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DTSTART;TZID=Asia/Taipei:20250517T140000
DTEND;TZID=Asia/Taipei:20250525T210000
DTSTAMP:20260420T190007
CREATED:20250516T065349Z
LAST-MODIFIED:20250516T065349Z
UID:10001230-1747490400-1748206800@events.mcu.edu.tw
SUMMARY:2025台灣面具節 Taiwan Mask Festival
DESCRIPTION:面具，不只是戴在臉上的裝飾，而是一場穿越文化、歷史與個人情感的深層探索。 \nA mask is more than just a decoration worn on the face—it’s a profound journey through culture\, history and personal emotion. \n【2025台灣面具節】由光鍊劇團策劃執行，集結多位風格迥異的創作者，透過肢體、聲音、裝置與空間，建構16場不同主題、形式與感官設計的沉浸式面具演出。每場演出皆為原創內容，觀眾將近距離參與於變幻多端的表演中。 \n\n 每場僅開放30人，親密參與\n 表演形式涵蓋當代劇場、儀式行為、跨域創作、身體故事、環境演出等\n 4天限定演出，座位有限，敬請把握\n\nCurated and organized by Guang Lian Theatre\, 2025 Taiwan Mask Festival brings together diverse creators to present 16 immersive mask performances\, each with unique themes\, formats and sensory designs. Through the use of physical movement\, sound\, installation and space\, each original performance invites the audience into an intimate and ever-changing theatrical experience. \n\n\nOnly 30 seats per show — close and personal experience \n\n\nPerformance styles include contemporary theater\, ritual practices\, interdisciplinary works\, physical storytelling and site-specific performances \n\n\n4-day limited engagement — limited seats\, don’t miss out \n\n\n票價資訊 Ticket Information \n一般票 General Admission｜NT$850 \n全通行套票 All-Access Pass（無限場次 Unlimited Entries）｜NT$2\,200 \n敬老票 Senior Discount（65折 35% off）｜NT$550 → 如有需求，請洽『光鍊劇團』粉專 Please contact Guang Lian Theatre’s Facebook page for access \n學生票 Student Discount（8折 20% off）｜NT$680 → 如有需求，請洽『光鍊劇團』粉專 Please contact Guang Lian Theatre’s Facebook page for access \n※ 套票觀眾請於活動前完成指定場次登記 All-Access Pass holders must register for their selected performances in advance \n報名 To apply：https://www.accupass.com/eflow/ticket/2503070332562088365910?utm_campaign=accu_theme&utm_medium=home_north&utm_source=Web \n🎭 台灣面具節｜發源 Origins of Taiwan Mask Festival 🎭 \n2019年，疫情席捲全球，重創臺灣的藝文生態。在長達三年的時間裡，藝術創作者僅獲得有限的資源支持，文化產業陷入前所未有的寒冬。這樣的困境，不禁讓人聯想到歐洲黑死病時期，當社會瀕臨崩解，人們開始以「面具」來應對瘟疫與生存的焦慮。 \n正是在這樣的背景下，「台灣面具節」誕生。\n光鍊劇團希望透過「面具」，重新探索生命的意義，連結過去、當代與未來的文化精神。 \nIn 2019\, the pandemic struck the world\, severely impacting Taiwan’s cultural and performing arts landscape. For three years\, artists received minimal support\, and the cultural industry fell into an unprecedented crisis. This hardship echoes the time of Black Death in Europe\, when society neared collapse and people turned to “masks” as a way to cope with plague and the anxiety of survival. \nIt was in this context that the Taiwan Mask Festival was born.Through the symbol of the mask\, Guang Lian Theatre seeks to rediscover the meaning of life and connect cultural spirits of the past\, present and future. \n \n✨ 台灣面具節｜精神 Spirit of Taiwan Mask Festival ✨ \n面具，不僅是一種遮蔽，也是一種揭示 \n在人類歷史上，面具從來不只是裝飾——它是通往靈性世界的載體。無論是古代巫師的儀式、宗教祭典，還是戲劇與民俗文化，面具始終佔據著神聖且不可取代的位置。它象徵身份，也賦予個體保護與力量。 \n在當代社會，我們的生活看似與面具無關，卻早已與它息息相關 \n從職場角色到社會階層，我們不斷地在不同身份間轉換，無論是父親、教師、藝術家，甚至是社群媒體上的數位化身，都像是一張張面具，讓我們在現實與虛擬之間遊走。然而，當我們習慣戴上面具，我們是否也開始害怕真正的「自我」？ \n面具既是保護，也是探索 \n在表演藝術中，面具讓表演者迅速進入角色，突破內在的心理障礙，展現更自由的表達方式。在心理層面，面具則是一種媒介，幫助人們發現自身不曾察覺的一面，甚至療癒創傷，重新連結內心世界。 \n未來，我們正邁向一個虛實交融的時代 \n元宇宙的數位身分、社交媒體中的個人形象，皆是現代社會的「面具」。當我們透過科技塑造自我，是否仍能認識真正的自己？ \n「台灣面具節」的誕生，不僅是對傳統文化的致敬，更是對未來世界的提問 \n透過這場藝術盛會，我們希望讓人們重新思考「面具」的意義——它不僅是歷史的遺跡，更是未來探索自我的關鍵。 \n戴上面具，也許我們才能更真實地看見自己 \nA mask is not just a cover—it is also a revelation. \nThroughout human history\, masks have never been mere decoration—they are vessels to the spiritual world. From ancient shamans’ rituals and religious ceremonies to theater and folk culture\, masks have always held a sacred and irreplaceable role. They symbolize identity and offer protection and empowerment to the wearer. \nIn modern society\, while masks may seem distant from our daily lives\, they are\, in fact\, deeply embedded in our existence. \nFrom professional roles to social class\, we constantly shift between identities. Whether as a father\, a teacher\, an artist or even a digital persona on social media—each is like a mask we wear\, navigating between reality and the virtual. But as we become accustomed to wearing these masks\, do we also start to fear the true “self”? \nThe mask is both a shield and a path of discovery. \nIn the performing arts\, masks help performers enter character swiftly\, overcome inner barriers and express themselves more freely. On a psychological level\, masks serve as tools that allow people to uncover aspects of themselves they were previously unaware of\, sometimes even facilitating healing and reconnecting with their inner worlds. \nWe are stepping into an era where the virtual and the real intertwine. \nDigital identities in the metaverse and curated images on social media are today’s “masks”. As we shape ourselves through technology\, can we still truly know who we are? \nThe creation of Taiwan Mask Festival is not only a tribute to traditional culture—it is also a question posed to the future world. \nThrough this artistic celebration\, we hope to inspire people to reconsider the meaning of “masks”. They are not merely relics of the past but vital keys to self-exploration in the future. \nBy putting on a mask\, perhaps we can finally see ourselves more clearly.
URL:https://events.mcu.edu.tw/event/2025%e5%8f%b0%e7%81%a3%e9%9d%a2%e5%85%b7%e7%af%80-taiwan-mask-festival/
LOCATION:雁域文化中心\, 信義區福德街96號\, 台北市\, Taiwan
CATEGORIES:ACCUPASS,光鍊劇團
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DTSTART;TZID=Asia/Taipei:20250523T183000
DTEND;TZID=Asia/Taipei:20250525T173000
DTSTAMP:20260420T190007
CREATED:20250516T061937Z
LAST-MODIFIED:20250516T061937Z
UID:10001229-1748025000-1748194200@events.mcu.edu.tw
SUMMARY:雅努斯計畫 JANUS Project——台日劇場及影像跨域共創實驗 Taiwan-Japan Interdisciplinary Theater and Film Co-Creation Experiment
DESCRIPTION:什麼是雅努斯計畫？ What is JANUS Project? \n「雅努斯（Janus）」是羅馬神話中守護開端與轉變的雙面神，象徵著回顧與前行的雙重凝視。《雅努斯計畫》即以此為意象，在劇場與影像的邊界上穿梭，激盪創作與思考的火花。 \n《雅努斯計畫》由狂想劇場團長暨藝術總監廖俊凱與實驗影像研究者謝淳清共同策劃，特別邀請日本導演暨影像藝術家七里圭（Kei Shichiri）參與，以「劇場 × 影像 × 自我敘事」為核心，展開一段連結過去與未來、內在與外在、現實與夢境的跨領域實驗。 \n狂想劇場希冀透過這場計畫，重新召喚創團初衷中的「光」與「幻想（Fantasy）」之義，試圖在七里圭導演獨特的擴延電影（Expanded Cinema）語彙與劇場語言之間，尋找對世界與自我重新提問的可能。 \n本計畫自2024年展開八場工作坊，設定「夢境、媒介、記憶、歷史、風景、變形」六大核心概念，聚焦於劇場與影像媒介的交錯與延展，和自我存在的感知與書寫。\n參與學員透過謝淳清老師每月主題講授、集體討論與小品創作的實驗、台日創作者的線上及線下交流，深度接觸七里圭導演的創作觀與手法，並從狂想劇場過往核心概念汲取靈感，在歷史、文學與當代語境交織的場域中，開展個人或群體的創作實驗。 \n本次活動透過導演作品放映、座談交流、學員創作發表等多元形式，帶領觀眾逐步認識七里圭導演的藝術語彙，並深入思索劇場與影像於當代表現中的互構關係與跨界潛能。 \n“Janus” is the Roman god of beginnings and transitions\, depicted with two faces to symbolize looking to the past and the future. Inspired by this concept\, the JANUS Project explores the boundaries between theater and film\, igniting a creative and reflective dialogue. \nCurated by Kai Liao (Artistic Director of Fantasy Theatre) and experimental film researcher Chun-Ching Hsieh\, the JANUS Project invites renowned Japanese director and media artist Kei Shichiri to participate. Centered around “Theater × Film × Personal Narrative”\, this interdisciplinary experiment connects past and future\, inner and outer worlds\, and reality and dreams. \nFantasy Theatre hopes to rekindle its founding spirit—light and fantasy—through this collaboration. By weaving together Shichiri’s distinctive language of Expanded Cinema and theatrical expression\, the project seeks new ways to question the world and the self. \nIn 2024\, the project features eight workshops around six core themes: dreams\, media\, memory\, history\, landscape and transformation. These workshops focus on the intersection of theater and film media as well as the perception and narration of self. Participants engage in thematic lectures\, collaborative discussions and creative exercises guided by Chun-Ching Hsieh. They also exchange ideas with Taiwanese and Japanese creators\, study Kei Shichiri’s artistic philosophies and techniques\, and draw inspiration from Fantasy Theatre’s foundational themes to create personal or collective works across literary\, historical and contemporary contexts. \nThe program includes screenings\, talks and student presentations\, helping audiences become familiar with Shichiri’s artistic language while exploring the interplay and potential of theater and film in contemporary art. \n報名 To apply：https://www.accupass.com/eflow/ticket/2504080220521166502761?utm_campaign=accu_theme&utm_medium=home_north&utm_source=Web \n場次一 Session 1｜5/23（五 Fri）19:00 – 21:00\n七里圭經典作品放映《清掃的女子 亡靈》 Kei Shichiri’s Classic Screening: The Cleaning Lady – Spectre ※海外首映 Overseas Premiere \n📍地點 Venue｜VA HUB（https://g.co/kgs/PQvvz9U） \n19:00-20:30 導演開場、經典作品《清掃的女子 亡靈》放映 Opening and Screening\n20:30-21:00 映後導演QA時間 Post-screening Director Q&A \n七里圭，是一位獨特的電影導演，以其從劇情長片、紀錄片到實驗電影等廣泛領域的跨足，及個人風格創作的持續發表而知名。他曾多次與電子音樂、表演藝術等不同類型的藝術家合作、發表舞台演出作品；近年更是對先端媒介技術產生濃厚興趣，發展以AI擷取技術重現舞台作品的實驗性創作。\n這次於台北呈現的《清掃的女子 亡靈》，是此作的海外首映。 \n點此看七里圭實驗影像介紹 \n髮絲漸白，日子一天天過去，如今，有些事逐一回想起。那時，我畫了一條柔和的曲線 — —。白髮蒼蒼的清潔婦旁，年輕時的母親現身，感嘆女兒沒有生育兒女，生命孤單無依。 然而老婦反駁，並且與那美麗的亡靈對峙。 \n這件作品，是對發表於2019年，作為實驗性影像舞台作品的再創作。其模仿「複式夢幻能」劇的形式，以及融合卓越演唱技巧與身體表演的展現，不僅以多部攝影機錄製捕捉的方式重新構成，更是大膽運用AI擷取技術進行重新詮釋。此作透露出七里在COVID-19疫情前後5年間的憂心思考，即作為後人類（Posthuman）的生命終極去向。此外，尚有部短片是為這部作品的試作《The cleaning lady after 100 years : Spectre》。 \nKei Shichiri is a distinctive filmmaker known for his works spanning narrative films\, documentaries and experimental cinema. His collaborations with electronic musicians and performance artists have led to stage performances and recent explorations in cutting-edge media technologies. The Cleaning Lady – Spectre\, premiering overseas for the first time in Taipei\, is a re-creation of his 2019 experimental stage piece. Using AI extraction techniques and multiple camera perspectives\, the work reinterprets performance and delves into posthuman concerns shaped by the COVID-19 era. A short prototype film\, The Cleaning Lady After 100 Years: Spectre\, also precedes the main work. \n \n《清掃的女子 亡靈》（點此看參考預告 Watch Trailer）\n片名原文：『清掃する女　亡霊 』，2023年，片長74分鐘，中文字幕／謝淳清 The Cleaning Lady – Spectre (2023\, 74 min\, Chinese subtitles) \n演出者 Performers：安藤朋子、黒田育世\n歌唱・音樂 Music：さとうじゅんこ\n導演・剪輯 Director/Editor：七里圭\n編劇 Writers：新柵未成、七里圭\n撮影 Cinematographers：高橋哲也、村上拓也\nCG特效工程師 CG Engineer：早川翔人\n聲音設計 Sound Design：松野泉\n混音 Mixing：池田拓実\n音樂提供 Music：檜垣智也 \n場次二 Session 2｜5/24（六 Sat）18:30 – 21:30\n講座放映 Lecture-Screening：關於電影的再創作——以作品《Music as film》為例 Re-creating Film – Case Study: Music as film \n📍地點 Venue｜牯嶺街小劇場二樓藝文空間 Guling Street Avant-garde Theatre（https://g.co/kgs/nd2HrSy） \n18:30-19:30 經典作品《Music as film》放映 Screening – Music as film\n19:30-21:30 講座：關於電影的再創作（含30分鐘QA，講者：七里圭、口譯與解說：謝淳清） Lecture: Re-Creating Film (with 30-min Q&A) \n關於電影的再創作（シネマの再創造について） \n電影，在19世紀末被發明之初，是項運用當時最尖端的技術 — 膠卷和放映機 — 所上演的最新舞台表現。有時，它甚至也是種搭配著伴奏和話語等身體性演出的媒介表演（media performance）。 \n基於這樣的視角，七里圭在貫徹作為電影導演的立場上，邁向對於數位化的21世紀電影可能性的探究。他在這項獨特的創作活動裡，藉由與現代音樂家、表演藝術家們的共同合作，讓作品持續地衍生、增殖。 \n為了將這樣的創作活動帶到大家面前，首先將放映其出發點作品《Music as film》。此外，將介紹其最新作《Music as film with Digital Heads》。此作以「辯士」（活弁）上映這項初期電影形式為靈感，連結當代先進技術，嘗試進行屬於21世紀之作的再創造。因此，這場講座不只關於電影表現，同時也是個經由跨領域與批判的角度出發，討論數位化對藝術文化產生何種影響與轉變的契機。 \n \n電影與音樂，是在何時初次相遇？起初，電影無聲。即使如此，他必定在觀看時聽見其所悄然流瀉而出的聲音。19世紀末的巴黎，出現了電影這一媒介與奧斯卡·王爾德的劇作《莎樂美》。兩者之間的奇特連繫，在這部電影作品裡，藉由故事的講述被具體地突顯，一是通過聲音、一是通過影像，既同時進行，卻又各自分離。配樂（音聲）中，有12個人以激昂如潮的歌聲、吟誦和故事講述，對著我們傾瀉、轟鳴《莎樂美》的文本，而影像則以標題字幕的方式，冷靜地訴說電影的擬人化歷史。 \n這部作品既是一部元電影（metacinema），涵蓋從初期電影到數位媒介的整體脈絡，也是一段哀怨交織的敘事，關於一名女子（莎樂美）渴望佔有一個男人（施洗者約翰），以及一個男人（電影）渴望佔有一名女子（音樂）的雙線故事。這是「從聲音出發的電影」（Cinema fromSound）作為概念的系列作的首部電影作品，其首映前，曾舉辦過一場同名現場放映會。 \nCinema\, since its 19th-century invention\, was a performance of advanced technologies—film and projection. In early days\, it was also a medium of physical performance\, involving live narration and accompaniment. \nWith this view\, Shichiri examines digital-age cinema’s possibilities. Collaborating with musicians and performance artists\, he continuously evolves and mutates his works. This session features a screening of Music as film\, a foundational piece\, followed by a discussion of his latest project\, Music as film with Digital Heads\, inspired by silent-era benshi narration and reimagined through 21st-century digital technology. \nThis lecture not only discusses cinematic expression but also critically examines how digitization transforms art and culture. \n《Music as film》（點此看參考預告 Watch Trailer）\n2014年，片長56分鐘，中文字幕/謝淳清 Music as film (2014\, 56 min\, Chinese subtitles) \n音樂演出 Music by：さとうじゅん、Cal Lyall、James Hadfield、Miya、徳久ウィリアム、sei、山崎阿弥、山形育弘、今藤哲平、長宗我部陽子、飴屋法水、多井智紀等\n英文文本 Text：Lord Alfred Bruce Douglas“Salome”\n導演 Director：七里圭\n音樂・錄音 Music/Sound：池田拓実\n錄音助理 Recording Assistant：西村直晃 \n場次三 Session 3｜5/25（日 Sun）10:30-13:00、14:30-17:30\n劇場與影像的雙面性：創作實驗 / 風景與自畫像 The Duality of Theater and Film: Creative Experiments / Landscapes and Self-Portraits\n—— 雅努斯成員作品放映暨對談、階段性創作發表 – JANUS Members’ Screenings and Discussions \n📍地點 Venue｜牯嶺街小劇場二樓藝文空間 Guling Street Avant-garde Theatre\n🔹本場次為一日通票，持有票卷者可參與本場次所有活動，請憑證進出。 All-day pass required for entry to all sessions. \n這場分享會將呈現我們以「自畫像」、「風景」為主題的階段性創作，\n出於對自身存在與所在的探索，或是基於不同藝術專業的交流。\n並經由這個回顧的契機，探討影像與表演藝術的連繫、影像放映作為表演藝術的概念，\n同時重返核心探究創作本身與媒介之間的關係。 \nThis sharing session presents phase-one works themed around “self-portrait” and “landscape”\, reflecting explorations of self and environment through interdisciplinary collaboration. It serves as a reflection on the connection between image and performance and how screening itself may be a form of live art. \n \n👁‍🗨 上午場 Morning Session（10:30–13:00）\n透過放映工作坊學員作品，呈現前期工作坊以「自畫像」、「風景」為主題的創作，並特邀平瓊男（藝術評論者）對談，回望我們在「自畫像」與「風景」之間，如何凝視自己，也重構所在。 \nFeatures early-stage works by workshop participants on “self-portrait” and “landscape” themes\, with a discussion by art critic Chiong-Nan Ping. \n參與放映作品 Screened Works（依姓名、作品名筆畫排序）\n包明茜｜《བར་དོ་ 中陰 From death to renewal》\n李儀柔、周穆、林子寧、張文珈、籃可芸｜《心景的重曝》\n葉澈｜《自風景》\n于聲國、黃彥霖、黃琳晶、齊藤伸一｜《風景》\n李芸晞、李冠賢、蔡旻妤、羅香菱｜《神引》\n吳志維｜《情書》\n江玲、李品萱、姚怡伶、郭昱辰｜《團圓》\n王奕傑、吳依凡、呂尚霖、郭孟昕｜《儲存失敗》\n李毓琪、黃晴怡｜《Little Star》 \n👁‍🗨 下午場 Afternoon Session（14:30–17:30）\n由日本導演七里圭親自帶領學員的階段性創作呈現，重新打開對影像與劇場的想像，並保留創作者與觀眾自由交流的時間。誠摯歡迎各位的討論與激盪，讓影像得以不只是紀錄、表演也不只是當下。 \nParticipants of Kei Shichiri’s co-creation workshop will present phase-two experimental works. Open dialogue between creators and audiences is encouraged to explore new perspectives on image and performance. \n參與七里圭共創工作坊及映演學員 Co-Creation Workshop Presenters（依姓名筆畫排序）｜王鐙儀、包明茜、江玲、吳志維、吳依凡、呂尚霖、李本善、李芸晞、李品萱、李儀柔、周蓉靖、周穆、林子寧、張文珈、郭孟昕、陳捷、黃子珊、黃彥霖、黃琳晶、葉澈、羅香菱、籃可芸
URL:https://events.mcu.edu.tw/event/%e9%9b%85%e5%8a%aa%e6%96%af%e8%a8%88%e7%95%ab-janus-project-%e5%8f%b0%e6%97%a5%e5%8a%87%e5%a0%b4%e5%8f%8a%e5%bd%b1%e5%83%8f%e8%b7%a8%e5%9f%9f%e5%85%b1%e5%89%b5%e5%af%a6%e9%a9%97-taiwa/
LOCATION:VA HUB\, 中山區新生北路二段68巷30號B1\, 台北市\, Taiwan
CATEGORIES:ACCUPASS,狂想劇場
ATTACH;FMTTYPE=image/png:https://events.mcu.edu.tw/wp-content/uploads/2025/05/10.png
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