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DTSTART;TZID=Asia/Taipei:20250411T193000
DTEND;TZID=Asia/Taipei:20250412T163000
DTSTAMP:20260412T231650
CREATED:20250327T053826Z
LAST-MODIFIED:20250327T053826Z
UID:10000985-1744399800-1744475400@events.mcu.edu.tw
SUMMARY:威廉．肯特里奇 William Kentridge《女先知 SIBYL》
DESCRIPTION:威廉・肯特里奇《女先知》亞洲首演 \n震撼重現北美館超過30萬人熱烈迴響 的展覽鉅作！ \n大師畢生創作精華，極致視覺與音樂饗宴 —— \n《女先知》雙重呈現，突破藝術與劇場界限，啟發無限想像！ \nAsian Premiere of SIBYL \nExperience the Masterpiece That Captivated Over 300\,000 Visitors at the Taipei Fine Arts Museum! \nA spectacular fusion of visual art and music\, SIBYL is a landmark production that pushes the boundaries of art and theater\, igniting boundless imagination. \n威廉．肯特里奇（William Kentridge） \n1955年生於南非，1976年畢業於約翰尼斯堡金山大學，主修政治學和非洲研究。作品跨足繪畫、雕塑、織毯、影像、劇場、文學與表演。 \n他的創作方法融合了素描、寫作、電影、表演、音樂、戲劇及協作實踐，並以政治、科學、文學和歷史為基礎，同時保留矛盾與不確定性的空間。 \nBorn in 1955 in South Africa\, William Kentridge graduated from University of the Witwatersrand in Johannesburg in 1976\, majoring in Political Science and African Studies. His multidisciplinary works span drawing\, sculpture\, tapestry\, film\, theater\, literature and performance. \nKentridge’s artistic approach seamlessly blends drawing\, writing\, filmmaking\, performance\, music\, theater and collaborative practice\, incorporating politics\, science\, literature and history while embracing ambiguity and contradiction. \n \n「我很幸運，在戲劇學校發現自己非常不擅長當演員…以至於我『淪落』為一名藝術家，我也就安然接受。」-威廉．肯特里奇 \n自1990年代以來，肯特里奇的作品在世界各地的博物館和畫廊展出，包括紐約現代藝術博物館（MoMA）、維也納阿爾貝蒂娜博物館、巴黎羅浮宮、倫敦懷特教堂畫廊、哥本哈根路易斯安那現代藝術博物館、馬德里索菲亞王后藝術中心、巴塞爾藝術博物館、開普敦Zeitz MOCAA及Norval基金會，以及倫敦皇家藝術學院。他曾多次參加卡塞爾文件展（1997年、2002年、2012年）和威尼斯雙年展（1993年、1999年、2005年、2013年、2015年）。 \n肯特里奇的戲劇作品曾在全球各大劇院和藝術節上演，包括《Refuse the Hour》、《Winterreise》、《Paper Music》、《The Head & the Load》、《Ursonate》、《Sibyl》、《The Great Yes\, The Great No》。 \n“I was fortunate to discover at drama school that I was a terrible actor… leading me to ‘fall back’ on being an artist—which I accepted without protest.” – William Kentridge \nSince the 1990s\, Kentridge’s works have been exhibited worldwide\, including at:🏛 Museum of Modern Art (MoMA)\, New York🏛 Albertina Museum\, Vienna🏛 Louvre\, Paris🏛 Whitechapel Gallery\, London🏛 Louisiana Museum of Modern Art\, Copenhagen🏛 Museo Reina Sofía\, Madrid🏛 Kunstmuseum Basel\, Switzerland🏛 Zeitz MOCAA & Norval Foundation\, Cape Town🏛 Royal Academy of Arts\, London \nHe has also participated in documenta (1997\, 2002\, 2012) and the Venice Biennale (1993\, 1999\, 2005\, 2013\, 2015) multiple times. \nTheatrical Works \nKentridge’s stage productions have been performed at major theaters and art festivals worldwide\, including:🎭 Refuse the Hour🎭 Winterreise🎭 Paper Music🎭 The Head & the Load🎭 Ursonate🎭 Sibyl🎭 The Great Yes\, The Great No \n \n《女先知》——30萬人展覽之後，迎來劇場鉅獻 \n如果展覽是一本未讀完的書，這場演出就是最後一章！ \n錯過超過30萬人熱烈參與的展覽沒關係，2025年的《女先知》是肯特里奇創作生涯的集大成之作，集繪畫、動畫、音樂與舞蹈於一身，突破藝術與劇場的界限，啟發無限想像。 \n以手工感的書頁投影動畫，暗喻阿波羅神諭的女先知在樹葉寫下預言，結合南非傳統歌謠與合唱、不斷旋轉的肢體舞蹈，形成一齣象徵命運與無常的總體劇場。 \nSIBYL: From Exhibition to Theatrical Masterpiece \n“If an exhibition is an unfinished book\, this performance is its final chapter.” \nMissed the critically acclaimed exhibition that drew over 300\,000 visitors? No worries—in 2025\, SIBYL will bring Kentridge’s artistic legacy to the stage. \nA culmination of his life’s work\, this production blends drawing\, animation\, music\, and dance\, transcending the boundaries of art and theater to create an immersive\, thought-provoking experience. \nHandcrafted page-like projections evoke the prophetic Sibyls of Apollo’s Oracle\, who inscribed their predictions on leaves.Traditional South African choral music and haunting vocal harmonies infuse the performance with a deep cultural resonance.Continuous\, spiraling movements of dancers symbolize the inescapable nature of fate and the fleeting impermanence of existence. \nPrepare for a profound artistic encounter that challenges perception and redefines storytelling. Don’t miss this extraordinary theatrical event! \n \n報名 To apply：https://www.opentix.life/event/1871152998264131584
URL:https://events.mcu.edu.tw/event/%e5%a8%81%e5%bb%89%ef%bc%8e%e8%82%af%e7%89%b9%e9%87%8c%e5%a5%87-william-kentridge%e3%80%8a%e5%a5%b3%e5%85%88%e7%9f%a5-sibyl%e3%80%8b/
LOCATION:臺北表演藝術中心\, 士林區劍潭路1號\, 台北市\, Taiwan
CATEGORIES:臺北表演藝術中心
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DTSTART;TZID=Asia/Taipei:20250419T143000
DTEND;TZID=Asia/Taipei:20250420T163000
DTSTAMP:20260412T231650
CREATED:20250327T055333Z
LAST-MODIFIED:20250327T055333Z
UID:10000986-1745073000-1745166600@events.mcu.edu.tw
SUMMARY:黑眼睛跨劇團 Dark Eyes Performance Lab《末日前的冬之旅 Journey into the Apocalypse》
DESCRIPTION:挑戰同台雙戲 打造過去未來世界觀 \n以當代敘事衝撞經典  \n爵士編曲、台語演唱舒伯特大膽翻玩 \n舒伯特（Franz Schubert）聯篇歌曲《冬之旅》是古典音樂的瑰寶，音樂與文學結合的顛峰，以靈動多變的曲風譜寫德國詩人穆勒（William A. Mueller）的24首詩作，描述一個失戀者的旅程。 \n這次，黑眼睛跨劇團的藝術總監、詩人鴻鴻，將具像化《冬之旅》的幽微詩意，除了以一個完整的舞台敘事搬演這齣末路戀曲，更開闢了一條通往台灣當代，乃至末日的未來，成為一則文明與社會進展的寓言。全劇將舞台打造為一場幻日、綠茵與毀滅交織的夢幻劇，有人在其間生存、遊戲、工作、抗爭，也有希望的魅影不時飄過。而舒伯特優美深沉的音樂，則成為最大的慰安與最後的救贖。舞台設計廖音喬配合影像與燈光，呈現出難以置信的光影劇場。由余彥芳編排、田孝慈擔綱的舞蹈段落，更營造出獨特的視角。最令人期待的，莫過於本劇將有兩個版本現身！ \n《末日前的冬之旅》將分為古典版──「絕世復刻古典場」，由男中音趙方豪，搭配鋼琴伴奏演唱舒伯特的德語原版；以及爵士版──「末日重生爵士場」，由爵士女歌手林理惠演唱、謝明諺全新編曲的台語版本。除了能體驗百聽不膩、原汁原味的舒伯特，也能在爵士樂所轉化的狂野版本中，盡情享受當代滋味。從跨樂種到跨語種，演唱者彷彿也以流浪者的身分，浪跡時代的劇變、心緒的轉換，以及語言和音樂的過渡，有如一名穿梭古今的說書人，不僅是對經典的重新詮釋，更是一場台文文學與音樂的跨界冒險。 \nFranz Schubert’s Winterreise\, a song cycle\, is a cherished gem of classical music and a perfect union of music and poetry. With his richly varied and expressive musical style\, Schubert sets to music 24 poems by German poet Wilhelm Müller\, portraying the journey of a heartbroken wanderer. \nIn the production\, Winterreise is reimagined by Dark Eyes Performance Lab’s artistic director and poet Hung Hung\, who brings its subtle poetry to life. In addition to presenting this tale of doomed love as a complete stage narrative\, he charts a course from contemporary Taiwan to an apocalyptic future\, recasting the work as an allegory of civilization and societal evolution. \nThe entire production transforms the stage into a dreamlike spectacle where sun dogs\, green fields and destruction intertwine. Characters survive\, play\, work and struggle in this world\, while fleeting glimpses of hope occasionally emerge. Schubert’s exquisite and profound music becomes the greatest source of comfort and ultimate redemption. The stage design by Liao Yin-chiao\, in collaboration with images and lighting\, creates an incredible visual experience of light and shadow. The dance segments\, choreographed by Yu Yan-fang and performed by Tian Xiao-ci\, offer a unique perspective. What audiences most anticipate is the presentation of the production in two versions! \nJourney into the Apocalypse will be presented in two versions: the classical version\, A Timeless Reproduction of the Classic\, featuring baritone Zhao Fang-hao performing Schubert’s original German version with piano accompaniment; and the jazz version\, Rebirth through Jazz\, with jazz singer Mars Lin (Lin Li-hui) performing a new Taiwanese version arranged by Xie Ming-yan. In addition to experiencing Schubert’s music in its original and timeless form\, audiences will also be immersed in a bold\, contemporary jazz reinterpretation. From blending musical genres to transcending language barriers\, the performers take on the role of wanderers\, traversing the changing tides of time\, emotional shifts\, and the transition between languages and music. Like a storyteller bridging the past and present\, this performance not only offers a re-interpretation of the classic but also an adventurous fusion of Taiwanese literature and music. \n報名 To apply：https://www.opentix.life/event/1871397628185849857
URL:https://events.mcu.edu.tw/event/%e9%bb%91%e7%9c%bc%e7%9d%9b%e8%b7%a8%e5%8a%87%e5%9c%98-dark-eyes-performance-lab%e3%80%8a%e6%9c%ab%e6%97%a5%e5%89%8d%e7%9a%84%e5%86%ac%e4%b9%8b%e6%97%85-journey-into-the-apocalypse%e3%80%8b/
LOCATION:臺北表演藝術中心\, 士林區劍潭路1號\, 台北市\, Taiwan
CATEGORIES:臺北表演藝術中心
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