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DTSTART;TZID=Asia/Taipei:20250604T190000
DTEND;TZID=Asia/Taipei:20250608T060000
DTSTAMP:20260412T161928
CREATED:20250327T070807Z
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UID:10000987-1749063600-1749362400@events.mcu.edu.tw
SUMMARY:盧卡斯．塔沃柯夫斯基 Łukasz Twarkowski《共和國 Respublika》
DESCRIPTION:✶超級大劇院首度開啟！邀千人共同站上史詩級舞臺 \n✶一場長達𝟨小時的沉浸式派對，與藝術家零距離互動，共創驚喜瞬間 \n✶結合電子樂、錄像藝術與現場演出的烏托邦國度 \n「我感到真正的自由，是在狂歡的當下。」——盧卡斯．塔沃柯夫斯基（Łukasz Twarkowski） \n✶ The Grand Theater Opens for the First Time! Join a thousand participants on an epic stage. \n✶ A 6-hour immersive party—experience close interactions with artists and create unforgettable moments together. \n✶ A utopian realm where electronic music\, video art\, and live performances collide. \n“I found absolute freedom in rave.”  — Łukasz Twarkowski  \n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n《共和國》是一場騷動。一次政變。一把利刃。 \n森林的細語和電子樂的海嘯。製片廠拆到一半的布景。 \n劇院的自旋。憑空造鎮的野心。流亡的國度。一架反照觀眾內心渴望的本我機器。 \n北藝中心將打通「大劇院」與「藍盒子」兩個劇院空間，成為一座偌大的「超級大劇院」迎接盧卡斯．塔沃柯夫斯基（Łukasz Twarkowski）的獨立建國。他將率領一幫藝術家，動員超過百人，在此成立一座柏拉圖致力將之驅逐的《共和國》。這個概念源自18世紀末的保拉瓦共和國（The Pavlov Republic）。它由一位神父創建，他與800位農民擁有自己的軍隊、金錢、劇院、學校，以及某種形式的醫療保健系統。最終，烏托邦並未實現，但這仍是一個可敬的構想。 \n當人類面對大疫襲來，保證取消，權威退駕，生活變得越來越可疑，一個母體般的影像世界轟然環繞，越追求自由，越感到痛苦。曾幾何時，我們活在一個已然發生的未來？ \n盧卡斯繼續探問：如果我們可以完全忘記工作一年，會發生什麼？ \nRespublika is a commotion\, a coup\, a sharp sword\, the whisper of the forest and tsunami in techno music\, the half-dismantled film studio set\, the self-rotation of a theatre\, the ambition to build a town out of thin air\, the realm for the exiles\, and the machine of reflecting audience’s inner desire. \nTaipei Performing Arts Center will connect its Grand Theater and Blue Box to form the massive-scale Super Theater for the independent nation built by Łukasz Twarkowski\, who leads a band of artists and mobilizes over a hundred of people to establish the “Respublika” (republic) which Plato would have endeavored to expel.  The concept comes from “The Pavlov Republic” in the late 18th Century\, where its founder\, a catholic priest\, gathers 800 peasants to form a community with its own army\, currency\, theatre\, school and some kind of medical healthcare system.  As a utopia unmaterialized\, “The Pavlov Republic” still provides an admirable inspiration. \nWhen humans face pandemic threats\, with assurance abolished and authority invalidated\, life becomes more suspicious than ever and suddenly finds it in a matrix-like world of flooded images.  The pursuit of freedom thus brings more suffering.  Since when have we lived in a future which has already happened? \nŁukasz continues with the question: what will happen if we can forget about work for a whole year? \n\n\n\n\n\n\n\n\n為了組建《共和國》，盧卡斯面試來自歐洲各劇院，超過百人的創作者，最終匯集15位演員、作曲家、舞台設計師、戲服設計師、編劇、DJ，加入這場實驗，帶領成員們在立陶宛森林中建立與世隔絕的「公社（Community）」。這場實驗最終並未成功。五年後，世界更加混亂，公社成員們終於理解那當時發生的事情的意義，決定製作一場演出，總結人類可能的未來以及存在的意義。 \n《共和國》在超級大劇院構建了一個微型的烏托邦，裡面有廚房、酒吧、桑拿房、紐奧良拖車、太空船、看台，以及配有DJ台和舞池的主舞臺。長達六小時的沉浸式體驗，邀請觀眾穿越三個階段，從旁觀者變身為共和國的公民。第一部份接近展覽，人們在所有空間遊逛，了解共和國的地理布局；第二部份結合現場表演和錄像裝置，觀眾面臨兩個選擇：透過大螢幕觀看，或直接進入房間體驗。當一切框架都卸除之後，觀眾將同時置身螢幕與房間混合的第三類空間，體驗虛實相互侵占的奇妙感覺。 \n第三部份是場盛大的派對：立牆被完全夷平，霓虹落下，《共和國》把敘事的權柄交還觀眾，邀請填空：我要____。我要信仰。我要自由。我要做夢。我要愛。我要潘朵拉盒子底部那抹微小的希望。DJ、演員與觀眾進入本能似的舞動中。長時間的舞蹈看似毫無產出，與資本社會強調努力的價值觀背道而馳。然而，即使努力，人們也未必能得到想要的。於是人們選擇狂歡，以此反抗絕望的現狀，將他們帶回古老的夢幻世界。 \n藝術家以過去式描述那未曾發生卻彷彿早已發生的世界，以Techno電子樂、銳舞派對（Rave）和錄像藝術，將這一場龐大夢境聯繫起來。DJ與表演者持續不斷播放音樂，勾攝為現實所困的人們，一場通宵達旦的銳舞派對（Rave），讓《共和國》成了短暫庇護所。 \n夢中的天堂最終將抵達現實，再瑰麗的伊甸園都會變成地獄。《共和國》的樂音在變調之前戛然而止。那一瞬間，我們感到絕對的恍惚，及絕對的自由。 \nFor the founding of Respublika\, Łukasz interviewed over a hundred of artists from theatres across Europe. The final group\, 15 people in total\, included actors\, composers\, set designers\, costume designers\, playwrights and DJs\, who joined Łukasz in this experimental project to create an isolated community in a Lithuanian forest. Eventually\, the experiment failed with the dissolution of the community; and another few years later\, since the world became increasingly chaotic\, the community members finally realized the significance of what they experienced during that time\, so they agreed to produce a stage performance to conclude a possible future for humans and its existential purpose. \nRespublika builds a microscopic utopia at Super Theatre\, where you can find kitchen\, bar\, sauna\, New Orleans trailer\, spaceship\, spectator stand\, and its main stage consisting of a DJ panel and dance floor. The 6-hour immersive experience invites audience to go through its three parts from purely spectators to citizens of Respublika. The first part adopts the form of an exhibition\, allowing visitors free access to the whole space so they can know better about the geographical layout of Respublika. The second part is a combination of live performance and video installation. Visitors are given two choices: to watch it on the big screen or to experience it in the room. When the framework is completely taken down\, the audience will find themselves in the “third space”\, a mixture of screens and rooms\, characterized with a strange feeling of the juxtaposition of virtual illusion and reality. \nThe third part is a grand party: with the standing walls fully dismantled and neon lights descending\, Respublika hands the scepter of storytelling back to the audience to finish the “I want” sentence: I want faith. I want freedom. I want to dream. I want love. I want the tiny hope at the bottom of Pandora’s box. DJs\, actors\, and the audience begin to dance and move instinctively. The durational dance seems to produce nothing and goes against the values of an effort-driven capitalist society. However\, your hard work does not always bring you what you desire\, so people choose to rave as a resistance to the current helpless situation and travel back to the ancient fantasy. \nThe artist describes the future world in past tense as if it has already happened\, connecting to the immense dream-realm via techno\, rave and radio art. The DJs and performers play the music nonstop to lure those trapped in reality\, while the all-night rave party makes Respublika a temporary shelter. \nThe paradise in the dream will eventually reach reality\, turning the most splendid Garden of Eden into hell. The melody of Respublika stops playing before it becomes distorted. At that moment\, we are in an absolute trance to enjoy absolute freedom. \n\n\n\n報名 To apply：https://www.opentix.life/event/1871745884606783488
URL:https://events.mcu.edu.tw/event/%e7%9b%a7%e5%8d%a1%e6%96%af%ef%bc%8e%e5%a1%94%e6%b2%83%e6%9f%af%e5%a4%ab%e6%96%af%e5%9f%ba-lukasz-twarkowski%e3%80%8a%e5%85%b1%e5%92%8c%e5%9c%8b-respublika%e3%80%8b/
LOCATION:臺北表演藝術中心\, 士林區劍潭路1號\, 台北市\, Taiwan
CATEGORIES:臺北表演藝術中心
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DTSTART;TZID=Asia/Taipei:20250613T193000
DTEND;TZID=Asia/Taipei:20250614T220000
DTSTAMP:20260412T161928
CREATED:20250610T084406Z
LAST-MODIFIED:20250610T084406Z
UID:10001296-1749843000-1749938400@events.mcu.edu.tw
SUMMARY:身體處方 莊博翔 D_Antidote Production by Chuang Po-Hsiang《非普通服務 Non-Ordinary Services》
DESCRIPTION:❝無法拒絕的服務，無法重置的身體軌跡❞ \n2025 身體處方 莊博翔 超現實關係之作 \n世界首演 \n報名 To apply：https://www.opentix.life/event/1904518508030468096 \n\n\n  \n「服務」： \n是無形且易逝的，在行動發生的瞬間生成亦消逝——製造與消耗共存於剎那之間。 \n「身體」： \n是靈魂的載體，記錄生命的軌跡，成為存在於現實中的唯一證明。 \n「關係」： \n在主動與被動之間游移，交織出短暫且脆弱的平衡。 \n“Service”: \nIntangible and fleeting\, it emerges and vanishes in the very moment of action—where creation and consumption coexist in an instant. \n“Body”: \nA vessel for the soul\, recording the trajectory of life\, becoming the only proof of existence in reality. \n“Relationship”: \nDrifting between the active and the passive\, weaving a transient and fragile balance. \n \n人與人之間的關係，如同重力般存在卻不可見，驅動著每一次交錯與分離。 \n穿梭於非寫實的場域，在反覆的碰撞、裝載與卸除中，逐漸展現彼此無法逃離的依附狀態——就像某種行為，無法拒絕，無法重置，永遠循環。 \nThe relationships between people exist like gravity—unseen yet ever-present—driving every encounter and separation. \nWithin a non-realistic space\, through repeated collisions\, loading and unloading\, an inescapable state of mutual dependence slowly emerges—like a ritual that cannot be refused\, cannot be reset\, and is destined to loop endlessly. \n \n《非普通服務》從身體與關係出發，展開一段超現實的旅程。身體被重新解構，動作被拆解、組裝、轉化，舞者在異時空裡重力失衡、關係改變、個體消失，回到原始的狀態，在服務與被操控服務之間不斷轉換，直到無法區分、無法抽離。 \n2023年最初以雙人舞形式誕生，從兩個身體之間最基本的連結出發，探索「服務」與「肉身」的關係。透過彼此支撐、穿戴與拆解，舞者在動作的相互作用中生成短暫而不可逆的關係，如同生物共生般不斷變異。作品擴展為7人群舞，讓個體與群體之間服務的流動更加複雜。並結合生物力學、超現實美學的劇場視覺，打造一場無法抽離的沉浸式體驗。 \n“Non-Ordinary Services” unfolds a surreal system of bodies and relationships. \nThe body is dismantled—movements broken\, reassembled\, reprogrammed. \nIn a fragmented\, post-human space\, dancers drift without gravity. \nRelationships shift\, bodies collapse\, individuals dissolve. \nA loop of service and control repeats—until roles blur\, until detachment is no longer possible. \nFirst conceived in 2023 as a duet\, the work began by examining the raw mechanics between two bodies—testing the limits of “service” and “flesh”. \nThrough loading\, wearing\, disassembling\, dancers generate unstable\, irreversible connections—mutating like living organisms bound to each other. \nNow expanded into a 7-person system\, the piece intensifies the flow of service between individual and collective. \nWith biomechanics and a hyper-designed\, dystopian aesthetic\, it becomes an immersive environment—one that refuses escape. \n編舞家Choreographer｜莊博翔 Po-Hsiang CHUANG \n\n\n\n \n©Manbo Key \n曾被歌德獎章得主耿一偉老師讚譽為「下一代最有潛力編舞家」；莊博翔擅長以身體作為載體，拆解、重構動作語彙，透過強烈的視覺風格與科幻影像的氛圍，探索身體與社會、人際關係之間的關聯，延伸其特殊的美學想像。他的作品關注舞者之間的動態機制，從極限身體技術到精準的力場掌控，讓舞蹈不僅是一種表演，而是一場辯證與社會實驗的感官體驗。 \n2024年以創團作《㒩》確立獨特的身體語彙，探討生命的循環與轉化。同年前往愛丁堡藝穗節臺灣季演出，並獲選為英國表演藝術媒體 The Stage「The Fringe Five」新銳劇場創作者，獲評「來自另一個世界的作品」，顛覆觀眾對身體的想像。2019年，他以《We are not human at all.》獲得台北藝穗節「藝穗原創精神獎」，同年榮獲舞躍大地創作比賽「年度大獎——金牌獎」。 \nPraised by Goethe Medal recipient Geng Yi-Wei as “the most promising choreographer of the next generation”\, Chuang Po-Hsiang explores the intersections between the body\, society and human relationships through a distinctive aesthetic vision. His work deconstructs and reconstructs movement vocabulary\, utilizing the body as both a vessel and a medium. With a strong visual language and a sci-fi cinematic atmosphere\, he extends the possibilities of contemporary dance\, transforming it into an immersive experience that transcends mere performance—becoming a dialectical exploration and a sensory-driven social experiment. \n身體處方 D_Antidote Production \n \n創立於2022年，藝術總監莊博翔試圖以身體出發，廣泛取材社會生活與虛幻想像，透過許多元素的表現，將藝術語彙轉化與融合，並探索生活中細緻的感觸，以及強烈的視覺風格，嘗試形塑出能與觀者及社會對話的作品。期許透過創作建造一面鏡子，讓觀者從中摸索屬於自己的人生解藥。藝術也使人更像人，透過持續創作以凝聚人群並期許自己能成為一個傳遞溫暖的人。 \nFounded in 2022\, D_Antidote Production is led by artistic director Chuang Po-Hsiang\, who seeks to explore the body as a medium\, drawing inspiration from both social realities and imagined worlds. By integrating diverse elements and expressive forms\, the company transforms artistic language into a fusion of movement\, imagery\, and emotion—unraveling the subtleties of human experience through a striking visual aesthetic. \nTheir creations act as a mirror\, inviting audiences to reflect\, engage\, and search for their own “antidote” to life. Through continuous artistic exploration\, D_Antidote Production aspires to bring people together\, using art as a means to amplify human connection and warmth in an ever-evolving world. \n製作團隊 \n編舞家｜莊博翔 \n舞者｜王官穎、周新杰、許雅昕、施旻雯、葉安婷、黃仕豪、廖健堯 \n前期發展舞者｜李冠霖 \n音樂設計｜柯智豪 \n舞台設計｜吳紫莖 \n燈光設計｜王天宏 \n服裝設計｜陳亞琦 \n舞台監督｜鄧湘庭 \n視覺拍攝｜登曼波 Manbo Key \n燈光師｜蔡秉孝 \n攝影助理｜廖紹勻 \n拼貼｜陳楷恩 \n主視覺設計｜Lunbochilla 貳步柒仔 \n視覺妝髮｜Ooioh、小安、Leif \n動態紀錄｜陳伯瑋、王彥敦 \n製作人｜林裕紘 \n執行製作｜洪小詠、盧琳 \n主辦單位｜D_Antidote Production身體處方 \n贊助單位｜國家文化藝術基金會、臺北市政府文化局、菁霖文化藝術基金會 \n＊本製作前期獲國家文化藝術基金會創作補助。 \nChoreographer｜ Po-Hsiang CHUANG \nPerformers｜ONG KUAN YING\, Kuan-Ling LEE\, Chien-Yao LIAO\, Ya-Hsin HSU\, An-Ting YEH\, Min-Wen SHIH\, Shi-Hao HUANG \nMusic Design｜Blaire KO \nStage Design｜Tzu-Chuing WU \nLighting Design｜Tien-Hung WANG \nCostume Design｜Ya-Chi CHEN \nStage Manager｜Hsiang-Ting TENG \nKey Visual Photographer｜Manbo Key \nLighting｜Ping-Hsiao TSAI \nPhoto Assistant｜Snake LIAO \nSketching｜Kayn CHEN \nGraphic Design｜Lunbochilla 貳步柒仔 \nMake up&Hair｜Ooioh\, Angus\, Leif \nVideographer｜Po-Wei CHEN\, Yen-Tun WANG (W.D) \nProducer｜Hank Yu-Hong LIN \nExecutive Producer｜Hsiao-Yung HUNG\, Lin LU \nPresented by｜D_Antidote Production \nSponsored by｜National Culture and Arts Foundation\, Department of Cultural Affairs Taipei City Government\, Chinlin Foundation for Culture and Arts
URL:https://events.mcu.edu.tw/event/%e8%ba%ab%e9%ab%94%e8%99%95%e6%96%b9-%e8%8e%8a%e5%8d%9a%e7%bf%94-d_antidote-production-by-chuang-po-hsiang%e3%80%8a%e9%9d%9e%e6%99%ae%e9%80%9a%e6%9c%8d%e5%8b%99-non-ordinary-services%e3%80%8b/
LOCATION:臺北表演藝術中心\, 士林區劍潭路1號\, 台北市\, Taiwan
CATEGORIES:身體處方
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