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BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250413T100000
DTEND;TZID=Asia/Taipei:20250504T183000
DTSTAMP:20260504T220901
CREATED:20250328T064140Z
LAST-MODIFIED:20250328T064140Z
UID:10000991-1744538400-1746383400@events.mcu.edu.tw
SUMMARY:草間彌生的「軌跡」與「奇跡」 “Trajectory” and “Miracle”: KUSAMA Yayoi 1951-2005 from W Collection & More
DESCRIPTION:現年高齡96歲的草間彌生，為當代藝術史上最具代表性及顛覆性的創作者之一。1929年生於日本長野縣松本市，1957至1973年間移居美國，後返回日本定居。草間彌生學生時期受日本畫訓練，卻不囿於傳統藝術形式的框架，由個體的生命經驗轉化、發展出獨樹一格的藝術語彙，作品媒材遍及繪畫、雕塑、拼貼、版畫、行為展演、錄像及大型裝置等，並跨足時尚產業，以其鮮豔奔放的色彩、大膽具原創性的創作題旨及形式聞名於世，於歐美前衛藝術浪潮、乃至於當今視覺藝術領域中，皆佔有舉足輕重的地位。 \n1990年代，是草間彌生1973年自美國返日後，重回國際觀眾視野，而後大放異彩的關鍵時期。1993年，她成為首位於威尼斯雙年展日本館個展的當代藝術家；隨後五年，洛杉磯郡立美術館、東京都現代美術館接連舉辦大型回顧展，奠定草間彌生作為當代藝術大家的定位。1998年，草間彌生受昔時臺北市立美術館館長林曼麗及策展人南條史生之邀，於「臺北雙年展」創作巨型現地裝置《圓點的強迫妄想》，以七個帶有黑色圓點的螢光粉紅氣球滿佈北美館的中庭，是為草間彌生以巨大雕塑與公共空間對話的重要節點；該次展覽亦開啟這位風靡全球的藝術家與臺灣的頻繁交往。 \n「草間彌生的『軌跡』與『奇跡』」展覽以草間彌生與臺灣的原點——特別重製的《圓點的強迫妄想》揭開序幕，聚焦其1951年至2005年間的創作，展出70件精選作品，透過「草間的綻放」、「圓點・原點」、「草間的蟄伏」、「Love Forever」四個子題，以草間彌生生涯中的創作探索與實驗為引，深入藝術家跌宕豐厚的生命軌跡。本展汲取收藏家W Collection獨到的收藏視野，奠基於日本青森縣立美術館「從W Collection看草間彌生的軌跡與奇跡」（草間彌生の キセキ –W コレクションによる）之展覽成果，北師美術館亦與草間彌生工作室緊密合作，除重製《圓點的強迫妄想》之外，並借展10餘組鮮少曝光的偶發展演紀錄及服裝展件，聚焦藝術家早期行為實驗對形塑其藝術生涯的重要性。 \n步入北師美術館，數顆碩大的有機形體橫亙挑高展間，穿行期間彷如走入草間彌生的世界——消融於無盡重複的圓點之中。《圓點的強迫妄想》等數件大型裝置、軟雕塑與標誌性畫作，體現 1985年後「草間的綻放」：逐步踏上世界舞台的她，作品揮別70年代的陰鬱，愈發流露出生氣蓬勃、無拘揮灑的創作動能。三樓展間則如時光迴廊般，回溯其創作萌發的軌跡：「圓點・原點」展出早期的圓點、日本畫作品，呈現年少的草間彌生如何透過畫筆，描繪、轉化其眼中所見的自然萬物、家庭關係與二戰的社會景況。 \n旅美時期的受挫經驗與1973年返日後的震盪階段，則收納於「草間的蟄伏」，多件粉彩、墨彩與拼貼形構的平面作品，潛入藝術家身心混沌時期的恐懼、焦躁、絕望與想望。地下室的「Love Forever」展區聚焦草間彌生1960年代中期以降所進行的偶發行動，以《花縱慾》等四部前衛的展演紀錄影像，交織大型裝置《驅迫意象》及數件於早期演出中繪製使用的珍貴服裝，深入這位舉世無雙的藝術家為大眾所開創的，關於反戰、性、身體與愛的繁複想像。 \n「草間彌生的『軌跡』與『奇跡』」關照草間彌生生命經驗與藝術語彙的錯綜交織，深入其創作實踐的發展「軌跡」，在探問藝術家何以持續開創嶄新可能的同時，也擁抱藝術與生命的「奇跡」。 \nAt age 96\, Yayoi Kusama remains among the most iconic and subversive figures in contemporary art history. Born in 1929 in Matsumoto City in Nagano Prefecture\, Japan\, she lived in United States from 1957 to 1973 before returning to Japan\, where she currently resides. Despite training in traditional nihonga (Japanese-style painting) during her early years\, Kusama resisted the constraints of conventional artistic forms. Instead\, she transformed her personal experiences into a distinctive visual vocabulary. Her oeuvre spans a wide range of media\, including painting\, sculpture\, collage\, printmaking\, performance\, video\, large-scale installations and even fashion. Celebrated globally for her vibrant colors and audacious\, original subjects and forms\, Kusama remains at the forefront of European and American avant-garde art movements\, and continues to be a defining force in the global art scene today. \nThe 1990s marked a pivotal period for Yayoi Kusama\, as she re-emerged in the international art scene with explosive success following her return to Japan. In 1993\, she became the first contemporary artist to present a solo exhibition at Japan Pavilion of Venice Biennale. Her status as a major figure in contemporary art was cemented in the five years that followed\, with retrospectives at Los Angeles County Museum of Art and the Museum of Contemporary Art Tokyo. In 1998\, she was invited by then-director of Taipei Fine Arts Museum\, Lin Mun-Lee and curator Fumio Nanjo\, to create the large-scale installation\, Dots Obsession\, for Taipei Biennial. The work occupies the museum’s courtyard with seven fluorescent pink balloons covered with black polka dots. It was a defining moment in her exploration of the dialogue between large-scale sculptures and public spaces. This exhibition also marked the beginning of an enduring relationship between this globally celebrated artist and Taiwan. \n“‘Trajectory’ and ‘Miracle’” opens with a re-created version of Dots Obsession\, the very work that marked Kusama’s Taiwan debut\, and features 70 meticulously selected works spanning from 1951 to 2005. Organized into four sections—“Kusama in Full Bloom”\, “Dots as Origins”\, “Kusama’s Quiescence” and “Love Forever”—the exhibition traces the artist’s creative explorations and experimentations throughout her career\, while reflecting on the vicissitudes of her life journey. This exhibition draws on the unique vision of W Collection\, and builds on the success of “‘Trajectory’ and ‘Miracle’ — KUSAMA Yayoi 1951-2005 from W Collection” at Aomori Museum of Art in Japan. MoNTUE has collaborated closely with Yayoi Kusama Studio to not only recreate Dots Obsession\, but also present a selection of rarely exhibited performance documentations and couture pieces\, highlighting the formative influence of her early happenings on her broader artistic trajectory. \nUpon entering MoNTUE\, visitors are greeted by massive organic forms that stretch across the lofty exhibition space. Moving through this area\, they are transported into Kusama’s world—immersed in an infinite repetition of dots. Large-scale installations such as Dots Obsession\, alongside soft sculptures and her signature paintings\, capture the essence of “Kusama in Full Bloom” after 1985\, a period marked by her rise to global prominence. During this time\, her work shed the melancholy of the 1970s\, radiating a vital and liberated creative energy. The third-floor gallery space\, resembling a corridor through time\, traces her artistic trajectory in “Dots as Origins” by showcasing her early dot motifs and nihonga works\, illustrating how the young Kusama translated her perceptions of nature\, familial dynamics\, and the social landscape of World War II through her paintbrush. \nHer period of setbacks in the United States and the tumultuous years following her return to Japan in 1973 are explored in “Kusama’s Quiescence”. Numerous pastel\, ink and collage-based two-dimensional works delve into the artist’s fears\, anxiety\, despair and yearning during this chaotic phase of her life. The basement “Love Forever” section highlights the happenings she initiated in the late-1960s. This area interweaves four documentaries of her avant-garde performances\, including Flower Orgy\, with the large-scale installation Driving Image\, and several precious\, hand-painted garments she created for her early happenings. These elements reveal the complex imagination that this unparalleled artist has brought to the public perception of anti-war activism\, sexuality\, the body and love. \nThe “‘Trajectory’ and ‘Miracle’” exhibition sheds light on the intricately interwoven relationship between Yayoi Kusama’s life experiences and artistic language. By revisiting the “trajectory” of her artistic practices\, the exhibition scrutinizes how the artist has persistently forged new paths off possibility while embracing the “miracle” of art and life. \n售票 Buy ticket： \nKKday：https://reurl.cc/93YMaO \nKlook：https://reurl.cc/34VMZ9
URL:https://events.mcu.edu.tw/event/%e8%8d%89%e9%96%93%e5%bd%8c%e7%94%9f%e7%9a%84%e3%80%8c%e8%bb%8c%e8%b7%a1%e3%80%8d%e8%88%87%e3%80%8c%e5%a5%87%e8%b7%a1%e3%80%8d-trajectory-and-miracle-kusama-yayoi/
LOCATION:國立臺北教育大學北師美術館\, 大安區和平東路二段134號\, 台北市\, Taiwan
CATEGORIES:國立臺北教育大學北師美術館
ATTACH;FMTTYPE=image/png:https://events.mcu.edu.tw/wp-content/uploads/2025/03/forWEB_KUSAMA_直式海報調整_02_アートボード2-3-3-850x1200-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250415T093000
DTEND;TZID=Asia/Taipei:20250511T173000
DTSTAMP:20260504T220901
CREATED:20250324T054417Z
LAST-MODIFIED:20250324T064922Z
UID:10000976-1744709400-1746984600@events.mcu.edu.tw
SUMMARY:托瑪斯‧德曼 Thomas Demand：歷史的結舌 The Stutter of History
DESCRIPTION:臺北市立美術館歷經3年規劃，在2025年1月18日-5月11日終於推出德國觀念藝術家托瑪斯．德曼的首次個展。德曼1964年生於慕尼黑，主要在柏林和洛杉磯等地活躍創作，作品以大型的攝影及影像作品著稱。 \n德曼的創作多取材自知名歷史或社會事件的報導圖片與影片，他先以紙材模型鉅細靡遺地重建現場，最後透過鏡頭的角度與構圖，試圖複製這段歷史場景以回溯所謂的真相，連結觀者的歷史與記憶。 \n本展覽由獨立策展人道格拉斯．佛格策劃。本展集結藝術家近70件大型攝影作品、壁紙裝置以及2部動態影像，展現德曼處理攝影影像與真實世界之間互為表裡的對位關係，以及他對當代社會中影像文化慣性與認知悖論的提問。 \nAfter three years of planning\, Taipei Fine Arts Museum is delighted to present the first solo exhibition of German conceptual artist Thomas Demand from 18 January to 11 May 2025. Born in Munich in 1964\, Demand primarily works in Berlin and Los Angeles and is renowned for his large-scale photographic and film works. \nDemand’s work often draws inspiration from reported images and footage of significant historical or social events. He meticulously recreates these scenes using paper models before capturing them through the lens\, using careful angles and composition. This replication process aims to revisit the so-called ‘truth’ and connect the viewer’s history and memories. \nThe exhibition\, curated by independent curator Douglas Fogle\, brings together approximately 70 large-scale photographic works\, wallpaper installations\, and two moving image pieces. It showcases Demand’s exploration of the complex interplay between photographic images and the real world\, his interrogation of ingrained image culture\, and the paradoxes of perception within contemporary society. \n日期 Date｜1/18－5/11 09:30 ~ 17:30（每週一休館 Closed every Mondays） \n收費 Fee｜NT$30
URL:https://events.mcu.edu.tw/event/%e6%89%98%e7%91%aa%e6%96%af%e2%80%a7%e5%be%b7%e6%9b%bc-thomas-demand%ef%bc%9a%e6%ad%b7%e5%8f%b2%e7%9a%84%e7%b5%90%e8%88%8c-the-stutter-of-history/
LOCATION:臺北市立美術館\, 中山區中山北路三段181號\, 台北市\, Taiwan
CATEGORIES:臺北市立美術館
ATTACH;FMTTYPE=image/png:https://events.mcu.edu.tw/wp-content/uploads/2025/03/19.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250428T090000
DTEND;TZID=Asia/Taipei:20250502T163000
DTSTAMP:20260504T220901
CREATED:20250429T020531Z
LAST-MODIFIED:20250429T020531Z
UID:10001048-1745830800-1746203400@events.mcu.edu.tw
SUMMARY:法律服務社 Law Aid Club｜25週年校園展覽「海旺天光」 25th Anniversary Campus Exhibition “Rays of Hope Over the Sea”
DESCRIPTION:法律服務社迎來創社25週年，於4/28（一）~5/2（五）09:00~16:30舉辦25週年校園展覽「海旺天光」，地點在傳播大樓H102模擬法庭。本次展覽聚焦「邱和順案」，透過影像與文字紀錄，引領大家思索司法制度與人性的價值，讓更多人看見司法正義的重要。展覽現場還有限定抽獎活動，完成任務即可獲得抽獎券，次數不限，獎品豐富，完成越多中獎機率越高。 \n另，5/1（四）10:00~12:00在活動現場還會帶來「羅明村案」專題講座，特別邀請李冠衡律師蒞校演講，帶領大家回顧案件的始末，進一步了解案件涉及的法律與人權問題。活動詳細資訊，請上法律服務社IG 【mcu_law_aid_club】查詢。 \nThe Law Aid Club is celebrating its 25th anniversary with a special campus exhibition titled “Rays of Hope Over the Sea”\, taking place from Monday\, April 28 to Friday\, May 2\, between 09:00 and 16:30 at Mock Courtroom (H102) in Communication Building. \nThis exhibition focuses on Qiu He-Shun case\, using images and written records to lead visitors in reflecting on the value of the judicial system and humanity\, aiming to raise awareness about the importance of justice. \nThere will also be a special raffle at the exhibition! Complete designated tasks to earn raffle tickets — there is no limit to the number of tickets you can collect. The more you participate\, the higher your chances of winning exciting prizes! \nAdditionally\, on Thursday\, May 1\, from 10:00 to 12:00\, a special lecture on the Luo Ming-Cun case will be held at the exhibition venue. Attorney Li Guan-Heng has been invited to deliver a speech\, guiding the audience through the case’s history and offering deeper insights into the legal and human rights issues involved. \nFor more details\, please visit Law Aid Club’s Instagram page 【mcu_law_aid_club】.
URL:https://events.mcu.edu.tw/event/%e6%b3%95%e5%be%8b%e6%9c%8d%e5%8b%99%e7%a4%be-law-aid-club%ef%bd%9c25%e9%80%b1%e5%b9%b4%e6%a0%a1%e5%9c%92%e5%b1%95%e8%a6%bd%e3%80%8c%e6%b5%b7%e6%97%ba%e5%a4%a9%e5%85%89%e3%80%8d-25th-anniversary-campu/
LOCATION:台北校區Taipei Campus\, 中山北路五段250號\, 台北市\, Taiwan
CATEGORIES:法律服務社
ATTACH;FMTTYPE=image/png:https://events.mcu.edu.tw/wp-content/uploads/2025/04/1-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250503T093000
DTEND;TZID=Asia/Taipei:20250511T173000
DTSTAMP:20260504T220901
CREATED:20250502T064455Z
LAST-MODIFIED:20250502T064455Z
UID:10001064-1746264600-1746984600@events.mcu.edu.tw
SUMMARY:陳正雄90大展—一位抽象畫家與他的收藏 Chen Cheng-Hsiung at 90 An Abstract Painter and His Collection
DESCRIPTION:四季中的人間煙火 Finding Splendor in Every Season \n在《陳正雄畫語錄》中他曾說：「我的藝術是『召喚的』，而非『描繪的』。如同音樂，旨在激發內在情感，而非記錄自然的外貌或述說故事。它是內在經驗的一種強烈表徵，是視覺的『隱喻』，而非視覺的『敘述』。」 \n“The nature of my art is ‘evocative’ rather than ‘descriptive’. Like music\, it is meant to stimulate inner feeling rather than tell a story. It is intended as an intense expression of the inner experience—a visual metaphor\, not a visual narrative.” \n–Chen Cheng-Hsiung\, The Sayings of Chen Cheng-Hsiung on Art \n不僅是一位藝術家。陳正雄生涯中對藝術領域的貢獻絕非僅止於抽象繪畫，他是原住民與清朝服飾文物研究的學者藏家，同時也是抽象藝術理論撰寫的教育者，更是帶領臺灣藝術家們走向國際藝壇的重要推手。多重的身分讓陳正雄早早即開啟了當代在談論的「跨領域」，在藝術創作的理論與傳統收藏中，展現出他獨有的色彩跨界對話。 \n從1966年便開始收藏臺灣原住民服飾與文物的陳正雄，作品中奔放的飽和色調及抽象線條，似乎都能從其藏品來延伸出創作上的投射。1993年在參觀北京故宮博物院、瀋陽故宮博物院及大英博物館的過程中，他被宮廷服飾之美所震攝，也因而興起對清代宮廷服飾的購藏與研究。在梳理陳正雄與他的收藏中，最讓人驚艷的是他的抒情抽象繪畫與藏品間的高度連結，色系的對應就宛如當代設計中的色域思維，不僅建構出陳正雄作品中自帶的時尚感，更觸及了藝術家本人對於跨領域的成就與貢獻。 \n不僅如此，旅居巴黎的知名作家祖慰在為陳正雄撰寫傳記時即以《畫布上的歡樂頌》一書，來稱讚其所帶給觀者的喜悅，而筆觸中自然流露的音樂與流動性，讓陳正雄在創作的畫面中，皆染上四季的氛圍。於是，四時流轉，萬物生機交融於天地人間，無論市井喧囂亦或是內觀心性，總能適度展示出如春之新鬱、夏之嬌豔、秋之閑靜，或是冬之冷瑟的章節。 \n回到《陳正雄90大展－抽象畫家和他的收藏》展覽中，這次高美館以陳正雄的收藏帶出創作中所蘊含的「文化色彩」，我們不僅能從原民藏品中的海洋性，直接投射到陳正雄抽象繪畫中的「抒情海洋」，更能在他的《窗》與《數位空間》等系列作品中，看見書法與刺繡服飾間的線條呼應，他巧妙地以色彩突圍了東方元素，但卻在畫面中同時融合了西方抽象的精粹，就如同劉禹錫《董氏武砬集記》所提出的「境生子象外」一說：或許在我們體會「意境」的當下，感受到的正是陳正雄在創作上呈現出如史記的磅礡，但心領神會後，卻又能從其中看見被列傳所點綴出的璀璨時代。 \nChen Cheng-Hsiung has enriched Taiwan’s art world through an impressive range of contributions over the course of his career—from his abstract painting\, scholarly research on indigenous and Qing dynasty clothing and jewelry\, art education\, academic publications on abstract art\, to his promotion of Taiwan’s artists to the international stage. These diverse roles established Chen as an early voice in cross-disciplinary dialogue\, weaving together his theoretical work and traditional collecting practices in a distinctive approach to artistic creation. \nA pivotal moment in Chen’s artistic journey came in 1966 when he began collecting clothing and objects of the indigenous peoples of Taiwan\, drawing inspiration from their vibrant colors and abstract patterns for his own work. Years later\, in 1993\, he toured the Beijing Palace Museum\, Shenyang Palace Museum\, and British Museum and found himself similarly fascinated with the displayed imperial garments\, leading him to build and study a collection of Qing dynasty clothing. The depth of these influences can be seen in the striking connections between Chen’s lyrical abstract paintings and his collected objects\, particularly in his sophisticated use of color; his approach to color relationships echoes contemporary design principles\, lending his work a modern sensibility while reinforcing his contributions to cross-disciplinary artistic practice. \nChen’s biography was written by the renowned Paris-based artist Chang Tzu-wei\, who captured the essence of Chen’s work in the work’s title\, An Ode to Joy on Canvas. This celebration of the delight Chen’s art brings to viewers stems in part to the natural musicality and flow of Chen’s brushstrokes\, infusing his works with the essence of the four seasons. This essence conveys a sense of convergence across time and his works—whether amid urban clamor or introspective contemplation—speak to the unique atmospheres of each season: the emergent lushness of spring\, the charming brilliance of summer\, the tranquility of autumn and the somber chill of winter. \nIn this exhibition—Chen Cheng-Hsiung at 90:An Abstract Painter and His Collection—KMFA aims to illuminate the cultural dimensions of Chen’s artwork through his collected objects. For instance\, his collection of indigenous pieces reveals marine elements that find direct expression in his own abstract paintings of the lyrical ocean. Moreover\, the dialogue between East and West emerges clearly in his “Window” and “Digital Space” series\, where calligraphic lines resonate with embroidered patterns\, Chen’s bold use of color extending beyond the traditionally Eastern medium while also incorporating the essence of Western abstraction. This artistic fusion brings to mind Liu Yuxi’s meditation in Record of the Dong Clan’s Wula Collection\, where he notes that “the scene emerges beyond the work”. In this way\, Chen’s work first strikes viewers with its commanding presence\, but deeper contemplation reveals intricate details that delicately embellish his artistic vision.
URL:https://events.mcu.edu.tw/event/%e9%99%b3%e6%ad%a3%e9%9b%8490%e5%a4%a7%e5%b1%95-%e4%b8%80%e4%bd%8d%e6%8a%bd%e8%b1%a1%e7%95%ab%e5%ae%b6%e8%88%87%e4%bb%96%e7%9a%84%e6%94%b6%e8%97%8f-chen-cheng-hsiung-at-90-an-abstract-painter/
LOCATION:高雄市立美術館\, 鼓山區美術館路80號\, 高雄市\, Taiwan
CATEGORIES:高雄市立美術館
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BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250503T093000
DTEND;TZID=Asia/Taipei:20250524T173000
DTSTAMP:20260504T220901
CREATED:20250424T023957Z
LAST-MODIFIED:20250424T031711Z
UID:10001040-1746264600-1748107800@events.mcu.edu.tw
SUMMARY:2025 X-site: 毛孔城市─佔領計畫 Program X-site 2025: The Pore Landscape Project
DESCRIPTION:「X-site 計畫」（2014~）以美術館戶外廣場為基地，每年公開徵選一件實驗性的臨時裝置提案。從建築結構、當代藝術、環境研究、公眾參與等多元角度，鼓勵創新實驗的跨域創作與公共性交織的整合性計畫，激發公眾對公共空間、城市環境與人類發展等議題的探討與想像。「X-site 計畫」歷年來已支持許多新銳建築與藝術團隊實踐創作計畫，成為臺灣深具開放性、實驗性與培育中青世代的重要平台。 \n今年由跨領域團隊「表層工作室 (Studio Superficial)」《毛孔城市－佔領計畫（The Pore Landscape Project）》獲得2025第12屆首獎。 \n關於作品 \n臺北市為臺灣熱島效應最嚴重的都市，逐年升溫的氣候改變了人與廣場的互動關係。表層工作室將毛孔的散熱機制擬態於地表，設計量造上百座回收鋁製的「毛孔」裝置，象徵性地佔領北美館廣場。透過大範圍鋪面介入，並像毛孔般植入公共場域，展開一場人群與空間的地景實驗。從有形的物件到無形的水霧，呈現光影、風向、濕度與溫度的調節，如城市中的微型氣候，試圖緩解場域中的熱氣滯留，同時打開觀眾的身體感知，重新定義北美館廣場與人群之間的互動行為。 \nAbout Program X-site \nBased on the outdoor plaza of the Taipei Fine Arts Museum (TFAM)\, Program X-site (2014 –) launches an annual open call for experimental temporary installation projects. From multiple perspectives\, such as architectural construction\, contemporary art\, environmental research and public participation\, the event encourages interdisciplinary and publicly engaged projects that emphasize innovative experimentation. Meanwhile\, it inspires the public to imagine and explore the issues related to public space\, urban environment and human development. Over the years\, Program X-site has supported various pioneering projects proposed by cutting-edge teams in architecture and art\, establishing itself as an important incubator of openness and experimentation for young and mid-career generations in Taiwan. \nThe Pore Landscape Project\, conceived by the interdisciplinary team Studio Superficial\, was selected as the 12th laureate in 2025. \nAbout The Pore Landscape Project  \nTaipei is the city most severely affected by the urban heat island effect in Taiwan\, and rising temperatures have gradually reshaped the way people interact with public plazas. Simulating the heat dissipation mechanism of pores\, Studio Superficial has conceived an installation consisting of hundreds of “porous” devices made from recycled aluminum\, symbolically occupying the TFAM outdoor plaza. Embedded into the public space like a breathing carpet with pores\, the installation has initiated a landscape experiment exploring the relationship between people and their surroundings. Constructed from tangible objects and intangible mist\, the installation integrates the concept of microclimate landscape design to regulate light and shadow\, wind direction\, humidity and temperature. It attempts to alleviate the stationary heat on-site while awakening the public’s bodily perception\, ultimately redefining the interaction between the plaza and its visitors. \n觀展指南 \n1. 作品鋪面採用擴張網（孔徑10 x 6cm），網面踩踏時會有些微不穩定，平衡感不佳者，請小心行進。\n基於作品設計與體驗的安全性，以下觀眾不適合參觀： \n– 穿著高跟鞋者\n– 使用拐杖、輔具者（如輪椅等）\n– 嬰兒推車或其他類似設備（建議將車體暫放展區外）\n– 動物或寵物 \n2. 展區體驗時，請務必留意： \n– 禁止奔跑、推擠。\n– 請勿飲食。\n– 孩童須由隨行成人陪同，確保安全並引導適當的觀展方式。\n– 避免長時間站在霧氣裝置出口處。請勿觸摸設備，以免影響作品裝置的正常運作。\n– 請注意隨身細小物品掉落。若不慎掉落請尋求展務人員協助，勿自行撿拾，以免受傷。\n– 不開放商業攝影（例：婚紗、商品型錄、攝影教學等）或其他影響參觀安全及品質之拍攝。 \n3. 如遇大雨、打雷、颱風等天候狀況，因安全考量本作品將暫時關閉。 \n4. 視視各項公眾活動前置準備，作品的局部區域於活動開始前後60分鐘暫停開放（以現場公告為準） \n5. 公眾活動之舉辦、延期與取消，將因應氣候狀況彈性調整，詳情請至本館官網查詢。 \nVisiting reminder \n1. The installation is paved with expanded metal meshes (aperture: 10 × 6 cm). For safety reasons related to the design and experience of the installation\, the following visitors are not recommended: \n– with high heels;\n– with canes;\n– with baby strollers or similar devices (recommended to park outside the exhibition area);\n– wheelchair users;\n– carrying animals with feet smaller than the mesh aperture. \n2. Please note in the exhibition area: \n– Children must be accompanied by a parent or guardian to ensure their safety and to guide them in experiencing the exhibition appropriately.\n– Please do not touch the devices to avoid malfunctions of the installation.\n– Please avoid standing for extended periods near the outlet of the mist device.\n– Please do not run or push others.\n– No eating or drinking is allowed.\n– Please be mindful of small personal belongings that may fall. Seek assistance from exhibition staff for any fallen item instead of retrieving it yourself to avoid injury.\n– Please do not use strong flashlights to avoid disturbing other visitors and the exhibition effects.\n– Please apply in advance for any photo or video recording for commercial purposes. \n3. In cases of severe weather conditions\, such as heavy rain\, thunder and lightning\, and typhoons\, the installation will be temporarily closed for safety reasons. Please do not enter and plan your visit for another date. \n4. According to the preliminary arrangements for the public events\, certain areas of the exhibition will be closed for 30 minutes before and after each session\, as announced on-site that day. Please plan your visit accordingly. \n5. The organization\, postponement or cancellation of the public events will be determined based on weather conditions. For more information\, please visit the official TFAM website. \n日期 Date｜5/3－7/13 09:30 ~ 17:30（每週一休館 Closed every Mondays） \n收費 Fee｜NT$30
URL:https://events.mcu.edu.tw/event/2025-x-site-%e6%af%9b%e5%ad%94%e5%9f%8e%e5%b8%82%e2%94%80%e4%bd%94%e9%a0%98%e8%a8%88%e7%95%ab-program-x-site-2025-the-pore-landscape-project/
LOCATION:臺北市立美術館\, 中山區中山北路三段181號\, 台北市\, Taiwan
CATEGORIES:臺北市立美術館
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BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250506T093000
DTEND;TZID=Asia/Taipei:20250525T173000
DTSTAMP:20260504T220901
CREATED:20250324T064857Z
LAST-MODIFIED:20250324T064857Z
UID:10000977-1746523800-1748194200@events.mcu.edu.tw
SUMMARY:黑潮：賴純純回顧展 Jun T. LAI: A Retrospective
DESCRIPTION:賴純純（1953-）生於台北，大學時期受廖繼春啟發，領會色彩即為表現主體的可能。隨後在日本求學，建立日後空間創作的基礎觀念。 \n1980年代，她以複合媒材創作，藉由純粹的色彩、抽象性的排列，探討繪畫形式自由的可能性。作品接連在「中華民國現代繪畫新展望」、「中華民國現代雕塑展」等重要競賽展獲獎。1986年成立「SOCA現代藝術工作室」推展前衛藝術。1990年代重新體認東方美學，在材料的運用上顯現自然，訴求回歸內在感性。1998年起，投入公共藝術創作，行遍全台。2007年後，生活與創作重心轉向東部海岸。此時期作品重回色彩獨立表現，反映在東部長住後，對自然更為深層的嚮往。 \n本展以「黑潮」為名，象徵賴純純創作純然而深邃、多變卻一貫的特質。展覽邀請藝評家張晴文擔任客座策展人，預計透過四個子題梳理賴純純1970年代至今的創作脈絡，展出油畫、壓克力繪畫、複合媒材繪畫、雕塑、裝置、手稿、影片與文獻等。 \n“Jun T. Lai: A Retrospective”\, curated by art critic Chang Ching-Wen\, symbolizes the pure yet profound and versatile yet consistent attributes of the artist’s work. Jun T. Lai (b. 1953) was inspired by Liao Chi-Chun during her college years and began to explore colors as a means of expression. While studying in Japan\, she formulated the core concepts for her later spatial works. \nIn the 1980s\, she delved into the potential of painting through abstract arrangements of pure colors\, earning recognition in major competition exhibitions\, including the Contemporary Art Trends R.O.C. Subsequently\, she established the Studio of Contemporary Art (SOCA) to advocate for avant-garde art. In the 1990s\, she revisited Eastern aesthetics\, which led to new insights that inspired her to draw from nature and her inner feelings through her sensibility. Following 2007\, she focused on living and creating art on Taiwan’s eastern coast\, redirecting her attention to the independent expression of colors while expressing a profound desire for nature. \nThis exhibition will explore the artist’s creative journey through four themes spanning from the 1970s to the present. It will feature nearly one hundred exhibits\, including oil\, acrylic\, and mixed media paintings\, as well as sculptures\, installations\, hand drawings\, manuscripts\, videos\, and archives. \n日期 Date｜3/1－5/25 09:30 ~ 17:30（每週一休館 Closed every Mondays） \n收費 Fee｜NT$30
URL:https://events.mcu.edu.tw/event/%e9%bb%91%e6%bd%ae%ef%bc%9a%e8%b3%b4%e7%b4%94%e7%b4%94%e5%9b%9e%e9%a1%a7%e5%b1%95-jun-t-lai-a-retrospective/
LOCATION:臺北市立美術館\, 中山區中山北路三段181號\, 台北市\, Taiwan
CATEGORIES:臺北市立美術館
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BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250509T100000
DTEND;TZID=Asia/Taipei:20250512T170000
DTSTAMP:20260504T220901
CREATED:20250410T074720Z
LAST-MODIFIED:20250410T074720Z
UID:10001008-1746784800-1747069200@events.mcu.edu.tw
SUMMARY:2025 新一代設計展 Young Designers’ Exhibition
DESCRIPTION:「新一代設計展」由經濟部與教育部共同指導、經濟部產業發展署主辦、台灣設計研究院執行，自1981年開辦以來，致力將展覽朝品牌化、專業化、國際化之方向推進，是全球最具規模之設計產學交流共創平台。展覽內容橫跨產品與工藝設計、視覺傳達設計、數位多媒體設計、空間與建築設計、服裝與時尚設計、跨領域整合設計等多元領域。每年約有60校、140系、超過10\,000位設計新秀、近4\,000件作品參與展出。 \n除展覽外，另結合金點新秀設計獎、新一代設計產學合作專案，廣邀企業參與，是台灣發掘優秀設計人才與傑出創意之重要平台。「新一代設計展」曾在2007年獲選為「國際工業設計社團協會」（Icsid）50周年之全球系列活動之一，與米蘭家具展（Salone del Mobile\, Milan）、挪威設計日（Norwegian Design Day）等知名設計活動齊名。 \n“YODEX” was established in 1981\, and since TDC took over the execution in 2004\, it has strived to further develop the exhibition with emphases on branding\, professionalism and internationalization. Currently\, YODEX is one of the most prominent joint design exhibitions by students of different design departments\, showcasing works of diverse fields including product design\, graphic design\, package design\, visual communication design\, space and landscape design\, fashion design\, digital media design and craft design. Every year\, over 4\,000 entries and 10\,000 young designers from 140 departments of over 60 schools participate in the exhibition. \nIn addition to the exhibition\, YODEX also features Golden Pin Design Award\, and YODEX academia-industry cooperative project\, and invites enterprises across sectors to participate\, making it the most important platform for discovery of Taiwan’s brilliant design talents and outstanding creativity. In 2007\, YODEX was recognized by the International Council of Societies of Industrial Design (Icsid) as the largest show of student-created designs. \n收費 Fee：NT$180 \n購票方式 Ticket Purchase Methods： \n電子票券、使用文化幣購買 E-Tickets / Use of Culture Points for Purchase → 請至ibon售票系網站購買 Please purchase through the ibon ticketing website \n實體票券 Physical Tickets → 請至全台7-ELEVEN門市 ibon機台購買 Please purchase at ibon kiosks located in 7-ELEVEN stores across Taiwan \n購買 “早鳥票” 請點選 To purchase Early Bird Tickets\, please click → 【ibon購票 ibon Ticketing】
URL:https://events.mcu.edu.tw/event/2025-%e6%96%b0%e4%b8%80%e4%bb%a3%e8%a8%ad%e8%a8%88%e5%b1%95-young-designers-exhibition/
LOCATION:南港展覽館二館\, 南港區經貿二路2號\, 台北市\, Taiwan
CATEGORIES:財團法人台灣設計研究院
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250510T093000
DTEND;TZID=Asia/Taipei:20250607T173000
DTSTAMP:20260504T220901
CREATED:20250502T061832Z
LAST-MODIFIED:20250502T061832Z
UID:10001063-1746869400-1749317400@events.mcu.edu.tw
SUMMARY:繁花夢露 Ethereal Bloom—張立曄的靈光樂園 The Luminous Paradise of Chang Li-Yeh
DESCRIPTION:關於本展 About the Exhibition \n蔚藍暗夜，百花盛開，綻放紅彩靈光。飛禽走獸、蟲蝶鳥蛙，慕光歡舞紛至沓來，迎向紅、橙、黃、綠、藍、靛、紫所織染閃爍韶光的花瓣，沐浴在那道流淌著金黃生命之泉的聖光中，花蝶鳥獸蟲蛙們瞠目私語盡顯驚嘆奇神之情，未明的棉花糖雲朵，對稱而乖巧地排列在夜空與飄盪其中的花朵，讓那金粉紅花粉微微顫動飄灑而出…頌讚著神聖又神祕的生之華，也隱匿著繁盛的剎那時間至極後的幻滅之悲。這是藝術家張立曄的繪畫作品〈百花樹〉所帶給我們的深層感動。 \n本展以「繁花夢露」－ 張立曄的靈光樂園為名，展出藝術家張立曄近十年的夢幻繽紛又帶著樸拙童趣的繪畫創作：「蝴蝶人」、「童話樂園」、「萬物有靈」和「靈光」等系列。同時，也追朔他早期在報社為副刊畫插畫的報紙原稿和原作，以及初入畫家專職所創作帶著原生藝術趣味的表現性系列作品如：「社會邊緣人」、「檳榔西施」、「土石流」和「護法金剛」等，來與他今日的創作做一比較對照，讓大家探訪一個藝術家所開展的創作脈絡。 \n本展策展人黃志偉提出「繁花夢露」一題，是「蝴蝶人」裡一花一世界、一塵一世間的層層疊疊詠嘆繽紛燦爛。刻印在臉上的是對過去燦爛的毀壞，洗鍊成現今畫家、畫家老婆和小孩簡單無華的滿滿的幸福的印記與圓滿；是在幽暗夜裡竊竊盡情開趴的〈小怪獸樂園〉，隱匿在陰沉的藍綠調性中，緩緩蠕動、或流竄飄動、或張牙舞爪歇斯底里般躁動的長腳魚、人腳獅、象鼻狗、草型兔、雀鳳、蝶花等莫以名之的各種精怪；是「萬物有靈」中的靈光湧現，照耀在一塵不染的仙境桃源，在七彩祥雲天女散花的瑞兆下，那世外之島由虛空注入，眾神龜、錦鯉、魚龍等神獸四方來朝的玄妙境界。這樣的靈光畫境乃純淨之土，邀請觀者入境穿梭優遊一探淨土風光，也一探畫家內心所望之境。 \n圍繞在〈一天〉24小時的時光景象中，觸動了緣起緣滅的媒介時空間的存在觀念，「一天」與一時的概念等同，一時一天，日復一日重複輪轉，天天都有一樣的一天，天天都是現在、過去與未來的天，天天都是不一樣的天，在〈一天〉的靈光樂園裡，是時間的瞬間所綻放的花華，猶如繁花盛綻之極，乃為凋零衰敗前的一瞬間相，一瞬間、一剎那、一時、一天如鏡般的折射出這一繁花夢露極致之境，雖世間繁華如朝露般的曇花一現，但已然是昇華過後之再生，夢恨已逝慰藉於心… \nEthereal Bloom – The Luminous Paradise of Chang Li-Yeh presents a radiant world where blossoms shimmer in divine light and fantastical creatures roam under deep blue skies. Inspired by his painting Blossoming Tree\, this exhibition captures the sacred beauty and fleeting sorrow of life at its most vibrant. \nFeaturing works from the past decade\, including the series Butterfly Man\, Fairy Tale Paradise\, Animism and Aura\, the show traces Chang’s journey from whimsical dreamscapes to spiritual utopias. Alongside these are his early newspaper per illustrations and expressive series like Self-Portrait and Social Outcast\, revealing a transformation from raw\, intuitive forms to intricate\, symbolic compositions. \nCurated by Huang Chih-Wei\, the exhibition explores the idea of “ephemeral dreams”—moments that sparkle and vanish like morning dew. In worlds filled with playful monsters\, sacred animals\, and floating blossoms\, time stretches and folds. Ethereal Bloom invites visitors to wander through Chang’s luminous landscapes and glimpse the artist’s innermost visions of joy\, loss and renewal. \n藝術家介紹 About the Artist \n藝術家張立曄出生於嘉義，東吳大學社會學系畢業，早期熱愛文學與詩的書寫和閱讀，跟所有愛畫畫的人一樣，從小便喜歡畫畫塗鴉，課本的空白處無一倖免皆被其所塗滿，無形中成了一種難以更改的「壞習慣」，這「壞習慣」一直深植在他的潛意識裏頭，今日畫作中滿溢而密集的圖像，或許正是這壞習慣的延伸而成為他作品面貌的鮮明特色。 \n張立曄初期作品以社會關懷出發，對社會邊緣人與弱勢族群進行描寫， 表現時代和社會變遷中小人物的流離、失根與存在困境。中期延續社會關懷路線，進行「檳榔西施」與「土石流」兩項社會議題的創作，前者反映了少女身體在台灣工業城市中的異化與色情化圖像，後者則對全球暖化與生態危機所暴露的政治人性光怪陸離現象進行批判。 \n近期作品轉為對個人內在潛意識能量的深層觀照，將身體與靈魂體的情感、欲念、記憶與糾葛執念視為一個小宇宙的經絡迴路， 將五臟神經血脈以意識流的自我幻化圖形塡充取代， 以自我變形、花形、山形各種包羅萬象的大自然元素重組內在山水。從《蝴蝶人系列》對自己過往情感、欲望與記憶的整理、爬梳與觀照，到《小宇宙系列》將自己置放到與大自然的聯結，在身體內在的小周天𥚃，佈置一座安身立命的山水花園。此時，寧靜的傾聽體內的流泉聲，與大自然的一草一木相應和，透過每一座山巒的聳立與小樹叢、小溪流的滋長與迴流，而將自身凈化，將山水世界放到身體𥚃面，一筆一畫的建造一座屬於自己內在的花園。 \nChang Li-Yeh was born in Chiayi. He graduated from the Department of Sociology at Soochow University in Taiwan. In his youth\, he developed a love for reading and writing literature and poetry. Like many budding artists\, he enjoyed doodling and habitually filled every blank space in his textbooks\, which ultimately became an indelible “bad habit”. This tendency shaped his subconscious\, leading to the brimming\, compact imagery found in his paintings today. Perhaps it is precisely this “bad habit” that contributes to the unique characteristics of his work. \nChang’s early works centered on social issues\, portraying the struggles of marginalized communities. His Betel Nut Beauty series explored the objectification of young women in Taiwan’s industrial cities\, while Landslide reflected on climate change and ecological destruction. These works captured the raw\, often surreal contradictions of human nature and politics. \nIn recent years\, his focus has turned inward\, exploring the subconscious. He reimagines the body and soul as a microcosm of emotions\, memories\, and desires. His figures morph and flow\, their limbs entwined with mountains\, rivers\, and blooming landscapes—an intimate fusion of self and nature. In the Butterfly Man series\, he reflects on love\, longing and memory\, while the Small Universe series builds a connection between the body and the natural world\, creating a sanctuary where every tree\, stream\, and peak resonates with harmony.\n\n仙樹，2020，162 X 226cm，油彩、畫布 \n\n蝴蝶人-5，2014，112 X 145cm，壓克力、麥克筆、畫布 \n\n萬物有靈，2016，45 X 45cm，壓克力、畫布
URL:https://events.mcu.edu.tw/event/%e7%b9%81%e8%8a%b1%e5%a4%a2%e9%9c%b2-ethereal-bloom-%e5%bc%b5%e7%ab%8b%e6%9b%84%e7%9a%84%e9%9d%88%e5%85%89%e6%a8%82%e5%9c%92-the-luminous-paradise-of-chang-li-yeh/
LOCATION:高雄市立美術館\, 鼓山區美術館路80號\, 高雄市\, Taiwan
CATEGORIES:高雄市立美術館
ATTACH;FMTTYPE=image/jpeg:https://events.mcu.edu.tw/wp-content/uploads/2025/05/繁花夢露Banner-1810x768px.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250516T120000
DTEND;TZID=Asia/Taipei:20250518T190000
DTSTAMP:20260504T220901
CREATED:20250325T081019Z
LAST-MODIFIED:20250325T081019Z
UID:10000983-1747396800-1747594800@events.mcu.edu.tw
SUMMARY:WHATZ ART FAIR
DESCRIPTION:報名 To apply：https://www.accupass.com/eflow/ticket/2502191450131225054066
URL:https://events.mcu.edu.tw/event/whatz-art-fair/
LOCATION:台北喜來登大飯店\, 中正區忠孝東路一段12號\, 台北市\, Taiwan
CATEGORIES:ACCUPASS,WHATZ國際當代藝術博覽會
ATTACH;FMTTYPE=image/png:https://events.mcu.edu.tw/wp-content/uploads/2025/03/31.png
ORGANIZER;CN="WHATZ%E5%9C%8B%E9%9A%9B%E7%95%B6%E4%BB%A3%E8%97%9D%E8%A1%93%E5%8D%9A%E8%A6%BD%E6%9C%83":MAILTO:info@whatz.info
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250517T093000
DTEND;TZID=Asia/Taipei:20250607T173000
DTSTAMP:20260504T220901
CREATED:20250505T034625Z
LAST-MODIFIED:20250505T034625Z
UID:10001062-1747474200-1749317400@events.mcu.edu.tw
SUMMARY:行者十步 Footprints of the Walker：蔡明亮 Tsai Ming-Liang
DESCRIPTION:行者，不只是穿越時空的修行者，更意味著形象的轉生。 \n2011年，李康生在排練舞台劇《只有你》的〈李康生的魚・我的沙漠〉時，以極慢步伐行走短短幾公尺之間，轉換蔡明亮父親與玄奘法師的角色。此姿態讓蔡明亮深受震撼。這種既懸置又推進的步調，不僅凝聚了他與李康生數十年合作的精髓，也為他正在醞釀的、更開放的電影形態埋下了轉變的伏筆。 \n如果李康生慢行的一小步是他與蔡明亮長年合作所淬鍊出的結晶，那麼自2012年至2024年間，他們共同完成的《行者》系列，則可謂透過李康生化身紅袍僧侶的徐步實踐跨藝術的壯跡。 \n具體而言，這個系列包括十部長短不一的影片——《無色》、《行者》、《夢遊》、《金剛經》、《行在水上》、《西遊》、《無無眠》、《沙》、《何處》、《無所住》——亦包含舞台劇《玄奘》。此外，它也延伸至電影展覽，如「無無眠大展」（北師美術館）、「行者 蔡明亮」大展（壯圍沙丘旅遊服務園區）與「取經」（龐畢度中心）等，探索影像與空間的結合。 \n顧名思義，「行者十步：蔡明亮」呼應「十部」影片的諧音，指向這些受到唐代玄奘法師西行天竺十七載取經啟發的影像創作。十餘年來，《行者》影片除了涉足台北、雲林與宜蘭，也輾轉香港、古晉與東京，甚至遠行至馬賽、巴黎與華盛頓。影片以長鏡頭描寫聖僧自台北行向四方，從內心行至世間的經行。 \n在美術館中，這些影片並非單獨存在，而是彼此聯繫，形成一個有機整體，同時結合紙張、經文、鏡面、椅子、素描、畫作、物件與檔案等素材，藉由多重銀幕與裝置藝術的方式營造沉浸式影像空間；光影與色彩、線條與皺褶、錯過與相遇、生命與幻影、有限與無窮交織，形塑出獨特的行者世界。 \n「行者十步：蔡明亮」象徵著蔡明亮身為導演的藝術轉向，開啟另一種影像取經的旅程。試想，當年長安僧侶不顧朝廷的禁令，義無反顧地踏上西行求法之路；而蔡明亮則以影像為經，遊走於電影、劇場與展覽之間，在跨越空間、媒介與藝術邊界的過程中持續追尋，開闢一條凝視時間的行者之道。 \nThe Walker is more than a pilgrim through time and space\, it’s the transformation of imagery. \nIn 2011\, while rehearsing the stage play Only You\, in the monologue The Fish of Lee Kang-sheng: The Journey in the Desert\, Lee walked at an extremely slow pace for just a few meters. He shifts between the roles of Tsai Ming-liang’s father and the Tang Dynasty Buddhist monk Xuanzang. This movement profoundly affected Tsai. These steps both suspended and advanced the forward motion. It encapsulated the essence of the decades-long collaboration between Tsai and Lee. It also planted the seed for the open form of cinema Tsai has been nurturing. \nIf Lee’s slow walk is the crystallization of his years of collaboration with Tsai\, then The Walker series\, which they completed between 2012 and 2024\, can be seen as a grand artistic journey across disciplines\, realized through Lee ’s embodiment of a red-robed monk in slow\, deliberate motion. \nThis series includes ten films of varying lengths—No Form\, Walker\, Sleepwalk\, Diamond Sutra\, Walking on Water\, Journey to the West\, No No Sleep\, Sand\, Where\, and Abiding Nowhere—as well as the stage play The Monk from Tang Dynasty. Additionally\, it extends into cinematic exhibitions such as No No Sleep at MoNTUE －Tsai Ming-Liang Solo Exhibition\, Walker\, Tsai Ming-Liang at the Zhuangwei Dune Visitor Center and A Quest at the Centre Pompidou. Together\, they explore the fusion of film and space. \nFootprints of the Walker: Tsai Ming-Liang refers to the ten films\, pointing to this body of work inspired by the 17-year-long journey of Xuanzang in search of sutras from India. Over the past decade\, The Walker series has set foot not only in Taipei\, Yunlin\, and Yilan but also Hong Kong\, Kuching\, and Tokyo\, and extended as far as Marseille\, Paris and Washington D.C. Through long takes\, the films depict the monk’s journey outward from Taipei in meditative movement—from the inner self to the broader world. \nWithin the gallery space\, these films do not exist independently but interconnect to form an organic whole. Presented alongside paper\, sutras\, mirrors\, chairs\, sketches\, paintings\, objects\, and archival materials\, an immersive visual environment is created through multi-screen installations and video art. Light and shadow\, color and texture\, missed encounters and fateful meetings\, life and illusion\, the finite and the infinite—these elements weave together to shape the unique world of the Walker. \nFootprints of the Walker: Tsai Ming-Liang symbolizes the artistic transformation of Tsai as a director\, opening up a new cinematic pilgrimage. Imagine the ancient monk from Chang’an who\, defying the imperial decree\, set out resolutely on his westward journey in search of the Dharma. Similarly\, Tsai uses film as his scripture\, moving between cinema\, theater and exhibition spaces\, continuously  searching beyond spatial\, media\, and artistic boundaries—to carve out a Walker’s path that gazes upon time itself.
URL:https://events.mcu.edu.tw/event/%e8%a1%8c%e8%80%85%e5%8d%81%e6%ad%a5-footprints-of-the-walker%ef%bc%9a%e8%94%a1%e6%98%8e%e4%ba%ae-tsai-ming-liang/
LOCATION:高雄市立美術館\, 鼓山區美術館路80號\, 高雄市\, Taiwan
CATEGORIES:高雄市立美術館
ATTACH;FMTTYPE=image/jpeg:https://events.mcu.edu.tw/wp-content/uploads/2025/05/行者十步-高美館官網banner-1810_768.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250520T093000
DTEND;TZID=Asia/Taipei:20250523T173000
DTSTAMP:20260504T220901
CREATED:20250410T073258Z
LAST-MODIFIED:20250410T073258Z
UID:10001007-1747733400-1748021400@events.mcu.edu.tw
SUMMARY:台北國際電腦展 AI Next
DESCRIPTION:台北國際電腦展為全球領先的AIoT和新創產業展覽， \n定位為AI Next， \n聚焦智慧運算 & 機器人、次世代科技、未來移動等主題， \n提供全球創業先鋒產業知識交流平臺， \n創造更多技術革新的火花。 \nCOMPUTEX創辦於1981年，30多年來一路與全球ICT產業一同成長、茁壯，見證產業發展與轉變的歷史性時刻，每年吸引超過4萬名的國際買主來臺參觀及採購，亦是國際指標廠商選擇公布劃時代產品的首選平台。臺灣具備完整全球資通訊產業鏈，立足臺灣的COMPUTEX，以建構全球科技生態系為目標，期望以跨領域整合創新服務作為最強勁的動力，成為全球科技資源整合的新舞台。 \n另外COMPUTEX的新創展區-InnoVEX為亞洲最具指標性的新創平台，鏈結臺灣新創團隊與全球資源，透過充沛的創新能量，為科技生態系注入新創動力。 \nCOMPUTEX Taipei stands as the world’s leading exhibition for the AIoT and startup industries\, positioning itself as AI Next\, with a strong focus on smart computing & robotics\, next-generation technologies and future mobility. It serves as a global platform for knowledge exchange among pioneering startup industries\, igniting sparks of technological innovation. \nFounded in 1981\, COMPUTEX has grown alongside the global ICT industry for over three decades\, witnessing key milestones in the development and transformation of the sector. Each year\, it attracts over 40\,000 international buyers to Taiwan for visits and procurement\, making it the top choice for international tech giants to unveil groundbreaking products. With Taiwan’s robust and complete ICT supply chain\, COMPUTEX leverages its position to build a global tech ecosystem\, aiming to drive cross-sector integrated innovation and become the premier platform for worldwide technology collaboration. \nIn addition\, InnoVEX\, the startup section of COMPUTEX\, is one of Asia’s most prominent startup platforms. It connects Taiwanese startups with global resources and injects new creative energy into the technology ecosystem through a vibrant wave of innovation. \n收費 Fee：NT$200 \n報名 To apply：https://www.computexonline.com.tw/
URL:https://events.mcu.edu.tw/event/%e5%8f%b0%e5%8c%97%e5%9c%8b%e9%9a%9b%e9%9b%bb%e8%85%a6%e5%b1%95-ai-next/
LOCATION:南港展覽館一館
CATEGORIES:中華民國對外貿易發展協會,台北市電腦公會
ATTACH;FMTTYPE=image/jpeg:https://events.mcu.edu.tw/wp-content/uploads/2025/04/620.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250522T090000
DTEND;TZID=Asia/Taipei:20250629T210000
DTSTAMP:20260504T220901
CREATED:20250520T054738Z
LAST-MODIFIED:20250520T054738Z
UID:10001233-1747904400-1751230800@events.mcu.edu.tw
SUMMARY:藝贊臺北 Arts in Taipei——臺灣古典藝術基礎教育作品巡迴聯展 Touring Joint Exhibition of Taiwan Classical Arts Fundamental Education Works
DESCRIPTION:這次展覽在整體規劃上含括動態與靜態的展現，動態部分包含開幕式與閉幕式時辦理感恩活動，是由古典舞蹈家與古典音樂家共同合作的演出型式，以及展期間規劃辦理音樂會，希望帶給來賓們美好的古典藝術饗宴。靜態則是邀請全臺知名藝術家：杜聰明、蒲添生、何文杞、黃光男、劉銘侮、李秀芳、陳世憲、謝東哲、黃信鎔、陳清祥、陳春陽、吳夏雄、張兆榮、許忠文、阮威旭、黃枝文、宋耀偉、王東華、楊其芳、林宏南、林晉豪等21位聯合展出。 \nThis exhibition is thoughtfully curated to include both dynamic and static presentations. The dynamic segment features gratitude-themed performances during the opening and closing ceremonies\, showcasing collaborative works by classical dancers and musicians. Additionally\, concerts held throughout the exhibition aim to offer guests a delightful classical arts experience. \nThe static segment presents a joint exhibition by 21 renowned Taiwanese artists\, including: Tu Cong-Ming\, Pu Tien-Sheng\, Ho Wen-Chi\, Huang Kuang-Nan\, Liu Ming-Wu\, Lee Hsiu-Fang\, Chen Shih-Hsien\, Hsieh Tung-Che\, Huang Hsin-Jung\, Chen Ching-Hsiang\, Chen Chun-Yang\, Wu Hsia-Hsiung\, Chang Chao-Jung\, Hsu Chung-Wen\, Juan Wei-Hsu\, Huang Chih-Wen\, Sung Yao-Wei\, Wang Tung-Hua\, Yang Chi-Fang\, Lin Hung-Nan and Lin Chin-Hao. \n05/24（六 Sat）14:30 開幕式 Opening Ceremony \n06/07（六 Sat）14:30 特展音樂會 Special Concert \n06/13（五 Fri）14:30 李秀芳「臺灣的彩瓷之美」示範講座 Lecture-Demonstration by Lee Hsiu-Fang: “The Beauty of Taiwan’s Color Porcelain” \n06/20（五 Fri）14:30 徐馨生、劉芸曦「武舞同源&無動不舞」示範講座 Lecture-Demonstration by Hsu Hsin-Sheng & Liu Yun-Hsi: “Martial Arts and Dance: From the Same Origin & Every Movement a Dance” \n06/27（五 Fri）14:30 閉幕音樂會 Closing Concert \n開放時間 Opening Hours：週二–週日 Tuesday to Sunday 09:00 – 21:00（週一、端午節休館 Closed on Mondays and Dragon Boat Festival） \n費用 Fee：免費 Free
URL:https://events.mcu.edu.tw/event/%e8%97%9d%e8%b4%8a%e8%87%ba%e5%8c%97-arts-in-taipei-%e8%87%ba%e7%81%a3%e5%8f%a4%e5%85%b8%e8%97%9d%e8%a1%93%e5%9f%ba%e7%a4%8e%e6%95%99%e8%82%b2%e4%bd%9c%e5%93%81%e5%b7%a1%e8%bf%b4/
LOCATION:一樓特展室\, 八德路三段25號\, 台北市\, Taiwan
CATEGORIES:臺北市藝文推廣處,藝文大樓
ATTACH;FMTTYPE=image/png:https://events.mcu.edu.tw/wp-content/uploads/2025/05/13.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250524T090000
DTEND;TZID=Asia/Taipei:20250605T140000
DTSTAMP:20260504T220901
CREATED:20250520T062123Z
LAST-MODIFIED:20250520T063054Z
UID:10001234-1748077200-1749132000@events.mcu.edu.tw
SUMMARY:探索藝術創作中的情感表達與媒材選用 Exploring Emotional Expression and Medium Selection in Artistic Creation：多元自我呈現 Diverse Self-Representation
DESCRIPTION:希望能夠啟發新的思考，在藝術創作中，透過不同組合或重新配置的方式，拓展藝術創作的多樣性，挑戰傳統框架，開創出獨特藝術作品的可能性。這樣的創作過程能展現前所未有的風格和內涵，並深入探索情感和時間空間的精妙交織，引導觀眾體驗這場情感和時空的迷人之旅。 \nHope to inspire new ways of thinking by expanding the diversity of artistic creation through various combinations and reconfigurations. This approach challenges traditional frameworks and opens up new possibilities for unique works of art. Such a creative process can reveal unprecedented styles and meanings\, deeply exploring the intricate interplay of emotion\, time and space—guiding the audience on a captivating journey through feeling and dimension. \n開放時間 Opening Hours：週二–週日 Tuesday to Sunday 09:00 – 17:00（週一、端午節休館 Closed on Mondays and Dragon Boat Festival）展期最末日開放至14:00 Open until 14:00 on the final day \n費用 Fee：免費 Free
URL:https://events.mcu.edu.tw/event/%e6%8e%a2%e7%b4%a2%e8%97%9d%e8%a1%93%e5%89%b5%e4%bd%9c%e4%b8%ad%e7%9a%84%e6%83%85%e6%84%9f%e8%a1%a8%e9%81%94%e8%88%87%e5%aa%92%e6%9d%90%e9%81%b8%e7%94%a8-exploring-emotional-expression-and-medium-sele/
LOCATION:二樓B展覽室\, 松山區八德路三段25號\, 台北市\, Taiwan
CATEGORIES:臺北市藝文推廣處,藝文大樓
ATTACH;FMTTYPE=image/png:https://events.mcu.edu.tw/wp-content/uploads/2025/05/14.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250524T090000
DTEND;TZID=Asia/Taipei:20250605T170000
DTSTAMP:20260504T220901
CREATED:20250520T063030Z
LAST-MODIFIED:20250520T063030Z
UID:10001235-1748077200-1749142800@events.mcu.edu.tw
SUMMARY:Reflection：想法的實相世界 The Reality of Thought｜七人聯展 Seven-Person Group Exhibition
DESCRIPTION:Reflection，意思是能量的回返、映射，可以指映照出的影像，也可以指表達，或是深思、審慎的思考。外在世界與人的內在思想，也存在這種交互關係。隨著我們看到什麼、聽到什麼，影響我們思考什麼又如何行動。反之，從人的行為與言語，也可以看出他的內心和想法。好比水中照臉，彼此相符；人心對人，也是如此。（箴言 27:19） \n人活著來去思考和感受，隨著生活中一波波風浪襲來，時而會有焦慮、挫折和沮喪失意。但也隨著風平浪靜雨過天青，時而能充滿喜悅、成就與幸福洋溢。在這條我們所行的人生路上，創作便成為慎思的結果，反映了議題與隨之所選的風格形式。抽象的筆觸色塊、具象的人像物件、影像的流動、手繪的痕跡，是面對生活挑戰時不斷地自我探索，也是日復一日的生活中對提升層次的追求、執著與持續精進的反思。 \n國家世界的政經局勢，個人家庭的社交工作，大小之間也可以互相對應。可以說世界影響人，也可以說人能夠影響世界。萬事萬物有其運行的道理，而道就是 神。隨著人如何擺上精誠和辛勞， 神也會如何賜下祝福。我們怎麼行動，就怎麼得著。Reflection是想法的實相，也是信仰活著的確據。願您透過展覽，能感受其反映出 神的愛、聖靈的感動，以及聖子和耶穌的平安。 \n昔日的夢想 化為現實 生活著 \n\n\n現實 化為昔日的夢想 生活著 \n—希望之路，p.74 \n“Reflection” signifies the return and projection of energy. It can refer to a mirrored image\, an expression\, or a deep\, deliberate contemplation. There exists a dynamic interplay between the external world and an individual’s inner thoughts. What we see and hear shapes what we think and how we act; conversely\, our actions and words often reveal our inner world. Just as a face is reflected in water\, so a person’s heart reflects the person. (Proverbs 27:19) \nTo live is to think and feel. As we journey through life\, we face waves of anxiety\, frustration and disappointment. Yet after the storm\, we also experience calm\, joy\, accomplishment and a sense of peace. Along this path\, artistic creation becomes the fruit of careful thought—manifesting chosen themes and stylistic expressions. Whether through abstract brushstrokes and color blocks\, figurative portraits and objects\, flowing images\, or hand-drawn lines\, these works are a reflection of constant self-exploration amidst life’s challenges and the persistent pursuit of growth and elevation through everyday reflection. \nThe world’s political and economic climate parallels the challenges of individual and family life. Just as the world influences people\, so too can people influence the world. Everything has its order\, and that order is from God. As we dedicate ourselves with sincerity and effort\, God blesses us in return. Our actions shape what we receive. Reflection is not only the reality of thoughts\, but also the assurance of faith in life. May this exhibition allow you to experience a reflection of God’s love\, the stirring of the Holy Spirit\, and the peace of the Son\, Jesus. \nYesterday’s dreams have become today’s reality—alive in life.Today’s reality becomes yesterday’s dreams—alive in life.—from The Road of Hope\, p.74 \n開放時間 Opening Hours：週二–週日 Tuesday to Sunday 09:00 – 17:00（週一、端午節休館 Closed on Mondays and Dragon Boat Festival）展期最末日開放至14:00 Open until 14:00 on the final day \n費用 Fee：免費 Free
URL:https://events.mcu.edu.tw/event/reflection%ef%bc%9a%e6%83%b3%e6%b3%95%e7%9a%84%e5%af%a6%e7%9b%b8%e4%b8%96%e7%95%8c-the-reality-of-thought%ef%bd%9c%e4%b8%83%e4%ba%ba%e8%81%af%e5%b1%95-seven-person-group-exhibition/
LOCATION:二樓C展覽室\, 松山區八德路三段25號\, 台北市\, Taiwan
CATEGORIES:臺北市藝文推廣處,藝文大樓
ATTACH;FMTTYPE=image/jpeg:https://events.mcu.edu.tw/wp-content/uploads/2025/05/495125581_1161123106027594_8655618911746497065_n.jpg
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BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250526T090000
DTEND;TZID=Asia/Taipei:20250606T170000
DTSTAMP:20260504T220901
CREATED:20250523T054734Z
LAST-MODIFIED:20250523T054734Z
UID:10001246-1748250000-1749229200@events.mcu.edu.tw
SUMMARY:圖書館 Library｜「創意領航：智慧財產權必知指南 Creative Navigation: Essential Guide to Intellectual Property Rights」微書展 Mini Book Exhibition
DESCRIPTION:在這個人人都能創作、張張都是作品的數位時代，銘傳大學圖書館特別於5/26至6/6推出「創意領航：智慧財產權必知指南」微書展，邀請全校師生一同踏上一場知識與創意交織的探索之旅。本次書展於台北校區圖書館、桃園校區圖書館及金門圖書室同步展開，現場展示多本與著作權、數位內容、AI生成內容相關的實體圖書，也提供HyRead電子書線上瀏覽資源，讓知識學習不受時間與空間限制，隨時隨地都能啟動創意思維。 \n書展不只是看書，還有「借閱就送好禮」的限量活動，只要在活動期間內借閱3本實體書，即可獲得針織手提袋一個，質感實用、數量有限，每人限領一次，送完為止。無論是設計系學生想了解圖像使用規範，或是行銷人關心內容授權細節，甚至是音樂與影音創作者，這次書展都能提供實用知識與靈感補給。 \n透過本次活動，圖書館希望讓更多同學理解：保護智慧財產不僅是保障自己，更是對他人創意的尊重。讓每一次的靈光乍現、每一段努力完成的作品，都能擁有該有的價值與權利。歡迎有興趣的同學前往圖書館書展專區走走看看，為自己的創意添一份法律護身符，也為未來創作道路打下紮實基礎。 \nIn this digital age where everyone can be a creator and every piece can be a work of art\, MCU Library is launching a mini book exhibition titled “Creative Navigation: Essential Guide to Intellectual Property Rights” from May 26 to June 6. All faculty and students are invited to embark on an exploratory journey where knowledge meets creativity. \nThe exhibition will take place simultaneously at Taipei Campus Library\, Taoyuan Campus Library and Kinmen Library Room. A curated collection of physical books focusing on copyright\, digital content\, and AI-generated content will be on display. In addition\, HyRead eBooks will be available for online browsing\, enabling learning without the limitations of time and location — creativity can be sparked anytime\, anywhere. \nThis exhibition is more than just browsing books — there’s also a “Read and Receive a Gift” special offer! Borrow three physical books during the exhibition period and receive a knitted tote bag — stylish and practical\, available in limited quantities (one per person\, while supplies last). \nWhether you’re a design student curious about image usage regulations\, a marketer concerned with content licensing\, or a music and multimedia creator seeking copyright clarity\, this exhibition provides practical knowledge and a source of creative inspiration. \nThrough this event\, the Library aims to raise awareness that protecting intellectual property is not only about safeguarding your own work but also about respecting the creativity of others. Every flash of inspiration and every carefully crafted creation deserves recognition and legal protection. \nWe warmly welcome all interested students to visit the exhibition area in the library — discover knowledge\, gain legal insight and build a solid foundation for your future creative endeavors.
URL:https://events.mcu.edu.tw/event/%e5%9c%96%e6%9b%b8%e9%a4%a8-library%ef%bd%9c%e3%80%8c%e5%89%b5%e6%84%8f%e9%a0%98%e8%88%aa%ef%bc%9a%e6%99%ba%e6%85%a7%e8%b2%a1%e7%94%a2%e6%ac%8a%e5%bf%85%e7%9f%a5%e6%8c%87%e5%8d%97-creative-navigation/
LOCATION:台北校區Taipei Campus\, 中山北路五段250號\, 台北市\, Taiwan
CATEGORIES:圖書館
ATTACH;FMTTYPE=image/jpeg:https://events.mcu.edu.tw/wp-content/uploads/2025/05/圖書館電子報配圖-.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250527T100000
DTEND;TZID=Asia/Taipei:20250601T160000
DTSTAMP:20260504T220901
CREATED:20250529T023646Z
LAST-MODIFIED:20250529T023646Z
UID:10001259-1748340000-1748793600@events.mcu.edu.tw
SUMMARY:A+文化資產創意獎 Cultural Heritage Creative Award
DESCRIPTION:由文化部文化資產局主辦、全台唯一以文化資產為主題的設計競賽「A+文化資產創意獎」5/13公布入圍名單，銘傳大學商業設計學系共有5件畢業作品入圍決選：「文資視覺傳達設計類」《紙韻神冠》、《拾金》、《隅光》，「文資永續設計類」《椿曉》，「文資產品設計及工藝類」《壤中之悟》，展現商設系學生的創意設計實力，以及對文化傳承的關懷與投入，5/27-6/1在台中文化部文化資產園區公開展出。 \n「文資視覺傳達設計類」晉級決選3件作品：《紙韻神冠》由方菁容、王俊博老師指導，彭靖芳、鄭宛蓉、洪渝雯、李昕宸4位學生的畢業作品，描繪八頂神冠的象徵與意涵，並結合視覺設計手法，轉化為推廣傳統文化的圖像語言，喚起人們對傳統信仰的認知與傳承意識。 \nOrganized by the Bureau of Cultural Heritage\, Ministry of Culture\, “A+ Cultural Heritage Creative Award” is the only design competition in Taiwan dedicated to the theme of cultural heritage. The list of finalists was announced on May 13\, with five graduation projects from Department of Commercial Design at MCU advancing to the final round. The selected works include: \n\n\nThree projects in the “Cultural Heritage Visual Communication Design” category: The Art of Paper Crowns\, Picking Gold and Glimmer in the Corner \n\n\nOne project in the “Cultural Heritage Sustainable Design” category: Dawn of Camellia \n\n\nOne project in the “Cultural Heritage Product Design and Craft” category: Soil Awakening \n\n\nThese works showcase the students’ creative design capabilities and their commitment to cultural preservation. All selected entries will be publicly exhibited at Taichung Cultural Heritage Park from May 27 to June 1\, with the award ceremony taking place on May 28. \nThe Art of Paper Crowns \nGuided by Professors Fang Ching-Jung and Wang Chun-Po\, this project is a collaboration by students Peng Jing-Fang\, Cheng Wan-Jung\, Hung Yu-Wen and Li Hsin-Chen. It explores the symbolism of eight traditional divine crowns\, transforming their meaning into a visual language that promotes traditional beliefs and encourages cultural recognition and inheritance. \n紙韻神冠\n拾金\n《拾金》由馮承芝、王瓊芬老師指導，顏子婷、游千葇、陳語薇、陳令婕4位學生的畢業作品，以當代設計語彙重現台灣傳統撿骨文化，透過書籍裝幀、傳達慎終追遠與落葉歸根的精神，喚起對死亡與文化傳承的重新理解。 \nPicking Gold \nUnder the guidance of Professors Feng Chen-Chih and Wang Chiung-Fen\, students Yen Tzu-Ting\, Yu Chien-Jou\, Chen Yu-Wei and Chen Ling-Chieh reinterpret Taiwan’s traditional bone-picking ritual through a contemporary design approach. Through bookbinding and visual storytelling\, the work reflects the spiritual values of honoring ancestors and returning to one’s roots\, offering a new understanding of death and cultural heritage. \n隅光\n《隅光》由王瓊芬、馮承芝老師指導，蔡謹如、顏汶珊、郭奕伶、邱瑀葳4位學生的畢業作品，則精選台灣北、中、南三座代表性燈塔－白沙岬、芳苑、鵝鑾鼻，透過沈浸式互動專輯的設計，讓體驗者從不同視角去感受燈塔的結構、文化價値與守燈人的孤寂守護。 \nGlimmer in the Corner \nSupervised by Professors Wang Chiung-Fen and Feng Chen-Chih\, students Tsai Chin-Ju\, Yen Wen-Shan\, Kuo Yi-Ling and Chiu Yu-Wei focused on three representative lighthouses in northern\, central\, and southern Taiwan—Baishajia\, Fangyuan\, and Eluanbi. Their immersive interactive album allows participants to experience lighthouse structures\, cultural significance\, and the solitary dedication of lighthouse keepers from various perspectives. \n椿曉\n「文資永續設計類」獲決選作品《椿曉》，由王瓊芬、馮承芝老師指導，楊雅薰、張于芸、范綱穎3位學生畢業作品，以健康茶療為切入點，共同推動新竹茶花產業的創新與發展，實現真正的綠色經濟與環保價值。 \nDawn of Camellia \nAdvised by Professors Wang Chiung-Fen and Feng Chen-Chih\, students Yang Ya-Hsun\, Chang Yu-Yun and Fan Kang-Ying developed this project around the concept of health tea therapy. Their work promotes innovation and development in the camellia tea industry in Hsinchu\, aiming to realize true green economy and environmental values. \n壤中之悟\n「文資產品設計及工藝類」決選作品《壤中之悟》，由林建華、王開立老師指導，關泳愉、陳文釵、吳孟庭、林淨4位學生畢業作品，透過一個日常最熟悉的物件「碗」，來傳遞土壤污染的警訊，用飲食的器皿讓大眾意識到的土地正面臨的危機。 \nSoil Awakening \nSupervised by Professors Lin Chien-Hua and Wang Kai-Li\, students Kuan Yung-Yu\, Chen Wen-Chai\, Wu Meng-Ting and Lin Ching used one of the most familiar daily objects—the bowl—as a medium to raise awareness about soil pollution. Through the lens of tableware\, the work conveys an urgent environmental message about the land’s fragile state. \n2025年「A+文化資產創意獎 」競賽活動，以文化資產範疇為主體及創作議題，邀請全國大專院校在學優秀作品參與競賽，貫徹培育文資新秀、向下紮根教育理念。所有晉級決選作品，5/27-6/1在台中文化部文化資產園區展出，5/28頒獎典禮揭曉獎項，歡迎中部民眾、師生、校友前往欣賞。 \n2025 A+ Cultural Heritage Creative Award centers on cultural heritage as both theme and creative inspiration\, inviting outstanding works from universities across Taiwan. The competition aims to cultivate emerging talent in cultural heritage and promote foundational education in this field. All finalist works will be on display at the Taichung Cultural Heritage Park from May 27 to June 1\, and the award ceremony will be held on May 28. Students\, faculty\, alumni and the general public in central Taiwan are warmly invited to attend and appreciate these outstanding works.
URL:https://events.mcu.edu.tw/event/a%e6%96%87%e5%8c%96%e8%b3%87%e7%94%a2%e5%89%b5%e6%84%8f%e7%8d%8e-cultural-heritage-creative-award/
LOCATION:台中文化部文化資產園區\, 南區復興路三段362號\, 台中市\, Taiwan
CATEGORIES:文化部文化資產局
ATTACH;FMTTYPE=image/png:https://events.mcu.edu.tw/wp-content/uploads/2025/05/A文化資產創意獎.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250530T100000
DTEND;TZID=Asia/Taipei:20250601T130000
DTSTAMP:20260504T220901
CREATED:20250522T055303Z
LAST-MODIFIED:20250522T055303Z
UID:10001240-1748599200-1748782800@events.mcu.edu.tw
SUMMARY:傳播學院 School of Communication｜110級聯合畢展 Class of 2021 Joint Graduation Exhibition《夢蝣 Dreammayfly》
DESCRIPTION:傳播學院110級聯合畢展《夢蝣》，5/30-6/1在台北萬華剝皮寮歷史街區（演藝廳、廣州街155-153號）登場，匯集傳院所屬廣播電視學系、廣告暨策略行銷學系、新媒體暨傳播管理學系、影音新聞暨社群傳播學系等4系學生共同籌劃，這是銘傳傳播學院暌違8年，亦是自103學年度4系分開招生後，再次以傳播學院名義舉辦的聯合畢業展。 \n畢展主題《夢蝣》，「夢」代表著開始，而「蝣」則代表著堅持。象徵每一個傳院人就像一隻蜉蝣，個體或許微不足道，但匯聚在一起後，便能釋放出驚人的創意能量，激盪出改變世界的聲音。蜉蝣的生命雖短，但其生命週期卻是充滿精彩，能在有限的時間裡燃燒全力；正如傳播人對專業的熱愛與堅持，即使熬夜剪片或反覆激盪企劃，遇到挫折時仍選擇無畏前行。 \n參展作品涵蓋「論文」及「多媒體」兩大類。「論文類」作品《大學生媒體依賴與數位使用樣態研究》從生活觀察及個人經驗作為出發，探討大學生對社群平台的依賴程度、使用偏好帶來的正負面影響；《新海誠動畫之災難故事與閱聽人歷程以災難三部曲為例》探討視覺與音效創造出強烈感官體驗的動畫，如何影響人們的情感與思維。 \n「多媒體類」作品包括Podcast、紀錄片、橫式短劇。Podcast作品《裂縫中的曙光》從人類心理、社會關懷為出發，以當事者、專家或志工等人士、介紹相關電影書籍或訪談三維度去深入探討社會議題，藉由真實案例帶給閱聽眾生命的力量；《記得把愛帶走》則關注正確資訊與善意的觀念在現代社會中的影響力，傳遞「即使力量微小，只要願意行動，就能為世界帶來一絲改變」的核心信念。 \n紀錄片作品《工藝之手》以台灣手工藝職人作為議題，透過深入職人訪談與記錄其工作內容，帶出在逐漸式微的手工藝產業如何在科技進步、機器逐漸取代「手工」的快節奏時代下，如何堅持人手製作並在經濟成本所帶來的壓力下生存。橫式短劇作品《司南》，則是一部關於成長、壓力與探索自我的旅程的影音作品，以實景拍攝融合2D動畫的創作方式講述一個二次元角色成為了觀眾的嚮導，帶領觀眾揭開內心深處被遺忘的故事。 \n展覽特別以沈浸式體驗為設計，透過不同的互動設計帶出「The Egg｜誕生」、「The Nymph｜探索」、「The Imago｜蛻變」三個不同階段的主題故事，為觀眾帶來不一樣的感官體驗。歡迎全校師生、傳播人蒞臨，一起走進《夢蝣》，走進一段傳播人集體生命的旅程。 \nThe School of Communication’s Class of 2021 Joint Graduation Exhibition\, titled “Dreammayfly”\, will take place from May 30 to June 1 at Bopiliao Historic Block in Wanhua\, Taipei (Performance Hall\, No. 153–155\, Guangzhou Street\, Wanhua Dist.\, Taipei City). This exhibition brings together students from four departments within School of Communication: RTV\, ADSM\, New Media and Communication Administration\, and Audiovisual Journalism and Social Media Communication. It marks the first joint graduation exhibition under School of Communication in eight years\, and the first since the departments began separate admissions in the 2014 academic year. \nThe theme “Dreammayfly” fuses the notions of “dream” and “mayfly”. A dream signifies a beginning\, while the mayfly symbolizes perseverance. Though each student may seem insignificant on their own\, when united\, their collective creativity becomes a powerful force capable of changing the world. The mayfly’s short lifespan is intense and vibrant—much like the passion and dedication communication students pour into their craft. Despite long nights of editing or countless rounds of brainstorming\, they persist with courage and resilience. \nThe exhibition features works in two main categories: Thesis and Multimedia. \nIn the Thesis category: \n\n\n“A Study on College Students’ Media Dependence and Digital Usage Patterns” explores students’ reliance on social platforms and the positive and negative effects shaped by their usage preferences. \n\n\n“Disaster Narratives and Audience Experience in Makoto Shinkai’s Animated Trilogy” examines how visual and auditory elements create emotional resonance and impact viewers’ thoughts and feelings. \n\n\nIn the Multimedia category: \n\n\nPodcast projects such as “Light Through the Cracks” delve into social issues from psychological and humanitarian perspectives\, incorporating stories from individuals\, experts and volunteers\, as well as relevant media and interviews to inspire listeners with real-life experiences. \n\n\n“Take Love With You” focuses on the power of accurate information and goodwill in modern society\, conveying the core belief that even small actions can lead to meaningful change. \n\n\nDocumentary: “Hands of Craft” highlights Taiwan’s traditional artisans. Through in-depth interviews and footage\, it portrays how handcraft professionals strive to preserve their art in a fast-paced world dominated by technology and automation\, while navigating the challenges of economic pressure. \nHorizontal short film: “Compass” tells a story of growth\, pressure and self-discovery. Combining live-action footage with 2D animation\, it presents a second-dimensional character as a guide\, leading viewers to uncover forgotten inner stories. \nThe exhibition also incorporates immersive experiences\, structured around three thematic stages: \n\n\n“The Egg｜Birth” \n\n\n“The Nymph｜Exploration” \n\n\n“The Imago｜Transformation” \n\n\nThese interactive designs offer a rich sensory journey that mirrors the evolution of each communication student. \nAll faculty\, students\, and media professionals are warmly invited to attend and step into the world of “Dreammayfly”—a shared journey of life\, creativity and storytelling.
URL:https://events.mcu.edu.tw/event/%e5%82%b3%e6%92%ad%e5%ad%b8%e9%99%a2-school-of-communication%ef%bd%9c110%e7%b4%9a%e8%81%af%e5%90%88%e7%95%a2%e5%b1%95-class-of-2021-joint-graduation-exhibition%e3%80%8a%e5%a4%a2%e8%9d%a3-dreammayfly/
LOCATION:剝皮寮歷史街區\, 萬華區康定路173巷\, 台北市\, Taiwan
CATEGORIES:傳播學院
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DTSTART;TZID=Asia/Taipei:20250530T100000
DTEND;TZID=Asia/Taipei:20250608T173000
DTSTAMP:20260504T220901
CREATED:20250529T075343Z
LAST-MODIFIED:20250529T075343Z
UID:10001260-1748599200-1749403800@events.mcu.edu.tw
SUMMARY:牽手 Hand in Hand｜城市藝廊攝影聯展 City Gallery Photography Joint Exhibition
DESCRIPTION:「牽手」是美好的，卻是現代的奢侈品 \n城市藝廊City Gallery特別喜歡「牽手」這兩個字所帶來的意義。 \n在現代，相對開放性關係的年代，\n「牽手」好像沒什麼，\n但它卻是「親密關係」間力量的來源。 \nPower in hands\nWings in hands \n一個願意牽著你的手的人與一個願意被你牽著手的人，\n是多麼的難能可貴的足跡。\n因為它很神奇的可以創造無數與無限的奇跡，\n只需彼此珍惜牽著的那雙手。 \n你的「牽手」還在嗎？\n「牽手」是「親密關係」裡最親密的樣子，你認同嗎？ \n城市藝廊City Gallery知道不是每一個人都這麼認為，\n會覺得小題大作，\n但「牽手」真的有「魔法」。 \n“Hand in hand”—a beautiful gesture\, yet a luxury in modern times. \nCity Gallery is especially moved by the meaning behind the words “hand in hand”. \nIn today’s world of increasingly open relationships\,“holding hands” may seem insignificant—But it is often the source of power in intimate relationships. \nPower in hands.Wings in hands. \nA person who’s willing to hold your hand\,and a person willing to let you hold theirs—is a rare and precious connection. \nBecause something so simplehas the magic to create countless\, boundless miracles\,if only we cherish that hand we are holding. \nIs your “hand in hand” still there?Do you agree that “holding hands” is the purest form of intimacy in a relationship? \nCity Gallery understands that not everyone feels this way—some may think we’re over-romanticizing.But holding hands truly has magic. \n \n「愛的本質」是「力量」 \n「牽手」是美好的，\n它的美好在於一路上有一個，\n與你一起「共同學習、成長」的另一伴。 \nThe essence of love is power. \n“Holding hands” is beautiful\,because it means having someone by your side\,to learn and grow together throughout life. \n城市藝廊 City Gallery｜Soul maker\n集結10位攝影創作者，每一位創作者的文化背景都不太一樣。\n其中有攝影專家、導演、婚禮攝影師、Life coach、正向心理學教練、關係教練，\n以及正在英國的親子教育專業者。 \nCity Gallery｜Soul Makerbrings together 10 photography creators from diverse cultural backgrounds.Among them are photographers\, directors\, wedding photographers\, life coaches\, positive psychology coaches\, relationship coaches and a parent-child education expert based in UK. \n \n城市藝廊 City Gallery｜Soul maker\n誠摯的邀請你， 看見、發掘更多元「現代的奢侈品」。 \n邀請你一起來看看「現代的奢侈品」的展示，\n在其中你會看到不同攝影創作者的「魔法」。\n最重要的是看見、發掘，被你忽略卻美好的你。 \n然後呢？ \n有很多的然後~~~ \nCity Gallery｜Soul Makersincerely invites you to explore and discover more of these “modern luxuries”. \nCome and witness this exhibition of “modern luxuries”\,where each photographer brings their own kind of magic. \nMost importantly\, take this chance to rediscover the beauty in yourself—the part of you that’s been overlooked for far too long. \nAnd then? \nThere’s so much more to come… \n \n城市藝廊 City Gallery｜Soul maker\n期待在「讓心休息的地方」，\n一起看見、發掘，被你忽略卻美好的你。 \nCity Gallery｜Soul Makerlooks forward to seeing you in this “place where the heart can rest”\,where we rediscover the overlooked beauty within ourselves. \n牽手｜攝影展 展期：\n05/30（五）10:00 至 06/08（日）17:30 \n預約更美好的你｜預約我們的精心時刻 \nHand in Hand｜Photography Exhibition Dates:May 30 (Fri)\, 10:00 – June 8 (Sun)\, 17:30 \nBook a moment to meet a better you \n05/30 ~ 06/08 \n10:00 ~ 12:00 藏寶圖專屬 & 愛在淡水  專屬免費參觀 Treasure Map Exclusive & Love in Tamsui – Free Admission \n12:30 ~ 14:30 VIP預約時段 VIP Reserved Time Slot（費用 Fee NT$399） \n15:00 ~ 17:30 VIP預約時段 VIP Reserved Time Slot（費用 Fee NT$888） \n（每一時段都有不同的專人導覽與專業分享及神秘禮物 Each time slot includes a guided tour\, professional sharing\, and a surprise gift.） \n活動時間 Special Event：2025/06/02 12:30~14:30 預約時段需提前報名預約 Advance reservation required（費用 Fee NT$399） \n報名 To apply：https://www.accupass.com/eflow/ticket/2505120914432943771220?utm_campaign=accu_theme&utm_medium=home_north&utm_source=Web \n我是誰？我是怎麼成為現在的我？\n在每段牽手的關係裡，我們一點一滴被形塑、也逐漸長出自己。\n有時候，我們活得很努力，卻好像不太認識自己。\n有時候，我們一直扮演著別人期望的樣子，\n直到某一刻，心裡輕輕地問了：「我，真的喜歡這樣的自己嗎？」 \n【牽手攝影聯展】呈現人生中一幕幕深刻的關係畫面， 而這場延伸對話\n《我是誰？我是怎麼形成現在的我？》 邀你與正向心理學教練一起，\n透過正向心理學、透過故事，\n回望那些影響我們的經歷，理解我們成為「現在的自己」的路徑。 \n這場對話，會很溫柔，也很真實。 邀你與自己，好好牽手一次。 \n讓我們一起，從攝影的眼睛與心理的深度，\n重新看見愛，也看見更美好的自己。 \nWho am I? How did I become who I am today? \nIn every “hand in hand” relationship\,we are shaped bit by bit and gradually become ourselves. \nSometimes we try so hard to live up to expectations\,yet we hardly know who we really are.Sometimes we play a role others want to see\,until a quiet moment comes\, and we ask:“Do I truly like the person I’ve become?” \nHand in Hand｜Photography Joint Exhibition captures powerful scenes of relationships in life.The extended dialogue event—“Who am I? How did I become who I am today?”invites you to reflect alongside a positive psychology coach. \nThrough storytelling and psychology\,we’ll revisit the moments that shaped us\,and understand how we became our current selves. \nThis conversation will be gentle\, honest\, and heartwarming.It’s a chance to finally hold hands with yourself. \nLet us\, through the lens of photography and the depth of the mind\,rediscover love\, and see the better version of ourselves once again.
URL:https://events.mcu.edu.tw/event/%e7%89%bd%e6%89%8b-hand-in-hand%ef%bd%9c%e5%9f%8e%e5%b8%82%e8%97%9d%e5%bb%8a%e6%94%9d%e5%bd%b1%e8%81%af%e5%b1%95-city-gallery-photography-joint-exhibition/
LOCATION:淡水文化園區\, 淡水區鼻頭街22號\, 新北市\, Taiwan
CATEGORIES:ACCUPASS,Soul maker
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