG｜透視藝術追蹤起來！Follow Us收到第一手消息 🤩🤩 \n【 合作與贊助 】\n我們與感測器品牌、投影技術、音響燈光設備、展演製作與媒體平台合作， 提供品牌與技術夥伴在創意體驗產業中的曝光機會與商業連結。\n若您有意成為TXRX的合作夥伴／贊助單位，歡迎聯繫我們。 \n➤合作與贊助窗口｜Partical\n→ 0901-108-539  /  txrx@luxmin.art \nEvent Information \nDate｜December 6\, 2025 (Sat)Forum｜10:00–16:30Performances｜18:30–22:00Venue｜Taipei Music Center Live House D(Online streaming available for forum sessions) \nTransportation \nMRT \n\n\nKunyang Station｜Exit 4 → walk 8 mins east \n\n\nNangang Station｜Exit 1A → follow signs to CITYLINK B → walk 11 mins west along Civic Blvd. \n\n\nGroup / Corporate Registration \nIf you require a business invoice\, please contact us before purchasing tickets.On-site invoice requests will not be accepted without prior notice. \nContact Information \nGeneral Contact｜Tapas H.0977-553-551 / pinsbkan@gmail.com \nTicketing｜Ms. Chang0989-362-520 / shuwsuechang@gmail.com \nOfficial IG｜Follow Perspectives for updates! \nPartnership & Sponsorship \nWe collaborate with brands in sensing tech\, projection systems\, audiovisual equipment\, production teams\, and media platforms.If you wish to become a partner/sponsor\, please contact: \nPartnership Contact｜Partical0901-108-539 / txrx@luxmin.art \n注意事項 \n本活動由Luxmin與透視音像Perspectives（岩岩數位藝術）共同主辦，活動內容、時程及講者資訊如有調整，將以主辦單位公告為準。\n現場活動可能進行錄影、攝影，參與即表示同意主辦單位使用相關影像於後續宣傳用途。\n持有直播票券，禁止公開分享、轉播或公開播放，但允許個人拍攝與錄影。\n請確保網路連線穩定，主辦單位不負責個人設備或網路問題造成之觀看異常。\n主辦單位保有最終修改、變更、解釋之權利。 \n活動單位保留節目異動權利聲明 \n本活動將依原定計畫進行，惟若遇不可抗力因素，如極端天候、天災、公共安全考量、交通中斷、藝人身體狀況或其他不可預見之突發狀況，可能影響部分演出者的出席或節目內容的安排。活動單位將依現場情況調整，並盡力維持節目品質，惟無法避免之變動，敬請理解與支持。如有重大異動，活動單位將透過官方管道（網站、社群平台等）公告最新資訊，敬請留意。感謝您的體諒與配合。 \nImportant Notes \n\n\nEvent content\, schedule\, and speakers are subject to change. \n\n\nOn-site activities may be recorded; participation indicates consent for promotional use. \n\n\nLive-stream ticket holders may not publicly share or broadcast the stream. \n\n\nEnsure a stable internet connection; the organizer is not responsible for personal technical issues. \n\n\nThe organizer reserves all modification and interpretive rights. \n\n\nProgram Change Disclaimer \nThe event will proceed as planned\, but unforeseen circumstances (extreme weather\, natural disasters\, safety concerns\, traffic disruptions\, artist health\, etc.) may affect guest attendance or performance content. Updates will be announced via official channels.
URL:https://events.mcu.edu.tw/event/txrx-%e4%ba%92%e5%8b%95%e9%ab%94%e9%a9%97%e5%a4%a7%e6%9c%83-interactive-festival-2025/
LOCATION:台北流行音樂中心LIVE HOUSE D\, 南港區市民大道八段99號\, 台北市\, Taiwan
CATEGORIES:ACCUPASS,岩岩數位藝術工作室
ATTACH;FMTTYPE=image/png:https://events.mcu.edu.tw/wp-content/uploads/2025/12/1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20251128T193000
DTEND;TZID=Asia/Taipei:20251130T153000
DTSTAMP:20260405T181847
CREATED:20251104T055129Z
LAST-MODIFIED:20251104T055129Z
UID:10001501-1764358200-1764516600@events.mcu.edu.tw
SUMMARY:2025 C-LAB 聲響藝術節 Sound Festival：《KINGDOM》 趙亭婷x安娜琪舞蹈劇場 Ting-Ting Chao X Anarchy Dance Theatre
DESCRIPTION:節目簡介 Program Introduction \n在虛擬世界中，空間與時間被切割、壓縮與延展，彷彿成了一層層可被讀取的切片，身體不再有固定的位置，而是跟隨著失衡的記憶斷層，懸浮在虛實之間。 \n身處於網路與數位技術高速發展的世代，我們早已熟練地運用各式媒介捕捉與記錄周遭事物。然而，在這樣不斷更新的洪流中，《KINGDOM》正試圖邀請觀眾，一同回望那些被遺落、被忽視、被淘汰的事物。那些日常的顯而易見，正是我們不曾記得的，也正是如此它長出了自己的個性、色調與溫度。 \n《KINGDOM》是一場XR跨域共構的實驗性表演作品，結合了3D掃描技術與動態捕捉系統於VR之中，透過現場多螢幕的拼湊與舞者的身體語彙，將破碎、液化且不完整的物件掃描檔案，構築出一座無人居住的數位王國，在不斷崩解與重組的數位環境裡，不停地適應新的認知與環境。 \nIn the virtual realm\, space and time are sliced\, compressed\, and stretched—turning into layers of data that can be read and replayed. The body no longer has a fixed position; instead\, it drifts between realities\, following the fractured layers of unbalanced memory\, suspended between the virtual and the tangible. \nLiving in an era defined by rapid advances in the internet and digital technology\, we have become adept at using various media to capture and record the world around us. Yet within this constantly renewing current\, KINGDOM invites audiences to turn back and reflect on the things that have been lost\, overlooked\, or discarded. Those seemingly ordinary details of everyday life—precisely because we fail to remember them—have developed their own character\, hue\, and warmth. \nKINGDOM is an experimental XR performance that merges 3D scanning technology and motion capture within a VR environment. Through the interplay of live multi-screen projections and the dancers’ physical movement vocabulary\, fragmented\, liquefied\, and incomplete digital scans are reassembled into an uninhabited digital kingdom. Within this constantly collapsing and reforming environment\, the work explores how perception and adaptation evolve amid shifting digital landscapes. \n——————————————————————– \n演出資訊 Performance Information \n日期與場次｜\n2025/11/28（五）19:30\n2025/11/29（六）14:30、19:30\n2025/11/30（日）14:30 \n演出地點｜\n臺灣當代文化實驗場 聯合餐廳展演空間一樓（106台北市大安區建國南路一段177號） \n注意事項｜\n◎演出長度約45分鐘，無中場休息。\n◎本次演出過程中，觀眾可以自行在開放的觀眾席區域內，自己選擇喜歡的位置觀看。 \nDates & Times｜2025/11/28 (Fri) 19:302025/11/29 (Sat) 14:30\, 19:302025/11/30 (Sun) 14:30 \nVenue｜C-LAB Taiwan Contemporary Culture Lab – Joint Restaurant Performance Space\, 1F(No. 177\, Sec. 1\, Jianguo S. Rd.\, Da’an Dist.\, Taipei City) \nNotes｜◎ Duration: approximately 45 minutes\, no intermission.◎ The audience is free to move and choose their preferred viewing position within the open seating area during the performance. \n報名 To apply｜\nhttps://www.accupass.com/eflow/ticket/2509091417411288292435 \n—————————————————————— \n製作團隊 Creative Team \n概念及編舞/演出：趙亭婷\nVR影像內容暨互動設計：鄭伊婷\nVR技術工程：柯柏羽\nVR場景設計：許子安\n影像技術統籌：吳承儒\n空間設計：江冠男\n燈光設計：王宥珺\n聲響設計：張欣語\n服裝設計：郭  萱\n舞臺監督：洪伊柔\n燈光技術指導：梁弘岳\n舞臺技術指導：沈承志\n影像技術執行：李芷萱\n聲音執行：陳柏豪\n主視覺設計：徐紹恩\n創作陪伴：黃美寧\n創作顧問：謝杰樺\n科技技術顧問：陳韋安\n藝術與企業合作暨永續顧問：潘思廷\n製作人：戴筱凡\n專案票務與行政協力：楊舒涵\n平面攝影：林蔚圻（階段性呈現）\n動態攝影：駱思維 \n製作單位：安娜琪舞蹈劇場\n贊助單位：革蘭科技股份有限公司、文化部、台北市文化局、菁霖文化藝術基金會\n合作單位：C-LAB 臺灣聲響實驗室、臺北數位藝術媒合平臺、財團法人工業技術研究院 \n本演出由114年文化部「扶植青年藝術發展補助」支持\n安娜琪舞蹈劇場為2025 TAIWAN TOP演藝團隊 \nThis performance is supported by the 2025 Youth Art Development Grant from the Ministry of Culture.Anarchy Dance Theatre is recognized as a 2025 TAIWAN TOP Performing Arts Group.
URL:https://events.mcu.edu.tw/event/2025-c-lab-%e8%81%b2%e9%9f%bf%e8%97%9d%e8%a1%93%e7%af%80-sound-festival%ef%bc%9a%e3%80%8akingdom%e3%80%8b-%e8%b6%99%e4%ba%ad%e5%a9%b7x%e5%ae%89%e5%a8%9c%e7%90%aa%e8%88%9e%e8%b9%88%e5%8a%87%e5%a0%b4-ti/
LOCATION:臺灣當代文化實驗場C-LAB\, 大安區建國南路一段177號\, 台北市\, Taiwan
CATEGORIES:ACCUPASS,安娜琪舞蹈劇場
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20251107T080000
DTEND;TZID=Asia/Taipei:20251126T210000
DTSTAMP:20260405T181847
CREATED:20251107T034653Z
LAST-MODIFIED:20251107T034653Z
UID:10001507-1762502400-1764190800@events.mcu.edu.tw
SUMMARY:商品設計系 Department of Product Design｜品設之夜：再睡？你的作品就要被老師丟掉了 Product Design Night: Sleep Again? Your Work’s About to Be Thrown Out by the Professor!
DESCRIPTION:霓虹閃爍的夜空下，設計人的年度狂歡即將上演！桃園校區設計學院商品設計系將於11/26（三）18:00在M棟中庭舉辦《品設之夜：再睡？你的作品就要被老師丟掉了》，邀請全校師生共度充滿創意與熱情的設計之夜。 \n活動分為「表演者」與「參與者」兩類報名，目前正開放舞台表演者招募至11/21（五）止。表演形式不限，歌唱、舞蹈、樂團、短劇、脫口秀皆可參加，凡想在舞台上展現自我魅力者皆歡迎報名。報名保證金每組NT$200，已繳系費者免報名費，繳費日期為11/14與11/21中午12:00於M404前長桌。 \n同時，活動也開放一般參與者報名至11/18（二）截止，不論年級與科系，只要想放鬆、交朋友、感受現場熱度的同學都能參加。有繳系費者免費入場，外系或未繳系費者酌收NT$200至NT$250。 \n主辦單位表示，《品設之夜》不僅是品設系的傳統盛典，更是讓設計人釋放創意、交流靈感的重要時刻。邀請大家在音樂與燈光下盡情揮灑熱情，為這學期畫下最閃亮的一筆。更多報名資訊請洽品設系學會Instagram【114mcu_pd】或聯繫活動總召／副召。 \nBeneath the glow of neon lights\, the annual celebration of creativity and design is about to begin! The Department of Product Design\, School of Design (Taoyuan Campus)\, will host “Product Design Night: Sleep Again? Your Work’s About to Be Thrown Out by the Professor!” on Wednesday\, November 26 at 18:00\, in M Building Courtyard. All students and faculty are invited to join this exciting night of creativity and passion. \nThe event offers two ways to join — as a Performer or Participant — and is now open for performer registration until Friday\, November 21.Performance types are unlimited: singing\, dancing\, band performances\, skits\, stand-up comedy — anything that shows your creativity and stage charm is welcome!A refundable deposit of NT$200 per group is required; however\, students who have paid the departmental fee are exempt. Deposits will be collected on November 14 and November 21 at 12:00\, in front of M404 (long table). \nGeneral participant registration is open until Tuesday\, November 18. Students of all years and departments are welcome to join — whether you want to relax\, make new friends\, or simply enjoy the energetic atmosphere.Admission is free for those who have paid the departmental fee\, while students from other departments or those who haven’t paid will be charged a small fee of NT$200–250. \nAccording to the organizers\, Product Design Night is not only a beloved annual tradition of the department\, but also a moment for designers to unleash their creativity and exchange inspiration. Everyone is invited to enjoy the night filled with music\, lights\, and design energy\, and end the semester with a brilliant spark. \nFor more registration details\, please visit Department of Product Design Instagram @114mcu_pd or contact the event chair or co-chair directly.
URL:https://events.mcu.edu.tw/event/%e5%95%86%e5%93%81%e8%a8%ad%e8%a8%88%e7%b3%bb-department-of-product-design%ef%bd%9c%e5%93%81%e8%a8%ad%e4%b9%8b%e5%a4%9c%ef%bc%9a%e5%86%8d%e7%9d%a1%ef%bc%9f%e4%bd%a0%e7%9a%84%e4%bd%9c%e5%93%81%e5%b0%b1/
LOCATION:桃園校區Taoyuan Campus\, 龜山區德明路5號\, 桃園市\, Taiwan
CATEGORIES:商品設計學系
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20251030T080000
DTEND;TZID=Asia/Taipei:20251109T210000
DTSTAMP:20260405T181847
CREATED:20251030T035911Z
LAST-MODIFIED:20251030T035911Z
UID:10001492-1761811200-1762722000@events.mcu.edu.tw
SUMMARY:應用日語學系 Department of Applied Japanese｜花火祭 Hanabi Festival
DESCRIPTION:傳說中應日系最盛大的活動之一「花火祭」即將燦爛回歸！這場活動專為應日系同學打造，想在舞台上唱歌、跳舞，或首次展現自我魅力的同學們！都不能錯過。除了多樣表演外，今年還新增「花見」（女裝）與「草見」（男裝）選拔，用創意與熱情點亮夜晚舞台。只要你有心，就來一起讓「花火祭」成為你的專屬時刻！ \n「花火祭」活動將於11/19（三）18:00-21:00（17:30開放入場）在P102舉行。參與表演報名即日起至11/2（日）中午12:00止；若報名組別過多，將提前關閉。團體表演僅需一位代表填寫所有成員資料；使用音檔者請於11/9（日）21:00前，以mp3格式寄至mcuaj114@gmail.com，信件主旨註明「花火祭表演音檔_藝名／團體名」。 \n應日系學會誠摯邀請應日同學們，無論唱跳或裝扮，只要有舞台夢與演出熱情，就來「花火祭」展示個人的光芒吧！更多活動資訊請查詢Instagram【mcuaj】。 \nOne of the most anticipated events of Department of Applied Japanese — the Hanabi Festival — is making a dazzling return!\nThis lively celebration is exclusively for students of Department of Applied Japanese. Whether you want to sing\, dance\, or step onto the stage for the first time to show your charm\, this is your chance to shine. \nIn addition to a variety of performances\, this year introduces two exciting new contests: “Hanami” (female costume) and “Kusami” (male costume)\, where creativity and passion will light up the night stage.\nIf you’ve ever dreamed of performing\, don’t miss the opportunity to make the Hanabi Festival your moment to remember! \nThe Hanabi Festival will be held on November 19 (Wed)\, 18:00–21:00 (doors open at 17:30) in P102.\nPerformance registration is open until November 2 (Sun) at 12:00 noon.\nIf the number of entries exceeds capacity\, registration will close early.\nFor group performances\, only one representative is required to submit information for all members.\nThose using background audio should send their mp3 file to mcuaj114@gmail.com by November 9 (Sun) at 21:00\, with the subject line:\n“Hanabi Festival Performance Audio_[Performer/Group Name]”. \nDepartment of Applied Japanese warmly invites all students to join in — whether you love to sing\, dance\, or dress up — and let your talent shine on stage!\nFor more information\, please visit our Instagram page @mcuaj.
URL:https://events.mcu.edu.tw/event/%e6%87%89%e7%94%a8%e6%97%a5%e8%aa%9e%e5%ad%b8%e7%b3%bb-department-of-applied-japanese%ef%bd%9c%e8%8a%b1%e7%81%ab%e7%a5%ad-hanabi-festival-2/
LOCATION:桃園校區Taoyuan Campus\, 龜山區德明路5號\, 桃園市\, Taiwan
CATEGORIES:應用日語學系
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20251023T110000
DTEND;TZID=Asia/Taipei:20251130T220000
DTSTAMP:20260405T181847
CREATED:20251002T072813Z
LAST-MODIFIED:20251002T072813Z
UID:10001444-1761217200-1764540000@events.mcu.edu.tw
SUMMARY:2025 C-LAB 聲響藝術節 Sound Festival：DIVERSONICS
DESCRIPTION:兩年舉辦一次的C-LAB聲響藝術節以當代音樂聲響創製為主軸，媒合國內外音樂聲音及跨領域藝術家創作者的交流與合作。以藝術節為平台，舉辦現場多元展演、聲音裝置展覽、國際論壇、講座、工作坊、大師班等多樣化活動，期待跳脫傳統創作思維，將當代音樂、影像視覺、裝置、科技藝術、MR、舞蹈等多個領域進行媒合交融。 \nHeld biennially\, the C-LAB Sound Festival centers on the creation of contemporary music and sound\, fostering exchanges and collaborations among domestic and international musicians\, sound artists\, and cross-disciplinary creators. Using the festival as a platform\, it presents diverse live performances\, sound installations\, international forums\, lectures\, workshops\, and masterclasses. The festival aims to break free from traditional creative frameworks\, interweaving contemporary music\, visual imagery\, installations\, media art\, MR (Mixed Reality)\, dance\, and other disciplines. \n2025 C-LAB聲響藝術節：DIVERSONICS 2025 C-LAB Sound Festival: DIVERSONICS \n2025年C-LAB聲響藝術節節目內容規畫六大單元，呈現將近40場跨類型展演、裝置作品及藝術家講座、工作坊、IRCAM國際論壇台北場等相關活動。共邀集來自德國、法國、阿根廷、盧森堡、日本、韓國等優秀音樂聲音創作者暨演出者來台發表分享最新作品。 \n「當代大師／經典」單元將舉行當代音樂巨擘布列茲(Pierre Boulez)百年誕辰音樂會，展現其作曲理念與科技電聲的前瞻性。阿根廷作曲家馬塔隆(Martin Matalon)為卓別林經典影片「工廠」所新創的當代音樂並將親臨現場指揮；法國作曲家馬努里(Philippe Manoury)的電聲作品呈現聲響與時間的互動。「當代新聲」單元則聚焦當今世界聲響藝術創作潮流與殊異樂種、藝術領域交疊碰撞，邀請國內外創作者及演奏家演繹新的樂音聲響作品，包含法國當代三重奏、巴黎現代音樂協會、GRM等國際知名團體，演出形式涵蓋電影音樂會、AI運用創作音樂、舞蹈音樂、燈光樂音互動與現場音像等合作演出。 \n「躍舞樂音」呈現現代舞與街舞跨界合作；「MR新聲境」則與臺中國家歌劇院攜手共製，讓聲響角色提升虛實共演的整體表現。「聲響裝置展演」則邀請國內外不同領域創作者以聲音裝置、現場行為演出等透過沉浸式引領觀眾探索當代生存所面臨的生存挑戰，並展現聲響作為藝術表現的重要性與感染力。「校際單元」與陽明交通大學及臺灣師範大學合作，培育新生代聲響創作者研創新的展演內容與形式。 \nIn 2025\, the Festival features six major sections comprising nearly 40 programs\, including cross-genre performances\, installation works\, artist talks\, workshops\, and IRCAM International Forum Taipei. Distinguished musicians\, sound artists\, and performers from Germany\, France\, Argentina\, Luxembourg\, Japan\, Korea\, and more will be invited to Taiwan to present and share their latest works. \nThe “Contemporary Masters/Classics” section celebrates centennial commemorations of the legendary Pierre Boulez\, highlighting his compositional ideas and pioneering electroacoustic works. Argentine composer Martin Matalon will conduct his newly created music for Chaplin’s classic Modern Times (Factory sequence). French composer Philippe Manoury’s electroacoustic works explore the interaction between sound and time. \nThe “New Contemporary Music/Sounds” section focuses on current trends in sound art and the collision of diverse genres and artistic disciplines. It features international and Taiwanese creators and ensembles\, including French contemporary trios\, the Paris Modern Music Association\, GRM\, and more. Programs include film-music concerts\, AI-assisted music creation\, dance-music collaborations\, light-sound interactive performances\, and audiovisual works. \n“Dance & Music/Sounds” presents collaborations between contemporary and street dance. \n“MR: New Soundscape”\, co-produced with the National Taichung Theater (NTT)\, integrates sound within mixed reality environments for immersive hybrid performances. \nThe “Sound Installation & Performance” section invites artists from various fields to create sound installations and live actions\, guiding audiences into immersive explorations of contemporary existential challenges\, while showcasing the expressive and emotional power of sound as an artistic medium. \nThe “Academy” section collaborates with National Yang Ming Chiao Tung University and National Taiwan Normal University to nurture the next generation of sound creators through innovative showcase projects and experimental performance formats. \n——Info—— \n日期 Date｜2025.10.23-2025.11.30 \n地點 Venue｜臺灣當代文化實驗場（臺灣聲響實驗室立體聲場、聯合餐廳展演空間一二樓、灰盒子、圖書館展演空間一二樓、美援大樓展演空間一樓、空總劇場）、臺北藝術大學音樂廳、臺北藝術大學音樂系館、國立臺灣師範大學、新北市美術館、臺北流行音樂中心、國立臺灣科學教育館、社子島戶外空間-島頭公園） \nC-LAB (Taiwan Sound Lab 3D Sound Theater\, Joint Restaurant Performance Space 1F & 2F\, Grey Box\, Library Performance Space 1F & 2F\, AID Building Performance Space 1F\, C-LAB Theater)\, Taipei National University of the Arts Concert Hall & Music Department\, National Taiwan Normal University\, New Taipei City Art Museum\, Taipei Music Center\, National Taiwan Science Education Center\, Shezi Island Outdoor Space – Dao Tou Park \n各單元節目一覽 Program Overview \n（節目將陸續更新！可點選節目名稱連結至各售票／索票頁 Programs will be continuously updated! Click the program titles for ticketing or registration links.） \n ▌當代大師 / 經典 Contemporary Masters/Classics ▌ \n《布列茲100・臺北 Boulez 100・Taipei》- IRCAM、國立臺北藝術大學新音樂工作坊  \n《「卓別林：工廠」電影音樂會 Chaplin: Modern Times (Factory) – Film Music Concert》- 馬丁・馬塔隆 Martin Matalon \n《Matalon x K/D/M 講座音樂會 Lecture Concert》- 馬丁・馬塔隆、K/D/M 三重奏 Martin Matalon\, K/D/M Trio \nMartin Matalon 大師班 Masterclass – 馬丁・馬塔隆、與談人：王君琦 ※敬請期待 To be announced \nKDM音樂詮釋大師班：手風琴與打擊樂 – K/D/M 三重奏 K/D/M Masterclass: Accordion & Percussion ※敬請期待 To be announced \n《布列茲計畫 Boulez Project－獨奏迴響 A Journey through Solos》- 捌號會所 Studio Acht \n《兄弟：菲利普·馬努里的《海王星》和《木星》— 紀念尼克·尼爾森音樂會》- 時間藝術工作室 \n ▌當代新聲 New Contemporary Music/Sounds ▌ \n《竹之森 Bamboo Forest 》- 巴黎現代音樂協會 TPMC \n《河鰻 – 現場聲響版：洄游 Eel: Live Sound Version – Migration》- 晟 SHENG×柯泯薰×尊室安×朱駿騰 \n《社子島 Shezi Island — 中陰洄游 Bardo Migration》 \n《Trompe-l’œil》— 聲響迷宮 – 法國當代三重奏 20° dans le noir \n《台韓電聲影音之夜I Korea–Taiwan Electroacoustic Audiovisual Night I》 \n《台韓電聲影音之夜II Korea–Taiwan Electroacoustic Audiovisual Night II》 \n《新銳當代音樂聲響聯合展演 New Generation Contemporary Music Sound Collective》- 陳家輝、黃苓瑄、吳秉聖、王之筠、XTRUX (蘇柏瑞、李畯玨、邱晨恩、曾竣偉)、黃詠仁、陳柏豪、曾靖軒、溫泓凱 \n《Ambisonics Concert》- 林梅芳、Mauro Lanza、林劭奇、鄒天羽、Louisa Palmi、廖鄒寧、胡璇、Isaac Barzso \n《IRCAM工作坊精選作品》- 方仁宇、陳臨霜、張沄真、章克澍、廖子堂 \n《光影音樂會 Light & Sound Concert》- 리 Trio X 白油 \n《迸發 二 Explosions II》- 劉韋志 \n《唯聲美學光譜 The Aesthetics of Pure Sound Spectrum》- 音樂研究團體（Groupe de recherches musicales\, GRM）※敬請期待 To be announced \n《音樂家與AI的共創及對話 Musicians and AI: Co-Creation & Dialogue》- 雙溪樂集 \n迷幻開源宇宙 Psychedelic Open-Source Universe：Mong Tong × XTRUX《明日音》專場 ※10/15起售，敬請期待 Tickets available from 10/15 \n ▌躍舞樂音 Dance & Music/Sounds ▌ \n《SoMO: Sound & Movement 體驗》- Melting Part ※敬請期待 To be announced \n《KINGDOM》- 趙亭婷×安娜琪舞蹈劇場 \n《當代數位陣頭舞藝新創：五路財神陣虛實共演 Contemporary Digital Parade Art: Five Wealth Gods Troupe – Mixed Reality Performance》※敬請期待 To be announced \n ▌MR新聲境 MR: New Soundscape ▌ \nNTT×C-LAB《克萊歐》- 陳筱彤 ※敬請期待 To be announced \nNTT×C-LAB《他在他方》- 洪安旭、李宇泓、許兆豐 ※敬請期待 To be announced \n ▌聲響裝置展演 Sound Installation & Performance ▌ \n《回聲室 Echo Chamber》- 陳乂、王仲堃、吳秉聖 \n▶️11/14場次 \n▶️11/15場次 \n▶️11/16場次 \n《之間II：不／協和音 In Between II: Dissonance/Consonance》- 徐氏工作室 \n《朗誦者 2.0 Reciter 2.0》- 紀柏豪 \n《海境：回溯 Sea Realm: Retracing》- 何理、KLING KLANG KLONG \n《DRIFT IN TIME》- 叁式 \n《八月十五 August 15th》- 朱駿騰 \n《Roomba 書法：詩意的機器考古學》- 上野 健 \n《展亭 Pavilion》- 楊嘉輝 \n《於深淵中，再次作為感知者 In the Abyss\, Again as Perceiver》- 張晏慈 \n ▌校際單元 Academy ▌ \n《阡陌聲影 Paths of Sound & Shadow》- 國立陽明交通大學音樂研究所（創作與科技組 / 當代音樂與多媒體）師生聯展 \n《聲境謎響 Sonic Enigma》— 器樂科技互動、AI音樂共創、現場編碼、沉浸劇院 – 國立陽明交通大學音樂研究所 電腦音樂團隊 \n《感同聲授 Sound Pedagogy: Resonance of Learning》- 國立臺灣師範大學音樂學系 \n※活動皆採線上報名，索票與售票將陸續上架至ACCUPASS活動頁 \n※All events require online registration. Ticketing and reservations will gradually be released via ACCUPASS. \n持續關注音樂節最新消息 Stay updated on the festival news： \n📌 臺灣當代文化實驗場 官方網站 C-LAB Official Website \n📌 C-LAB臺灣聲響實驗室Facebook \n📌 節目手冊線上版 Online Festival Guidebook（預計10月初上線，敬請期待！ Available early October）
URL:https://events.mcu.edu.tw/event/2025-c-lab-%e8%81%b2%e9%9f%bf%e8%97%9d%e8%a1%93%e7%af%80-sound-festival%ef%bc%9adiversonics/
LOCATION:臺灣當代文化實驗場C-LAB\, 大安區建國南路一段177號\, 台北市\, Taiwan
CATEGORIES:ACCUPASS,臺灣當代文化實驗場C-LAB
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BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250613T193000
DTEND;TZID=Asia/Taipei:20250614T220000
DTSTAMP:20260405T181847
CREATED:20250610T084406Z
LAST-MODIFIED:20250610T084406Z
UID:10001296-1749843000-1749938400@events.mcu.edu.tw
SUMMARY:身體處方 莊博翔 D_Antidote Production by Chuang Po-Hsiang《非普通服務 Non-Ordinary Services》
DESCRIPTION:❝無法拒絕的服務，無法重置的身體軌跡❞ \n2025 身體處方 莊博翔 超現實關係之作 \n世界首演 \n報名 To apply：https://www.opentix.life/event/1904518508030468096 \n\n\n  \n「服務」： \n是無形且易逝的，在行動發生的瞬間生成亦消逝——製造與消耗共存於剎那之間。 \n「身體」： \n是靈魂的載體，記錄生命的軌跡，成為存在於現實中的唯一證明。 \n「關係」： \n在主動與被動之間游移，交織出短暫且脆弱的平衡。 \n“Service”: \nIntangible and fleeting\, it emerges and vanishes in the very moment of action—where creation and consumption coexist in an instant. \n“Body”: \nA vessel for the soul\, recording the trajectory of life\, becoming the only proof of existence in reality. \n“Relationship”: \nDrifting between the active and the passive\, weaving a transient and fragile balance. \n \n人與人之間的關係，如同重力般存在卻不可見，驅動著每一次交錯與分離。 \n穿梭於非寫實的場域，在反覆的碰撞、裝載與卸除中，逐漸展現彼此無法逃離的依附狀態——就像某種行為，無法拒絕，無法重置，永遠循環。 \nThe relationships between people exist like gravity—unseen yet ever-present—driving every encounter and separation. \nWithin a non-realistic space\, through repeated collisions\, loading and unloading\, an inescapable state of mutual dependence slowly emerges—like a ritual that cannot be refused\, cannot be reset\, and is destined to loop endlessly. \n \n《非普通服務》從身體與關係出發，展開一段超現實的旅程。身體被重新解構，動作被拆解、組裝、轉化，舞者在異時空裡重力失衡、關係改變、個體消失，回到原始的狀態，在服務與被操控服務之間不斷轉換，直到無法區分、無法抽離。 \n2023年最初以雙人舞形式誕生，從兩個身體之間最基本的連結出發，探索「服務」與「肉身」的關係。透過彼此支撐、穿戴與拆解，舞者在動作的相互作用中生成短暫而不可逆的關係，如同生物共生般不斷變異。作品擴展為7人群舞，讓個體與群體之間服務的流動更加複雜。並結合生物力學、超現實美學的劇場視覺，打造一場無法抽離的沉浸式體驗。 \n“Non-Ordinary Services” unfolds a surreal system of bodies and relationships. \nThe body is dismantled—movements broken\, reassembled\, reprogrammed. \nIn a fragmented\, post-human space\, dancers drift without gravity. \nRelationships shift\, bodies collapse\, individuals dissolve. \nA loop of service and control repeats—until roles blur\, until detachment is no longer possible. \nFirst conceived in 2023 as a duet\, the work began by examining the raw mechanics between two bodies—testing the limits of “service” and “flesh”. \nThrough loading\, wearing\, disassembling\, dancers generate unstable\, irreversible connections—mutating like living organisms bound to each other. \nNow expanded into a 7-person system\, the piece intensifies the flow of service between individual and collective. \nWith biomechanics and a hyper-designed\, dystopian aesthetic\, it becomes an immersive environment—one that refuses escape. \n編舞家Choreographer｜莊博翔 Po-Hsiang CHUANG \n\n\n\n \n©Manbo Key \n曾被歌德獎章得主耿一偉老師讚譽為「下一代最有潛力編舞家」；莊博翔擅長以身體作為載體，拆解、重構動作語彙，透過強烈的視覺風格與科幻影像的氛圍，探索身體與社會、人際關係之間的關聯，延伸其特殊的美學想像。他的作品關注舞者之間的動態機制，從極限身體技術到精準的力場掌控，讓舞蹈不僅是一種表演，而是一場辯證與社會實驗的感官體驗。 \n2024年以創團作《㒩》確立獨特的身體語彙，探討生命的循環與轉化。同年前往愛丁堡藝穗節臺灣季演出，並獲選為英國表演藝術媒體 The Stage「The Fringe Five」新銳劇場創作者，獲評「來自另一個世界的作品」，顛覆觀眾對身體的想像。2019年，他以《We are not human at all.》獲得台北藝穗節「藝穗原創精神獎」，同年榮獲舞躍大地創作比賽「年度大獎——金牌獎」。 \nPraised by Goethe Medal recipient Geng Yi-Wei as “the most promising choreographer of the next generation”\, Chuang Po-Hsiang explores the intersections between the body\, society and human relationships through a distinctive aesthetic vision. His work deconstructs and reconstructs movement vocabulary\, utilizing the body as both a vessel and a medium. With a strong visual language and a sci-fi cinematic atmosphere\, he extends the possibilities of contemporary dance\, transforming it into an immersive experience that transcends mere performance—becoming a dialectical exploration and a sensory-driven social experiment. \n身體處方 D_Antidote Production \n \n創立於2022年，藝術總監莊博翔試圖以身體出發，廣泛取材社會生活與虛幻想像，透過許多元素的表現，將藝術語彙轉化與融合，並探索生活中細緻的感觸，以及強烈的視覺風格，嘗試形塑出能與觀者及社會對話的作品。期許透過創作建造一面鏡子，讓觀者從中摸索屬於自己的人生解藥。藝術也使人更像人，透過持續創作以凝聚人群並期許自己能成為一個傳遞溫暖的人。 \nFounded in 2022\, D_Antidote Production is led by artistic director Chuang Po-Hsiang\, who seeks to explore the body as a medium\, drawing inspiration from both social realities and imagined worlds. By integrating diverse elements and expressive forms\, the company transforms artistic language into a fusion of movement\, imagery\, and emotion—unraveling the subtleties of human experience through a striking visual aesthetic. \nTheir creations act as a mirror\, inviting audiences to reflect\, engage\, and search for their own “antidote” to life. Through continuous artistic exploration\, D_Antidote Production aspires to bring people together\, using art as a means to amplify human connection and warmth in an ever-evolving world. \n製作團隊 \n編舞家｜莊博翔 \n舞者｜王官穎、周新杰、許雅昕、施旻雯、葉安婷、黃仕豪、廖健堯 \n前期發展舞者｜李冠霖 \n音樂設計｜柯智豪 \n舞台設計｜吳紫莖 \n燈光設計｜王天宏 \n服裝設計｜陳亞琦 \n舞台監督｜鄧湘庭 \n視覺拍攝｜登曼波 Manbo Key \n燈光師｜蔡秉孝 \n攝影助理｜廖紹勻 \n拼貼｜陳楷恩 \n主視覺設計｜Lunbochilla 貳步柒仔 \n視覺妝髮｜Ooioh、小安、Leif \n動態紀錄｜陳伯瑋、王彥敦 \n製作人｜林裕紘 \n執行製作｜洪小詠、盧琳 \n主辦單位｜D_Antidote Production身體處方 \n贊助單位｜國家文化藝術基金會、臺北市政府文化局、菁霖文化藝術基金會 \n＊本製作前期獲國家文化藝術基金會創作補助。 \nChoreographer｜ Po-Hsiang CHUANG \nPerformers｜ONG KUAN YING\, Kuan-Ling LEE\, Chien-Yao LIAO\, Ya-Hsin HSU\, An-Ting YEH\, Min-Wen SHIH\, Shi-Hao HUANG \nMusic Design｜Blaire KO \nStage Design｜Tzu-Chuing WU \nLighting Design｜Tien-Hung WANG \nCostume Design｜Ya-Chi CHEN \nStage Manager｜Hsiang-Ting TENG \nKey Visual Photographer｜Manbo Key \nLighting｜Ping-Hsiao TSAI \nPhoto Assistant｜Snake LIAO \nSketching｜Kayn CHEN \nGraphic Design｜Lunbochilla 貳步柒仔 \nMake up&Hair｜Ooioh\, Angus\, Leif \nVideographer｜Po-Wei CHEN\, Yen-Tun WANG (W.D) \nProducer｜Hank Yu-Hong LIN \nExecutive Producer｜Hsiao-Yung HUNG\, Lin LU \nPresented by｜D_Antidote Production \nSponsored by｜National Culture and Arts Foundation\, Department of Cultural Affairs Taipei City Government\, Chinlin Foundation for Culture and Arts
URL:https://events.mcu.edu.tw/event/%e8%ba%ab%e9%ab%94%e8%99%95%e6%96%b9-%e8%8e%8a%e5%8d%9a%e7%bf%94-d_antidote-production-by-chuang-po-hsiang%e3%80%8a%e9%9d%9e%e6%99%ae%e9%80%9a%e6%9c%8d%e5%8b%99-non-ordinary-services%e3%80%8b/
LOCATION:臺北表演藝術中心\, 士林區劍潭路1號\, 台北市\, Taiwan
CATEGORIES:身體處方
ATTACH;FMTTYPE=image/jpeg:https://events.mcu.edu.tw/wp-content/uploads/2025/06/1743228853704UqB8NJAiKD.jpeg
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BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250604T190000
DTEND;TZID=Asia/Taipei:20250608T060000
DTSTAMP:20260405T181848
CREATED:20250327T070807Z
LAST-MODIFIED:20250327T070807Z
UID:10000987-1749063600-1749362400@events.mcu.edu.tw
SUMMARY:盧卡斯．塔沃柯夫斯基 Łukasz Twarkowski《共和國 Respublika》
DESCRIPTION:✶超級大劇院首度開啟！邀千人共同站上史詩級舞臺 \n✶一場長達𝟨小時的沉浸式派對，與藝術家零距離互動，共創驚喜瞬間 \n✶結合電子樂、錄像藝術與現場演出的烏托邦國度 \n「我感到真正的自由，是在狂歡的當下。」——盧卡斯．塔沃柯夫斯基（Łukasz Twarkowski） \n✶ The Grand Theater Opens for the First Time! Join a thousand participants on an epic stage. \n✶ A 6-hour immersive party—experience close interactions with artists and create unforgettable moments together. \n✶ A utopian realm where electronic music\, video art\, and live performances collide. \n“I found absolute freedom in rave.”  — Łukasz Twarkowski  \n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n《共和國》是一場騷動。一次政變。一把利刃。 \n森林的細語和電子樂的海嘯。製片廠拆到一半的布景。 \n劇院的自旋。憑空造鎮的野心。流亡的國度。一架反照觀眾內心渴望的本我機器。 \n北藝中心將打通「大劇院」與「藍盒子」兩個劇院空間，成為一座偌大的「超級大劇院」迎接盧卡斯．塔沃柯夫斯基（Łukasz Twarkowski）的獨立建國。他將率領一幫藝術家，動員超過百人，在此成立一座柏拉圖致力將之驅逐的《共和國》。這個概念源自18世紀末的保拉瓦共和國（The Pavlov Republic）。它由一位神父創建，他與800位農民擁有自己的軍隊、金錢、劇院、學校，以及某種形式的醫療保健系統。最終，烏托邦並未實現，但這仍是一個可敬的構想。 \n當人類面對大疫襲來，保證取消，權威退駕，生活變得越來越可疑，一個母體般的影像世界轟然環繞，越追求自由，越感到痛苦。曾幾何時，我們活在一個已然發生的未來？ \n盧卡斯繼續探問：如果我們可以完全忘記工作一年，會發生什麼？ \nRespublika is a commotion\, a coup\, a sharp sword\, the whisper of the forest and tsunami in techno music\, the half-dismantled film studio set\, the self-rotation of a theatre\, the ambition to build a town out of thin air\, the realm for the exiles\, and the machine of reflecting audience’s inner desire. \nTaipei Performing Arts Center will connect its Grand Theater and Blue Box to form the massive-scale Super Theater for the independent nation built by Łukasz Twarkowski\, who leads a band of artists and mobilizes over a hundred of people to establish the “Respublika” (republic) which Plato would have endeavored to expel.  The concept comes from “The Pavlov Republic” in the late 18th Century\, where its founder\, a catholic priest\, gathers 800 peasants to form a community with its own army\, currency\, theatre\, school and some kind of medical healthcare system.  As a utopia unmaterialized\, “The Pavlov Republic” still provides an admirable inspiration. \nWhen humans face pandemic threats\, with assurance abolished and authority invalidated\, life becomes more suspicious than ever and suddenly finds it in a matrix-like world of flooded images.  The pursuit of freedom thus brings more suffering.  Since when have we lived in a future which has already happened? \nŁukasz continues with the question: what will happen if we can forget about work for a whole year? \n\n\n\n\n\n\n\n\n為了組建《共和國》，盧卡斯面試來自歐洲各劇院，超過百人的創作者，最終匯集15位演員、作曲家、舞台設計師、戲服設計師、編劇、DJ，加入這場實驗，帶領成員們在立陶宛森林中建立與世隔絕的「公社（Community）」。這場實驗最終並未成功。五年後，世界更加混亂，公社成員們終於理解那當時發生的事情的意義，決定製作一場演出，總結人類可能的未來以及存在的意義。 \n《共和國》在超級大劇院構建了一個微型的烏托邦，裡面有廚房、酒吧、桑拿房、紐奧良拖車、太空船、看台，以及配有DJ台和舞池的主舞臺。長達六小時的沉浸式體驗，邀請觀眾穿越三個階段，從旁觀者變身為共和國的公民。第一部份接近展覽，人們在所有空間遊逛，了解共和國的地理布局；第二部份結合現場表演和錄像裝置，觀眾面臨兩個選擇：透過大螢幕觀看，或直接進入房間體驗。當一切框架都卸除之後，觀眾將同時置身螢幕與房間混合的第三類空間，體驗虛實相互侵占的奇妙感覺。 \n第三部份是場盛大的派對：立牆被完全夷平，霓虹落下，《共和國》把敘事的權柄交還觀眾，邀請填空：我要____。我要信仰。我要自由。我要做夢。我要愛。我要潘朵拉盒子底部那抹微小的希望。DJ、演員與觀眾進入本能似的舞動中。長時間的舞蹈看似毫無產出，與資本社會強調努力的價值觀背道而馳。然而，即使努力，人們也未必能得到想要的。於是人們選擇狂歡，以此反抗絕望的現狀，將他們帶回古老的夢幻世界。 \n藝術家以過去式描述那未曾發生卻彷彿早已發生的世界，以Techno電子樂、銳舞派對（Rave）和錄像藝術，將這一場龐大夢境聯繫起來。DJ與表演者持續不斷播放音樂，勾攝為現實所困的人們，一場通宵達旦的銳舞派對（Rave），讓《共和國》成了短暫庇護所。 \n夢中的天堂最終將抵達現實，再瑰麗的伊甸園都會變成地獄。《共和國》的樂音在變調之前戛然而止。那一瞬間，我們感到絕對的恍惚，及絕對的自由。 \nFor the founding of Respublika\, Łukasz interviewed over a hundred of artists from theatres across Europe. The final group\, 15 people in total\, included actors\, composers\, set designers\, costume designers\, playwrights and DJs\, who joined Łukasz in this experimental project to create an isolated community in a Lithuanian forest. Eventually\, the experiment failed with the dissolution of the community; and another few years later\, since the world became increasingly chaotic\, the community members finally realized the significance of what they experienced during that time\, so they agreed to produce a stage performance to conclude a possible future for humans and its existential purpose. \nRespublika builds a microscopic utopia at Super Theatre\, where you can find kitchen\, bar\, sauna\, New Orleans trailer\, spaceship\, spectator stand\, and its main stage consisting of a DJ panel and dance floor. The 6-hour immersive experience invites audience to go through its three parts from purely spectators to citizens of Respublika. The first part adopts the form of an exhibition\, allowing visitors free access to the whole space so they can know better about the geographical layout of Respublika. The second part is a combination of live performance and video installation. Visitors are given two choices: to watch it on the big screen or to experience it in the room. When the framework is completely taken down\, the audience will find themselves in the “third space”\, a mixture of screens and rooms\, characterized with a strange feeling of the juxtaposition of virtual illusion and reality. \nThe third part is a grand party: with the standing walls fully dismantled and neon lights descending\, Respublika hands the scepter of storytelling back to the audience to finish the “I want” sentence: I want faith. I want freedom. I want to dream. I want love. I want the tiny hope at the bottom of Pandora’s box. DJs\, actors\, and the audience begin to dance and move instinctively. The durational dance seems to produce nothing and goes against the values of an effort-driven capitalist society. However\, your hard work does not always bring you what you desire\, so people choose to rave as a resistance to the current helpless situation and travel back to the ancient fantasy. \nThe artist describes the future world in past tense as if it has already happened\, connecting to the immense dream-realm via techno\, rave and radio art. The DJs and performers play the music nonstop to lure those trapped in reality\, while the all-night rave party makes Respublika a temporary shelter. \nThe paradise in the dream will eventually reach reality\, turning the most splendid Garden of Eden into hell. The melody of Respublika stops playing before it becomes distorted. At that moment\, we are in an absolute trance to enjoy absolute freedom. \n\n\n\n報名 To apply：https://www.opentix.life/event/1871745884606783488
URL:https://events.mcu.edu.tw/event/%e7%9b%a7%e5%8d%a1%e6%96%af%ef%bc%8e%e5%a1%94%e6%b2%83%e6%9f%af%e5%a4%ab%e6%96%af%e5%9f%ba-lukasz-twarkowski%e3%80%8a%e5%85%b1%e5%92%8c%e5%9c%8b-respublika%e3%80%8b/
LOCATION:臺北表演藝術中心\, 士林區劍潭路1號\, 台北市\, Taiwan
CATEGORIES:臺北表演藝術中心
ATTACH;FMTTYPE=image/jpeg:https://events.mcu.edu.tw/wp-content/uploads/2025/03/3600991e4afe31ef21d3f07e58b970ec.jpg
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DTSTART;TZID=Asia/Taipei:20250503T143000
DTEND;TZID=Asia/Taipei:20250504T163000
DTSTAMP:20260405T181848
CREATED:20250502T022532Z
LAST-MODIFIED:20250502T022532Z
UID:10001061-1746282600-1746376200@events.mcu.edu.tw
SUMMARY:2025 雲門舞集 Cloud Gate《定光 Sounding Light》
DESCRIPTION:返璞歸真 鄭宗龍向山林借舞 \n再現接掌雲門首部作品 舞者擬聲凝像找自然 \nReturning to the basics\, Zheng Zonglong borrows dance techniques from mountains and forests \nRe-enacting the first work of Cloud Gate Dancers\, using simulated voices and images to find nature \n\n\n\n【音樂家的無聊人生】 雲門用「聲音」跳舞？音樂Youtuber實訪開箱！ \n[The Boring Life of a Musician] Cloud Gate dances with “sound”? An interview with a music YouTuber! \n2020年，世界按下暫停鍵。在這個停擺的時刻，甫接任雲門舞集藝術總監的鄭宗龍，在完成63天與疫情賽跑的歐洲巡演後，於隔離期間重新思考人與自然的關係。決定創作一支從自然而來的作品。 \n童年時光裡，鄭宗龍的父親常帶他到南勢溪釣魚。溪水蜿蜒穿過起伏山勢，風聲低語伴隨山鳥鳴叫，年幼的他隨著地形調整節奏與步伐，耳朵敞開去捕捉周圍的韻律，大自然悄然地成為他獨一無二的舞蹈老師。【延伸閱讀：從泥裡生出來的雲門鄭宗龍】 \n這段經驗引領鄭宗龍在閒暇時親近大自然。構思《定光》時，他決定帶著舞者攀上合歡北峰。儘管旁人勸阻，他們仍選擇以身體探索，在山林間尋找原始的律動，汲取動作的本能。【延伸閱讀：決定向上，真的要去山裡了！】 \n回到雲門的排練室，鄭宗龍邀請古典音樂出身的張玹，以五線譜記錄山林間的蟲鳴鳥叫、風聲雨響。舞者透過讀譜，學習將聲調與律動合為一體。音樂人林強則運用極簡音律，調和整體聲場，為舞作注入靈魂。 \n鄭宗龍捨棄強烈的舞台視覺效果，選擇以純白布幕環繞，構築出彷彿無邊無際的純淨空間。李琬玲的燈光隨舞者動作流轉，在時間的長河中留下變化的痕跡，映照在陳劭彥設計的米白色服裝與舞者肌膚上。 \nIn 2020\, the world paused. During this pause\, Cheng Chung-lung\, who had just taken over as the artistic director of Cloud Gate\, rethought the relationship between man and nature during the quarantine period after completing a 63-day European tour to race against the epidemic. He decided to create a work that came from nature. \nWhen he was a child\, Zheng Zonglong’s father often took him to Nanshi River to fish. The river meandered through the rolling mountains\, the whisper of the wind accompanied by the chirping of mountain birds\, and the young boy adjusted his rhythm and steps according to the terrain\, opening his ears to capture the rhythm of the surroundings. Nature quietly became his unique dance teacher. [Extended reading: Zheng Zonglong of Cloud Gate\, born from mud] \nThis experience led Zheng Zonglong to get close to nature in his spare time. When he was conceiving Dingguang\, he decided to take the dancers to climb the Hehuan North Peak. Despite the advice of others\, they still chose to explore with their bodies\, looking for the original rhythm in the mountains and forests\, and absorbing the instinct of movement. [Extended reading: Decided to go up\, really going to the mountains! ] \nBack in the rehearsal room of Cloud Gate\, Zheng Zonglong invited Zhang Xuan\, who is a classical musician\, to record the chirping of insects and birds\, the sound of wind and rain in the mountains and forests with five-line music scores. The dancers learned to combine the tone and rhythm by reading the music scores. The musician Lin Qiang used minimalist music to harmonize the overall sound field and inject soul into the dance. \nZheng Zonglong abandoned the strong visual effects of the stage and chose to surround the stage with pure white curtains to create a seemingly boundless pure space. Li Wanling’s lights flowed with the dancers’ movements\, leaving traces of change in the long river of time\, and reflected on the off-white costumes designed by Chen Shaoyan and the dancers’ skin. \n \n更具挑戰的是，整場演出燈光全程明亮，舞者沒有任何喘息的空檔。65分鐘的舞作中，舞者持續不間斷地舞動與發聲，凝聚成幅幅山林的瞬間，呈現非凡的專注與毅力。德國《Tanz》雜誌資深舞評托本·伊布斯（Torben Ibs）對作品印象深刻，讚譽「舞者令人驚艷的表現，展現無愧於世界頂尖舞團的實力。」 \n「《定光》是透過身體和聲音綻放舞者光芒。」鄭宗龍認為專注凝視的當下，就是發光的時刻。睽違五年，《定光》攜媒體盛讚，以純粹的聲韻與肢體，再現新北與臺南。 \nWhat was even more challenging was that the lights were bright throughout the performance\, and the dancers had no time to breathe. During the 65-minute dance\, the dancers continued to dance and sing\, condensing into moments of mountains and forests\, showing extraordinary concentration and perseverance. Torben Ibs\, a senior dance critic for German magazine Tanz\, was impressed by the work and praised it as “the dancers’ amazing performance\, showing the strength worthy of the world’s top dance company.” \n“Dingguang is about letting the dancer shine through the body and voice.” Zheng Zonglong believes that the moment of concentration and gaze is the moment of shining. After five years\, Dingguang has received rave reviews from the media and reappeared in New Taipei and Tainan with pure voice and body. \n \n團隊介紹 Team Introduction \n雲門舞集 Cloud Gate \n1973年，林懷民創辦雲門舞集。這是臺灣第一個職業舞團，也是所有華語社會的第一個當代舞團。2020年，由鄭宗龍接任藝術總監。 \n雲門長年海外巡演，以獨特的動作語言，傑出的舞作，精湛的舞技，被譽為「世界一流現代舞團」。2018年，雲門獲頒英國國家舞蹈獎的「傑出舞團獎」。 \n雲門除了定期發表新作品及搬演經典舞作外，舞團每年在臺灣不同城市舉辦大型戶外公演，更以親切、活潑的方式深入社區，讓舞蹈走進大眾的生活。 \n2023年，雲門50週年，舞過半世紀，持續透過舞蹈扎根臺灣，開展舞蹈淑世志業。 \nIn 1973\, Lin Hwai-min founded Cloud Gate. It was the first professional dance company in Taiwan and the first contemporary dance company in all Chinese-speaking societies. In 2020\, Zheng Zonglong took over as artistic director. \nCloud Gate has been touring overseas for many years and is known as the “world’s top modern dance company” for its unique movement language\, outstanding choreography and superb dance skills. In 2018\, Cloud Gate was awarded the “Outstanding Dance Company Award” at British National Dance Awards. \nIn addition to regularly releasing new works and performing classic dance works\, Cloud Gate holds large-scale outdoor performances in different cities in Taiwan every year. It also reaches out to the community in a friendly and lively way to bring dance into the lives of the public. \nIn 2023\, Cloud Gate will celebrate its 50th anniversary. After half a century of dancing\, it will continue to take root in Taiwan through dance and carry out its mission of improving the world through dance. \n藝術家介紹 Artist Introduction \n藝術總監暨編舞家 鄭宗龍 Artistic Director and Choreographer Zheng Zonglong \n2020年出任雲門舞集藝術總監。出生於臺北艋舺，從擺攤叫賣的幼年汲取創作靈感，作品交織街頭張力與人生百態。曾獲德國No Ballet當代編舞比賽銅牌獎，西班牙MASDANZA編舞大賽首獎。 \n2020年《定光》融合身體與自然，舞評譽為「雕琢精緻，值得一看再看」。2022年《霞》，以薩克斯風版的巴赫無伴奏《大提琴組曲》入舞，讓舞者用身體訴說個人生命，2023年與日本新媒體藝術家真鍋大度合作的《波》，運用科技突破律動限制，勾引身體深層動能。 \n2020年鄭宗龍與阿喀郎．汗、威廉．佛塞等，同時入選英國羅德里奇出版的「50位當代編舞家」。 \nIn 2020\, he became the artistic director of Cloud Gate. Born in Monga\, Taipei\, he drew inspiration from his childhood as a street vendor. His works interweave street tension with the various aspects of life. He has won the bronze medal in No Ballet Contemporary Choreography Competition in Germany and the first prize in MASDANZA Choreography Competition in Spain. \nIn 2020\, Dingguang combines the body and nature\, and the choreographer praised it as “exquisitely crafted and worth watching again and again”. In 2022\, Xia uses the saxophone version of Bach’s unaccompanied Cello Suite to dance\, allowing dancers to tell their personal lives with their bodies. In 2023\, Wave\, a collaboration with Japanese new media artist Taito Manabe\, uses technology to break through the limitations of rhythm and seduce the deep kinetic energy of the body. \nIn 2020\, Zheng Zonglong was selected as one of “50 Contemporary Choreographers” by Rodridge Publishing in UK\, along with Akram Khan and William Forsythe. \n報名 To apply：https://www.opentix.life/event/1860683430692802560
URL:https://events.mcu.edu.tw/event/2025-%e9%9b%b2%e9%96%80%e8%88%9e%e9%9b%86-cloud-gate%e3%80%8a%e5%ae%9a%e5%85%89-sounding-light%e3%80%8b/
LOCATION:臺南文化中心演藝廳\, 東區中華東路三段332號\, 台南市\, Taiwan
CATEGORIES:財團法人雲門文化藝術基金會
ATTACH;FMTTYPE=image/jpeg:https://events.mcu.edu.tw/wp-content/uploads/2025/05/2025定光_雲門劇場首頁banner_2000X1000.jpg
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BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250419T143000
DTEND;TZID=Asia/Taipei:20250420T163000
DTSTAMP:20260405T181848
CREATED:20250327T055333Z
LAST-MODIFIED:20250327T055333Z
UID:10000986-1745073000-1745166600@events.mcu.edu.tw
SUMMARY:黑眼睛跨劇團 Dark Eyes Performance Lab《末日前的冬之旅 Journey into the Apocalypse》
DESCRIPTION:挑戰同台雙戲 打造過去未來世界觀 \n以當代敘事衝撞經典  \n爵士編曲、台語演唱舒伯特大膽翻玩 \n舒伯特（Franz Schubert）聯篇歌曲《冬之旅》是古典音樂的瑰寶，音樂與文學結合的顛峰，以靈動多變的曲風譜寫德國詩人穆勒（William A. Mueller）的24首詩作，描述一個失戀者的旅程。 \n這次，黑眼睛跨劇團的藝術總監、詩人鴻鴻，將具像化《冬之旅》的幽微詩意，除了以一個完整的舞台敘事搬演這齣末路戀曲，更開闢了一條通往台灣當代，乃至末日的未來，成為一則文明與社會進展的寓言。全劇將舞台打造為一場幻日、綠茵與毀滅交織的夢幻劇，有人在其間生存、遊戲、工作、抗爭，也有希望的魅影不時飄過。而舒伯特優美深沉的音樂，則成為最大的慰安與最後的救贖。舞台設計廖音喬配合影像與燈光，呈現出難以置信的光影劇場。由余彥芳編排、田孝慈擔綱的舞蹈段落，更營造出獨特的視角。最令人期待的，莫過於本劇將有兩個版本現身！ \n《末日前的冬之旅》將分為古典版──「絕世復刻古典場」，由男中音趙方豪，搭配鋼琴伴奏演唱舒伯特的德語原版；以及爵士版──「末日重生爵士場」，由爵士女歌手林理惠演唱、謝明諺全新編曲的台語版本。除了能體驗百聽不膩、原汁原味的舒伯特，也能在爵士樂所轉化的狂野版本中，盡情享受當代滋味。從跨樂種到跨語種，演唱者彷彿也以流浪者的身分，浪跡時代的劇變、心緒的轉換，以及語言和音樂的過渡，有如一名穿梭古今的說書人，不僅是對經典的重新詮釋，更是一場台文文學與音樂的跨界冒險。 \nFranz Schubert’s Winterreise\, a song cycle\, is a cherished gem of classical music and a perfect union of music and poetry. With his richly varied and expressive musical style\, Schubert sets to music 24 poems by German poet Wilhelm Müller\, portraying the journey of a heartbroken wanderer. \nIn the production\, Winterreise is reimagined by Dark Eyes Performance Lab’s artistic director and poet Hung Hung\, who brings its subtle poetry to life. In addition to presenting this tale of doomed love as a complete stage narrative\, he charts a course from contemporary Taiwan to an apocalyptic future\, recasting the work as an allegory of civilization and societal evolution. \nThe entire production transforms the stage into a dreamlike spectacle where sun dogs\, green fields and destruction intertwine. Characters survive\, play\, work and struggle in this world\, while fleeting glimpses of hope occasionally emerge. Schubert’s exquisite and profound music becomes the greatest source of comfort and ultimate redemption. The stage design by Liao Yin-chiao\, in collaboration with images and lighting\, creates an incredible visual experience of light and shadow. The dance segments\, choreographed by Yu Yan-fang and performed by Tian Xiao-ci\, offer a unique perspective. What audiences most anticipate is the presentation of the production in two versions! \nJourney into the Apocalypse will be presented in two versions: the classical version\, A Timeless Reproduction of the Classic\, featuring baritone Zhao Fang-hao performing Schubert’s original German version with piano accompaniment; and the jazz version\, Rebirth through Jazz\, with jazz singer Mars Lin (Lin Li-hui) performing a new Taiwanese version arranged by Xie Ming-yan. In addition to experiencing Schubert’s music in its original and timeless form\, audiences will also be immersed in a bold\, contemporary jazz reinterpretation. From blending musical genres to transcending language barriers\, the performers take on the role of wanderers\, traversing the changing tides of time\, emotional shifts\, and the transition between languages and music. Like a storyteller bridging the past and present\, this performance not only offers a re-interpretation of the classic but also an adventurous fusion of Taiwanese literature and music. \n報名 To apply：https://www.opentix.life/event/1871397628185849857
URL:https://events.mcu.edu.tw/event/%e9%bb%91%e7%9c%bc%e7%9d%9b%e8%b7%a8%e5%8a%87%e5%9c%98-dark-eyes-performance-lab%e3%80%8a%e6%9c%ab%e6%97%a5%e5%89%8d%e7%9a%84%e5%86%ac%e4%b9%8b%e6%97%85-journey-into-the-apocalypse%e3%80%8b/
LOCATION:臺北表演藝術中心\, 士林區劍潭路1號\, 台北市\, Taiwan
CATEGORIES:臺北表演藝術中心
ATTACH;FMTTYPE=image/jpeg:https://events.mcu.edu.tw/wp-content/uploads/2025/03/c6bbda20c3dd8178b1c81e047e7f4c79.jpg
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BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250411T193000
DTEND;TZID=Asia/Taipei:20250412T163000
DTSTAMP:20260405T181848
CREATED:20250327T053826Z
LAST-MODIFIED:20250327T053826Z
UID:10000985-1744399800-1744475400@events.mcu.edu.tw
SUMMARY:威廉．肯特里奇 William Kentridge《女先知 SIBYL》
DESCRIPTION:威廉・肯特里奇《女先知》亞洲首演 \n震撼重現北美館超過30萬人熱烈迴響 的展覽鉅作！ \n大師畢生創作精華，極致視覺與音樂饗宴 —— \n《女先知》雙重呈現，突破藝術與劇場界限，啟發無限想像！ \nAsian Premiere of SIBYL \nExperience the Masterpiece That Captivated Over 300\,000 Visitors at the Taipei Fine Arts Museum! \nA spectacular fusion of visual art and music\, SIBYL is a landmark production that pushes the boundaries of art and theater\, igniting boundless imagination. \n威廉．肯特里奇（William Kentridge） \n1955年生於南非，1976年畢業於約翰尼斯堡金山大學，主修政治學和非洲研究。作品跨足繪畫、雕塑、織毯、影像、劇場、文學與表演。 \n他的創作方法融合了素描、寫作、電影、表演、音樂、戲劇及協作實踐，並以政治、科學、文學和歷史為基礎，同時保留矛盾與不確定性的空間。 \nBorn in 1955 in South Africa\, William Kentridge graduated from University of the Witwatersrand in Johannesburg in 1976\, majoring in Political Science and African Studies. His multidisciplinary works span drawing\, sculpture\, tapestry\, film\, theater\, literature and performance. \nKentridge’s artistic approach seamlessly blends drawing\, writing\, filmmaking\, performance\, music\, theater and collaborative practice\, incorporating politics\, science\, literature and history while embracing ambiguity and contradiction. \n \n「我很幸運，在戲劇學校發現自己非常不擅長當演員…以至於我『淪落』為一名藝術家，我也就安然接受。」-威廉．肯特里奇 \n自1990年代以來，肯特里奇的作品在世界各地的博物館和畫廊展出，包括紐約現代藝術博物館（MoMA）、維也納阿爾貝蒂娜博物館、巴黎羅浮宮、倫敦懷特教堂畫廊、哥本哈根路易斯安那現代藝術博物館、馬德里索菲亞王后藝術中心、巴塞爾藝術博物館、開普敦Zeitz MOCAA及Norval基金會，以及倫敦皇家藝術學院。他曾多次參加卡塞爾文件展（1997年、2002年、2012年）和威尼斯雙年展（1993年、1999年、2005年、2013年、2015年）。 \n肯特里奇的戲劇作品曾在全球各大劇院和藝術節上演，包括《Refuse the Hour》、《Winterreise》、《Paper Music》、《The Head & the Load》、《Ursonate》、《Sibyl》、《The Great Yes\, The Great No》。 \n“I was fortunate to discover at drama school that I was a terrible actor… leading me to ‘fall back’ on being an artist—which I accepted without protest.” – William Kentridge \nSince the 1990s\, Kentridge’s works have been exhibited worldwide\, including at:🏛 Museum of Modern Art (MoMA)\, New York🏛 Albertina Museum\, Vienna🏛 Louvre\, Paris🏛 Whitechapel Gallery\, London🏛 Louisiana Museum of Modern Art\, Copenhagen🏛 Museo Reina Sofía\, Madrid🏛 Kunstmuseum Basel\, Switzerland🏛 Zeitz MOCAA & Norval Foundation\, Cape Town🏛 Royal Academy of Arts\, London \nHe has also participated in documenta (1997\, 2002\, 2012) and the Venice Biennale (1993\, 1999\, 2005\, 2013\, 2015) multiple times. \nTheatrical Works \nKentridge’s stage productions have been performed at major theaters and art festivals worldwide\, including:🎭 Refuse the Hour🎭 Winterreise🎭 Paper Music🎭 The Head & the Load🎭 Ursonate🎭 Sibyl🎭 The Great Yes\, The Great No \n \n《女先知》——30萬人展覽之後，迎來劇場鉅獻 \n如果展覽是一本未讀完的書，這場演出就是最後一章！ \n錯過超過30萬人熱烈參與的展覽沒關係，2025年的《女先知》是肯特里奇創作生涯的集大成之作，集繪畫、動畫、音樂與舞蹈於一身，突破藝術與劇場的界限，啟發無限想像。 \n以手工感的書頁投影動畫，暗喻阿波羅神諭的女先知在樹葉寫下預言，結合南非傳統歌謠與合唱、不斷旋轉的肢體舞蹈，形成一齣象徵命運與無常的總體劇場。 \nSIBYL: From Exhibition to Theatrical Masterpiece \n“If an exhibition is an unfinished book\, this performance is its final chapter.” \nMissed the critically acclaimed exhibition that drew over 300\,000 visitors? No worries—in 2025\, SIBYL will bring Kentridge’s artistic legacy to the stage. \nA culmination of his life’s work\, this production blends drawing\, animation\, music\, and dance\, transcending the boundaries of art and theater to create an immersive\, thought-provoking experience. \nHandcrafted page-like projections evoke the prophetic Sibyls of Apollo’s Oracle\, who inscribed their predictions on leaves.Traditional South African choral music and haunting vocal harmonies infuse the performance with a deep cultural resonance.Continuous\, spiraling movements of dancers symbolize the inescapable nature of fate and the fleeting impermanence of existence. \nPrepare for a profound artistic encounter that challenges perception and redefines storytelling. Don’t miss this extraordinary theatrical event! \n \n報名 To apply：https://www.opentix.life/event/1871152998264131584
URL:https://events.mcu.edu.tw/event/%e5%a8%81%e5%bb%89%ef%bc%8e%e8%82%af%e7%89%b9%e9%87%8c%e5%a5%87-william-kentridge%e3%80%8a%e5%a5%b3%e5%85%88%e7%9f%a5-sibyl%e3%80%8b/
LOCATION:臺北表演藝術中心\, 士林區劍潭路1號\, 台北市\, Taiwan
CATEGORIES:臺北表演藝術中心
ATTACH;FMTTYPE=image/jpeg:https://events.mcu.edu.tw/wp-content/uploads/2025/03/e093d7f046d6f5d0282117a566167ede.jpg
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BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250322T090000
DTEND;TZID=Asia/Taipei:20250322T130000
DTSTAMP:20260405T181848
CREATED:20250321T012430Z
LAST-MODIFIED:20250321T012430Z
UID:10000972-1742634000-1742648400@events.mcu.edu.tw
SUMMARY:68週年校慶 林政緯校友用音樂唱出生命故事 MCU 68th Anniversary: Alumnus Lin Cheng-Wei Sings His Life Story Through Music
DESCRIPTION:本週末（3/22）銘傳大學迎來68週年校慶，校方精心策劃一系列慶祝活動，凝聚全體師生與校友情感。其中，校慶大會特別邀請激勵歌手林政緯校友蒞臨演唱，以他的奮鬥故事與動人歌聲，激勵銘傳人勇敢追夢，展現「銘傳68，英姿煥發」的精神風貌。 \n林政緯畢業於銘傳財金系，曾是校內風雲人物，擔任親善大使、財金系學會會長，並獲選為國際先生。然而，2007年因一次意外導致頸椎受傷，全身癱瘓。面對突如其來的挑戰，他沒有放棄，歷經兩年復健後重返校園，並於2010年獲頒「銘傳精神獎」，表彰他堅持不懈、勇敢迎戰人生的精神。 \n這次受邀回到母校，在校慶舞台上演唱，這位「不能走路卻會飛翔的翅膀男孩」，將以音樂訴說自己的生命歷程，用有限的身體創造無限價值，並以真摯歌聲鼓舞現場師生。當天，他將與全盲音樂人洪新智，一同帶來〈銘傳尚勇〉與〈你是我的眼〉兩首歌曲，用歌聲詮釋勇氣與堅毅，展現對生命的熱情與希望。 \n銘傳大學68年來始終秉持卓越辦學精神，培育無數優秀人才，並積極推動多元教育發展。今年校慶主題「銘傳68，英姿煥發」，不僅象徵學校蓬勃的發展動能，更希望透過林政緯的故事，讓銘傳師生在面對挑戰時，都能懷抱信念、不斷前行，為自己的人生譜寫更加精彩篇章。 \nThis weekend (March 22)\, MCU celebrates its 68th anniversary with a series of specially planned events to bring together faculty\, students and alumni. One of the highlights of the celebration will be the anniversary ceremony\, featuring a special performance by inspirational singer and MCU alumnus Lin Cheng-Wei. Through his powerful life story and heartfelt music\, Lin will inspire the MCU community to pursue their dreams fearlessly\, embodying the theme “MCU 68: Brilliance in Motion”. \nLin Cheng-Wei\, a graduate of MCU’s Finance Department\, was once a well-known figure on campus\, serving as a Goodwill Ambassador\, the president of Finance Department Student Association\, and even earning the title of Mr. International. However\, in 2007\, a tragic accident left him with a spinal cord injury\, resulting in full-body paralysis. Despite the immense challenges\, he refused to give up. After two years of rehabilitation\, he returned to campus and\, in 2010\, was honored with MCU Spirit Award in recognition of his perseverance\, courage and determination. \nNow\, Lin returns to his alma mater to perform on the anniversary stage\, proving that even though he cannot walk\, he can still fly. Through music\, he will share his incredible journey of resilience\, demonstrating how one can create infinite value despite physical limitations. His heartfelt performance aims to uplift and inspire the entire MCU community. On this special day\, Lin will be joined by blind musician Nuji\, performing two songs: “銘傳尚勇” and “你是我的眼”—both carrying deep messages of bravery\, determination and hope. \nFor 68 years\, MCU has remained committed to academic excellence\, nurturing countless outstanding talents\, and promoting diverse and inclusive education. This year’s anniversary theme\, “MCU 68: Brilliance in Motion”\, not only reflects the university’s dynamic growth and progress but also serves as a reminder that\, like Lin Cheng-Wei\, every MCU student and faculty member can overcome challenges\, hold onto their beliefs and create an extraordinary life story.
URL:https://events.mcu.edu.tw/event/68%e9%80%b1%e5%b9%b4%e6%a0%a1%e6%85%b6-%e6%9e%97%e6%94%bf%e7%b7%af%e6%a0%a1%e5%8f%8b%e7%94%a8%e9%9f%b3%e6%a8%82%e5%94%b1%e5%87%ba%e7%94%9f%e5%91%bd%e6%95%85%e4%ba%8b-mcu-68th-anniversary-alumnus-lin/
LOCATION:桃園校區Taoyuan Campus\, 龜山區德明路5號\, 桃園市\, Taiwan
CATEGORIES:銘傳大學
ATTACH;FMTTYPE=image/jpeg:https://events.mcu.edu.tw/wp-content/uploads/2025/03/上稿_83741182_10158193792268413_6580644536110809088_o-拷貝.jpg
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BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20241218T183000
DTEND;TZID=Asia/Taipei:20241218T203000
DTSTAMP:20260405T181848
CREATED:20241212T031346Z
LAST-MODIFIED:20241212T031346Z
UID:10000766-1734546600-1734553800@events.mcu.edu.tw
SUMMARY:資訊學院 School of Information & Technology｜資訊之夜 Information Night
DESCRIPTION:資訊學院年度盛事「資訊之夜」將於12/18（三）18:30在桃園校區羽球場盛大登場！本次活動由電子、資工、人智、資管及電通五大系聯合主辦，匯集絢麗的燈光秀、熱血的舞台表演以及多樣化的互動小遊戲，現場氣氛勢必火熱沸騰，更少不了讓大家最期待的豐富抽獎活動，保證讓所有參與的同學玩到瘋、笑到停不下來！ \n今年的資訊之夜別出心裁，特別推出五大系聯手設計的「限量精美門票」，每一款風格各限量100張，極具收藏價值。門票價格為NT$150，資訊學院已繳系費的同學購買第一張門票更享NT$50優惠！目前門票預售熱烈進行中，預購後可於12/11-17，每日12:00-12:50至S2平台領取。記得手刀搶購，門票數量有限，錯過可就遺憾了！ \n桃園校區的同學們，準備好迎接這場熱鬧非凡的年度盛宴吧！快揪上三五好友，一起來度過一個充滿歡樂與驚喜的資訊之夜！有任何疑問，可私訊活動官方IG【tzu_damn_nt】。門票預售連結：https://reurl.cc/aZa6EG。今年的資訊之夜，等大家一起狂歡到底！ \nThe annual event of the School of Information & Technology\, “Information Night”\, will be grandly launched at Taoyuan Campus Badminton Court at 18:30 on December 18 (Wednesday)! This event is jointly organized by the five major departments of Electronics Engineering\, Computer Science & Information Engineering\, AAI\, Information Management and ITE. It brings together gorgeous light shows\, passionate stage performances and diverse interactive mini-games. The atmosphere at the scene is bound to be heated\, and it is indispensable to make everyone The most anticipated rich lottery ensures that all participating students will go crazy and laugh until they can’t stop! \nThis year’s Information Night was unique and launched a “limited edition of exquisite tickets” jointly designed by five major series. Each style is limited to 100 tickets\, which is of great collection value. The ticket price is NT$150. Students who have paid department fees from School of Information & Technology will enjoy an NT$50 discount when purchasing their first ticket! Ticket pre-sale is currently in full swing. After pre-order\, you can pick it up from 12/11-17\, 12:00-12:50 to the S2 platform every day. Remember to rush to buy\, the number of tickets is limited\, but it’s a pity if you miss it! \nStudents on Taoyuan campus\, get ready for this lively annual feast! Grab three or five friends and spend a night of information full of joy and surprises together! If you have any questions\, you can send a DM to the official IG【tzu_damn_nt】. Ticket pre-sale link: https://reurl.cc/aZa6EG.
URL:https://events.mcu.edu.tw/event/%e8%b3%87%e8%a8%8a%e5%ad%b8%e9%99%a2-school-of-information-technology%ef%bd%9c%e8%b3%87%e8%a8%8a%e4%b9%8b%e5%a4%9c-information-night/
LOCATION:桃園校區Taoyuan Campus\, 龜山區德明路5號\, 桃園市\, Taiwan
CATEGORIES:電機資訊學院
ATTACH;FMTTYPE=image/jpeg:https://events.mcu.edu.tw/wp-content/uploads/2024/12/1218期資訊之夜電子報配圖.jpg
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BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20241212T180000
DTEND;TZID=Asia/Taipei:20241215T163000
DTSTAMP:20260405T181848
CREATED:20241211T065025Z
LAST-MODIFIED:20241211T065025Z
UID:10000765-1734026400-1734280200@events.mcu.edu.tw
SUMMARY:姊弟製作Ｘ法國帆船劇團《他活著》Sis Bro Production X La Compagnie Caravelle《Il Vit》
DESCRIPTION:這是一齣直指靈魂深處的獨角戲 \n「這個擁有道德感的世界不在，當我需要它時，它不在，而我那時候一個人。」 \nA one-man show that reaches into the depths of the soul. \n“This world with its moral compass was absent\, absent when I needed it most\, leaving me alone.” \n \n《他活著》改編自真實故事，是一齣直指靈魂深處的獨角戲，透過一位22歲男子臨終前的獨白，最後一口氣前對摯愛的吶喊，和對這個世界的控訴，一場生與死的激辯。這批出生於灰燼的世代，在世界大戰、柏林圍牆倒塌、蘇聯解體、資訊革命和解嚴後，不再有烏托邦，也不再有祖先述說那些不能被遺忘的恐懼，他為何而戰？ \n當病毒在他的身體蔓延，當生命的火焰逐漸熄滅，當這個世界遺棄了他，年輕男子的呼吸成了對抗命運的最後象徵。他的每一句話、每一個動作都在向觀眾傳遞一種迫切的渴望：何以活著？何以在如此絕望的境地中尋找生命的意義？ \n迎戰死亡的獨白，挑戰演員極限 \n「跟我一起跳最後一小時的舞…」 \n以「死亡」探討何謂「活著」，編導Antoine Guillot與演員曾智偉將這段深刻的哲學思考從法文轉譯至中文，當東西方文化在獨角戲中產生激烈碰撞，這是一場語言與表演的極限挑戰，演員用近乎最純粹的表達方式，帶領觀眾進入一個超越語言的感官世界，透過極致的肢體與聲音表現，體驗生命最後一刻的掙扎與詰問。 \n《他活著》不僅是一次演出的體驗，更是一場靈魂的洗禮。它以最純粹的表演形式挑戰觀眾對生命與死亡的既定認知，帶領大家重新思考活著的意義，以及在這個充滿不確定性的世界中，我們如何定義自己的存在。 \nIl Vit\, adapted from a true story\, is a one-man performance that delves into the profound questions of life and death. Through the final monologue of a 22-year-old man on the brink of death\, it is both a cry to his loved ones and a powerful indictment of the world that has abandoned him. This intense confrontation between life and death explores the struggles of a generation born amidst the ashes of wars\, revolutions\, and societal shifts\, questioning what remains to fight for in a world devoid of utopias. \n▍《他活著》演出資訊 Performance Details  ▍ \n▶演出地點 Venue｜嘉禾新村 日式聚場 Ryotei Theater\, Home Village（台北市中正區永春街131巷1號 No. 1\, Ln. 131\, Yongchun St.\, Zhongzheng Dist.\, Taipei City） \n▶演出時間 Date & Time｜ \n\n\n12/12（四 Thursday）18:00\n12/13（五 Friday）18:00\n12/14（六 Saturday）13:00（*演後座談 Post-show discussion）、18:00\n12/15（日 Sunday）14:30\n\n\n▶贊助演出 Sponsorship Tickets｜ \n\n\n2024/10/03－12/15 工作坊+演出 Workshop + Performance NT$5\,000\n2024/11/01－12/15 學生85折優惠 Student Discount (15% off) NT$680\n2024/11/01－12/15 一般贊助票券 General Admission NT$800\n\n\n報名 To apply：https://www.accupass.com/eflow/ticket/2408300405461278347342?utm_source=EventPage&utm_medium=AdCard&utm_campaign=accu_AdCard_2412020813041120815225 \n▍製作團隊 Production Team  ▍ \n編       導｜Antoine Guillot\n演       出｜曾智偉\n戲劇顧問｜Dominique Oriol、戴致文\n劇本翻譯｜曾智偉、劉亞婕\n音樂製作｜Nicolas Buvat\n燈光技術｜黃俊諺\n舞台技術顧問｜洪子翔\n音效技術顧問｜符芷瑄\n平面設計｜58kg\n平面攝影｜58kg \n製  作  人｜戴致文\n票務統籌｜劉亞婕\n行銷宣傳｜方采萱\n製作顧問｜粘馨予、謝天添\n影片製作｜戴致文\n影片拍攝｜58kg \n主辦單位｜姊弟製作、法國帆船劇團\n指導單位｜國家文化藝術基金會、臺北市政府文化局\n場地協力｜嘉禾新村\n宣傳協力｜法國在台協會 \n▍報名注意事項 Notes  ▍ \n▶節目全長約70分鐘，無中場休息。\n▶建議12歲以上觀眾欣賞。\n▶演出全程不開放攝錄影。\n▶主辦單位保留節目異動權。\n▶為維護古蹟建築，演出與工作坊皆需脫鞋、穿襪子。 \n\nDuration: ~70 minutes\, no intermission.\nRecommended for ages 12 and above.\nPhotography and recording are prohibited during the performance.\nAttendees must remove shoes and wear socks as required by the heritage site.\nThe organizers reserve the right to adjust program details.
URL:https://events.mcu.edu.tw/event/%e5%a7%8a%e5%bc%9f%e8%a3%bd%e4%bd%9c%ef%bd%98%e6%b3%95%e5%9c%8b%e5%b8%86%e8%88%b9%e5%8a%87%e5%9c%98%e3%80%8a%e4%bb%96%e6%b4%bb%e8%91%97%e3%80%8bsis-bro-production-x-la-compagnie-caravelle%e3%80%8ail-v/
LOCATION:嘉禾新村\, 中正區永春街131巷1號\, 台北市\, Taiwan
CATEGORIES:ACCUPASS,姊弟製作
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BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20241117T143000
DTEND;TZID=Asia/Taipei:20241117T153000
DTSTAMP:20260405T181848
CREATED:20241113T073915Z
LAST-MODIFIED:20241113T073915Z
UID:10000669-1731853800-1731857400@events.mcu.edu.tw
SUMMARY:《胡敲亂扯》AI x 揚琴 x 扯鈴 x 馬戲 AI x Yangqin x Diabolo x Circus Arts
DESCRIPTION:《胡敲亂扯》是一場以揚琴、扯鈴、馬戲與大鼓為基礎，融合傳統與現代、技術與藝術的創新表演。透過AI生成的音樂與影像，搭配揚琴的細膩旋律、扯鈴的動感技巧、大鼓的震撼節奏，以及馬戲的驚險演出，這場演出將為觀眾帶來前所未有的多感官震撼體驗，打破傳統藝術的既定框架。 \n此次演出匯聚了金門在地表演團隊與藝術家，包括金鼎國小扯鈴隊、金寧國中鈴繩社、開瑄國小揚琴社、開瑄國小大鼓隊，並特邀狂夢藝術的馬戲表演藝術家，共同打造一場跨領域的視覺與聽覺盛宴。 \n演出特別融入了金門的傳統歌曲《蕃薯情》，並與爵士、搖滾甚至金屬風格的AI音樂相結合，激發出全新的音樂魅力，象徵傳統文化與現代創意的碰撞。 \n無論你是音樂愛好者、馬戲藝術迷，還是對新媒體藝術充滿好奇的觀眾，《胡敲亂扯》都將為你帶來一場獨特的視聽享受，歡迎大家一同體驗《胡敲亂扯》的無限可能！ \nThis is an innovative performance blending traditional and modern elements\, incorporating yangqin (a traditional Chinese hammered dulcimer)\, diabolo juggling\, circus arts and grand drumming. This show combines AI-generated music and visuals with intricate yangqin melodies\, dynamic diabolo tricks\, powerful drum beats\, and thrilling circus acts\, creating an immersive multisensory experience that challenges conventional boundaries of traditional arts. \nThe performance brings together local performance teams and artists from Kinmen\, including the Jin Ding Elementary Diabolo Team\, Jin Ning Junior High Diabolo Club\, Kai Hsuan Elementary Yangqin Club\, and the Kai Hsuan Elementary Drum Team\, alongside circus performers from Dream Wild Art\, crafting a multidisciplinary feast for the senses. \nNotably\, the show integrates the traditional Kinmen song “蕃薯情”\, enhanced with AI music influenced by jazz\, rock and even metal. This fusion creates a fresh musical allure\, symbolizing the blend of traditional culture and modern creativity. \nWhether you’re a music lover\, circus enthusiast\, or curious about new media art\, this is a unique audiovisual experience. Join us to explore the limitless possibilities! \n演出票價 Fee：NT$200 \n報名 To apply：https://www.accupass.com/eflow/ticket/2410171354228416016380?utm_source=EventPage&utm_medium=AdCard&utm_campaign=accu_AdCard_2410300212399856202920
URL:https://events.mcu.edu.tw/event/%e3%80%8a%e8%83%a1%e6%95%b2%e4%ba%82%e6%89%af%e3%80%8bai-x-%e6%8f%9a%e7%90%b4-x-%e6%89%af%e9%88%b4-x-%e9%a6%ac%e6%88%b2-ai-x-yangqin-x-diabolo-x-circus-arts/
LOCATION:金門縣文化局演藝廳\, 金城鎮環島北路一段66號\, 金門縣\, Taiwan
CATEGORIES:ACCUPASS,浯洲揚琴樂團
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BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20240615T160000
DTEND;TZID=Asia/Taipei:20240616T173000
DTSTAMP:20260405T181848
CREATED:20240611T081335Z
LAST-MODIFIED:20240611T081335Z
UID:10000314-1718467200-1718559000@events.mcu.edu.tw
SUMMARY:2024桃園藝術巡演 童話戲樂享一夏 Taoyuan Performing Arts Touring
DESCRIPTION:「#2024桃園藝術巡演-童話戲樂享一夏」即將在6月中旬閃亮登場，4場精彩絕倫的表演推薦給愛看劇的你，絕對不容錯過！\n\n前2場將分別於 #蘆竹 和 #八德 舉辦，歡迎大小朋友共渡快樂的時光！\n\n“#2024 Taoyuan Arts Tour – Fairy Tale Theater Summer Fun” is set to shine in mid-June\, featuring four incredible performances that theater lovers shouldn’t miss!\n\nThe first two shows will be held in Luzhu and Bade\, welcoming both children and adults to share joyful moments together!\n\n蘆竹場 Luzhu Show\n\n《世界童話變變變–當安徒生遇見格林童話》童話故事劇場 “World Fairy Tales Transforming – When Andersen Meets Grimm Fairy Tales” Fairy Tale Theater\n\n演出單位 Performing Group：#如果兒童劇團\n\n演出時間 Date & Time：6／15（六 Saturday）16:00-17:30\n\n演出地點 Venue：蘆竹光明河濱公園天幕籃球場 Luzhu Guangming Riverside Park Canopy Basketball Court\n\n八德場 Bade Show\n\n《小丑八怪》馬戲表演 “Clown Eccentricities” Circus Performance\n\n演出單位 Performing Group：#創造焦點（Eye Catching Circus）\n\n演出日期 Date & Time：6／16（日 Sunday）16:00-17:15\n\n演出地點 Venue：八德藝文廣場 Taoyuan Arts Plaza\n\n指導單位 Guiding Units：桃園市議會、桃園市政府 Taoyuan City Council\, Taoyuan City Government\n\n同時也在這邊 #預告「#2024桃園兒童藝術節」即將在暑假和大家見面咯！今年不僅規劃了34場大大小小的演出，還涵蓋手作、體驗活動、美食兒童市集！\n\nAdditionally\, we would like to preview that the “#2024 Taoyuan Children’s Art Festival” is coming this summer! This year\, we have planned 34 performances of various sizes\, including hands-on activities\, experiential events\, and a children’s food market!\n\n\n\n\n\n更多詳情請洽 For more details\, please visit：\n\n文化局官網 Department of Cultural Affairs’s website  https://culture.tycg.gov.tw/\n\n文化局臉書 Department of Cultural Affairs’s Facebook https://www.facebook.com/tyccc.gov/?locale=zh_TW\n\n桃演本鋪臉書 https://www.facebook.com/typerformanceart
URL:https://events.mcu.edu.tw/event/2024%e6%a1%83%e5%9c%92%e8%97%9d%e8%a1%93%e5%b7%a1%e6%bc%94-%e7%ab%a5%e8%a9%b1%e6%88%b2%e6%a8%82%e4%ba%ab%e4%b8%80%e5%a4%8f-taoyuan-performing-arts-touring/
LOCATION:蘆竹光明河濱公園天幕籃球場\, 蘆竹區光明河濱公園\, 桃園市\, Taiwan
CATEGORIES:桃園市政府文化局
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BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20240531T193000
DTEND;TZID=Asia/Taipei:20240602T160000
DTSTAMP:20260405T181848
CREATED:20240418T060102Z
LAST-MODIFIED:20240418T060102Z
UID:10000162-1717183800-1717344000@events.mcu.edu.tw
SUMMARY:2024台灣永續教育暨藝術性策展 Taiwan Arts Curation for Sustainable Education and Future：49號渡口 Terminal 49
DESCRIPTION:7位迷航靈魂 X 7題生死準備攻略 7 Lost Souls X 7 Questions on Life and Death Preparation Guide\n49秒最魔幻的生命旅行 The Most Magical Life Journey in 49 Seconds \n如果你有49秒體驗靈魂迷航出竅，你將選擇「告別」還是「重返」？ \n49號渡口一位遲遲不願離開的哲學家，遇見一群在49號渡口迷航的靈魂。 \n有尋求自我和解的油漆工、害怕自己一覺不醒的打工仔、不斷尋找回憶的大學生、不幽默會死的街頭小丑，還有誤闖搞不清楚的2位靈魂。 \n他們將如何展開選擇，成為迷航中的旅伴？ \nIf you had 49 seconds to experience astral projection\, would you choose to “farewell” or “return”? \nAt Terminal 49\, a philosopher reluctant to leave encounters a group of lost souls wandering around. \nThere’s a painter seeking self-atonement\, a laborer afraid of never waking up\, a college student constantly searching for memories\, a street clown who believes lack of humor equals death\, and two lost souls who stumbled upon confusion. \nHow will they make their choices and become companions on this journey of lost souls? \n＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿ \n49秒最魔幻的生命旅行，出發前推薦 必看！ 49 Seconds: The Most Magical Life Journey\, a must-see before embarking! \n你敢思考嗎？ Dare to ponder? \n【生與死，人生中最難解答的課題 LIFE AND DEATH\, LIFE’S TOUGHEST QUESTIONS】 \n生命會死亡嗎？會死亡的是什麼？當死亡降臨時，是否就此畫下句點？死後的世界是什麼模樣？死後的世界與我現在的有關嗎？如果沒有，那我們記得的那些事情，是有意義的嗎？如果有，那是什麼樣的關聯？有人說：被忘記了才是真正的死亡？我是什麼？有什麼可以代表我的嗎？沒有信仰的人，死後真的沒有地方可去嗎？死後世界只為宗教團體而存在嗎？信仰與否，究竟有什麼差別？我們如何死去，會有什麼差別嗎？ \nDoes life end in death? What dies when we die? Does death mark the end? What does the afterlife look like? Is there a connection between the afterlife and our current existence? If not\, are our memories meaningful? If so\, what’s the correlation? Some say being forgotten is true death. What am I? Is there anything that represents me? For non-believers\, is there truly nothing after death? Does the afterlife exist only for religious groups? What’s the difference between having faith and not? Does how we die make a difference? \n你敢體驗嗎？ Dare to experience? \n【將現實帶入劇場 BRINGING REALITY INTO THEATRE】 \n文本，不再是戲劇活動的核心，而是與劇場所有元素的平等展現。在後戲劇劇場中，「觀眾必然不再只充當事不關己的見證者，而成為劇場藝術決定性的參與者、合作者……」（耿一偉，2021）。 \n透過「七題迷航靈魂的自我提問」栩栩如生地描繪在靈魂過度的49號渡口每一位迷航靈魂，歡迎勇於體驗的您購買[體驗區]，一同忠實表達生與死對自己的感受與意義。 \nThe script is no longer the core of theatrical activities but an equal presentation with all elements of theatre. In post-dramatic theatre\, “audiences are no longer mere witnesses but become decisive participants and collaborators in theatrical artistry…” (Keng Yi-wei\, 2021). \nThrough “Seven Questions of Lost Souls\,” vividly portraying each lost soul at Terminal 49\, we welcome adventurous individuals to purchase tickets to the [Experience Zone]\, to faithfully express their feelings and meanings about life and death. \n你敢開口嗎？ Dare to speak up? \n【創造群體對生死的集體圖像 CREATING A COLLECTIVE IMAGE OF LIFE AND DEATH】 \n民眾即是日常生活專家（日常專家：你不知道的里米尼紀錄劇團，2020），邀請觀眾加入節目的表演內容與歷程，創造群體對生死的集體圖像，  關於「死亡」無從知曉的神秘世界，我們僅能透過想像力刻畫，《49號渡口》以靈魂出竅為背景架構，引發戲劇與現實生活對話後，認知及意識的各種探索。 \nThe public is an expert in everyday life (Experts of the Everyday: The Theatre of Rimini Protokoll\, 2020). We invite audiences to join the performance content and process\, creating a collective image of life and death. About the mysterious world of “death” that we cannot know\, we can only paint it through imagination. “Terminal 49” uses astral projection as a backdrop to provoke dialogue between drama and real life\, exploring various cognitive and conscious realms. \n「我們都走在通向死亡的路上，如果不一起把握現在，什麼時候才能無憾呢？」 “We are all on the path to death. If we don’t seize the present together\, when will we have no regrets?” \n不知如何開口的事，讓我們一起相約49號渡口好好分享！ Let’s gather at Terminal 49 to share our thoughts on things we hesitate to speak about! \n  \n《49號渡口》2024台灣永續教育暨藝術性策展 \nTerminal 49 – 2024 Taiwan Arts Curation for Sustainable Education and Future (TAC4SEAF) \n演出地點 Venue：華山烏梅劇院 Huashan Umay Theater（台北市中正區八德路一段1號 No. 1\, Sec. 1\, Bade Rd.\, Zhongzheng Dist.\, Taipei City） \n演出場次 Performance Dates：\n05/31（五） (Friday) 19:30\n06/01（六） (Saturday) 14:30 + 演後座談 Post-show Discussion、19:30\n06/02（日） (Sunday) 14:30 + 演後座談 Post-show Discussion \n報名 To apply：https://www.accupass.com/eflow/ticket/2404111237401501295649 \n製作人/導演 Producer/Director：蔡旻霓\n創作發想 Conceptualization：劉桂光、黃國珍、蔡旻霓\n演出人員 Cast：劉桂光、陳惠女、林相如、曾少彤、盧妍蓁、陳宥任、洪偉穎\n特別嘉賓 Special Guest：黃國珍 \n燈光設計 Lighting Design：程宥芸\n影像設計 Video Design：羅士翔\n音樂設計 Music Design：小力創意\n舞台設計 Stage Design：鄭仕杰\n音響工程 Audio Engineering：劉曲恩\n燈光編程 Lighting Programming：林渝凡\n燈光技術 Lighting Technicians：詹鈞如、魏芳韻\n導演助理 Director’s Assistant：林于心 \n網站顧問 Website Consultant：王琇玲\n行銷統籌 Marketing Coordinator：陳靜宜\n執行製作 Executive Producer：劉惠文 \n網站主視覺設計 Website Visual Design：豆豆\n平面整合 Graphic Integration：江芷諭 \n合辦單位 Co-organizers：人劇團、點亮生命教育協會\n合作單位 Cooperation Unit：品學堂\n贊助單位 Sponsors：班友慈善基金會、庭芳慈善關懷協會 \n團體票優惠 Group Ticket Discounts\n單筆訂單20張（含）以上原價𝟵折 20 tickets or more in a single order: 10% off the original price\n單筆訂單50張（含）以上原價𝟴𝟱折 50 tickets or more in a single order: 15% off the original price\n單筆訂單100張（含）以上原價𝟴折 100 tickets or more in a single order: 20% off the original price \n團體票需求請直接聯絡主辦單位 For group ticket inquiries\, please contact the organizer directly.
URL:https://events.mcu.edu.tw/event/2024%e5%8f%b0%e7%81%a3%e6%b0%b8%e7%ba%8c%e6%95%99%e8%82%b2%e6%9a%a8%e8%97%9d%e8%a1%93%e6%80%a7%e7%ad%96%e5%b1%95-taiwan-arts-curation-for-sustainable-education-and-future%ef%bc%9a49%e8%99%9f%e6%b8%a1/
LOCATION:華山烏梅劇院\, 中正區八德路一段1號\, 台北市\, Taiwan
CATEGORIES:ACCUPASS,人劇團
ATTACH;FMTTYPE=image/png:https://events.mcu.edu.tw/wp-content/uploads/2024/04/pic10.png
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