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DTSTART;TZID=Asia/Taipei:20240531T193000
DTEND;TZID=Asia/Taipei:20240602T160000
DTSTAMP:20260425T230415
CREATED:20240418T060102Z
LAST-MODIFIED:20240418T060102Z
UID:10000162-1717183800-1717344000@events.mcu.edu.tw
SUMMARY:2024台灣永續教育暨藝術性策展 Taiwan Arts Curation for Sustainable Education and Future：49號渡口 Terminal 49
DESCRIPTION:7位迷航靈魂 X 7題生死準備攻略 7 Lost Souls X 7 Questions on Life and Death Preparation Guide\n49秒最魔幻的生命旅行 The Most Magical Life Journey in 49 Seconds \n如果你有49秒體驗靈魂迷航出竅，你將選擇「告別」還是「重返」？ \n49號渡口一位遲遲不願離開的哲學家，遇見一群在49號渡口迷航的靈魂。 \n有尋求自我和解的油漆工、害怕自己一覺不醒的打工仔、不斷尋找回憶的大學生、不幽默會死的街頭小丑，還有誤闖搞不清楚的2位靈魂。 \n他們將如何展開選擇，成為迷航中的旅伴？ \nIf you had 49 seconds to experience astral projection\, would you choose to “farewell” or “return”? \nAt Terminal 49\, a philosopher reluctant to leave encounters a group of lost souls wandering around. \nThere’s a painter seeking self-atonement\, a laborer afraid of never waking up\, a college student constantly searching for memories\, a street clown who believes lack of humor equals death\, and two lost souls who stumbled upon confusion. \nHow will they make their choices and become companions on this journey of lost souls? \n＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿ \n49秒最魔幻的生命旅行，出發前推薦 必看！ 49 Seconds: The Most Magical Life Journey\, a must-see before embarking! \n你敢思考嗎？ Dare to ponder? \n【生與死，人生中最難解答的課題 LIFE AND DEATH\, LIFE’S TOUGHEST QUESTIONS】 \n生命會死亡嗎？會死亡的是什麼？當死亡降臨時，是否就此畫下句點？死後的世界是什麼模樣？死後的世界與我現在的有關嗎？如果沒有，那我們記得的那些事情，是有意義的嗎？如果有，那是什麼樣的關聯？有人說：被忘記了才是真正的死亡？我是什麼？有什麼可以代表我的嗎？沒有信仰的人，死後真的沒有地方可去嗎？死後世界只為宗教團體而存在嗎？信仰與否，究竟有什麼差別？我們如何死去，會有什麼差別嗎？ \nDoes life end in death? What dies when we die? Does death mark the end? What does the afterlife look like? Is there a connection between the afterlife and our current existence? If not\, are our memories meaningful? If so\, what’s the correlation? Some say being forgotten is true death. What am I? Is there anything that represents me? For non-believers\, is there truly nothing after death? Does the afterlife exist only for religious groups? What’s the difference between having faith and not? Does how we die make a difference? \n你敢體驗嗎？ Dare to experience? \n【將現實帶入劇場 BRINGING REALITY INTO THEATRE】 \n文本，不再是戲劇活動的核心，而是與劇場所有元素的平等展現。在後戲劇劇場中，「觀眾必然不再只充當事不關己的見證者，而成為劇場藝術決定性的參與者、合作者……」（耿一偉，2021）。 \n透過「七題迷航靈魂的自我提問」栩栩如生地描繪在靈魂過度的49號渡口每一位迷航靈魂，歡迎勇於體驗的您購買[體驗區]，一同忠實表達生與死對自己的感受與意義。 \nThe script is no longer the core of theatrical activities but an equal presentation with all elements of theatre. In post-dramatic theatre\, “audiences are no longer mere witnesses but become decisive participants and collaborators in theatrical artistry…” (Keng Yi-wei\, 2021). \nThrough “Seven Questions of Lost Souls\,” vividly portraying each lost soul at Terminal 49\, we welcome adventurous individuals to purchase tickets to the [Experience Zone]\, to faithfully express their feelings and meanings about life and death. \n你敢開口嗎？ Dare to speak up? \n【創造群體對生死的集體圖像 CREATING A COLLECTIVE IMAGE OF LIFE AND DEATH】 \n民眾即是日常生活專家（日常專家：你不知道的里米尼紀錄劇團，2020），邀請觀眾加入節目的表演內容與歷程，創造群體對生死的集體圖像，  關於「死亡」無從知曉的神秘世界，我們僅能透過想像力刻畫，《49號渡口》以靈魂出竅為背景架構，引發戲劇與現實生活對話後，認知及意識的各種探索。 \nThe public is an expert in everyday life (Experts of the Everyday: The Theatre of Rimini Protokoll\, 2020). We invite audiences to join the performance content and process\, creating a collective image of life and death. About the mysterious world of “death” that we cannot know\, we can only paint it through imagination. “Terminal 49” uses astral projection as a backdrop to provoke dialogue between drama and real life\, exploring various cognitive and conscious realms. \n「我們都走在通向死亡的路上，如果不一起把握現在，什麼時候才能無憾呢？」 “We are all on the path to death. If we don’t seize the present together\, when will we have no regrets?” \n不知如何開口的事，讓我們一起相約49號渡口好好分享！ Let’s gather at Terminal 49 to share our thoughts on things we hesitate to speak about! \n  \n《49號渡口》2024台灣永續教育暨藝術性策展 \nTerminal 49 – 2024 Taiwan Arts Curation for Sustainable Education and Future (TAC4SEAF) \n演出地點 Venue：華山烏梅劇院 Huashan Umay Theater（台北市中正區八德路一段1號 No. 1\, Sec. 1\, Bade Rd.\, Zhongzheng Dist.\, Taipei City） \n演出場次 Performance Dates：\n05/31（五） (Friday) 19:30\n06/01（六） (Saturday) 14:30 + 演後座談 Post-show Discussion、19:30\n06/02（日） (Sunday) 14:30 + 演後座談 Post-show Discussion \n報名 To apply：https://www.accupass.com/eflow/ticket/2404111237401501295649 \n製作人/導演 Producer/Director：蔡旻霓\n創作發想 Conceptualization：劉桂光、黃國珍、蔡旻霓\n演出人員 Cast：劉桂光、陳惠女、林相如、曾少彤、盧妍蓁、陳宥任、洪偉穎\n特別嘉賓 Special Guest：黃國珍 \n燈光設計 Lighting Design：程宥芸\n影像設計 Video Design：羅士翔\n音樂設計 Music Design：小力創意\n舞台設計 Stage Design：鄭仕杰\n音響工程 Audio Engineering：劉曲恩\n燈光編程 Lighting Programming：林渝凡\n燈光技術 Lighting Technicians：詹鈞如、魏芳韻\n導演助理 Director’s Assistant：林于心 \n網站顧問 Website Consultant：王琇玲\n行銷統籌 Marketing Coordinator：陳靜宜\n執行製作 Executive Producer：劉惠文 \n網站主視覺設計 Website Visual Design：豆豆\n平面整合 Graphic Integration：江芷諭 \n合辦單位 Co-organizers：人劇團、點亮生命教育協會\n合作單位 Cooperation Unit：品學堂\n贊助單位 Sponsors：班友慈善基金會、庭芳慈善關懷協會 \n團體票優惠 Group Ticket Discounts\n單筆訂單20張（含）以上原價𝟵折 20 tickets or more in a single order: 10% off the original price\n單筆訂單50張（含）以上原價𝟴𝟱折 50 tickets or more in a single order: 15% off the original price\n單筆訂單100張（含）以上原價𝟴折 100 tickets or more in a single order: 20% off the original price \n團體票需求請直接聯絡主辦單位 For group ticket inquiries\, please contact the organizer directly.
URL:https://events.mcu.edu.tw/event/2024%e5%8f%b0%e7%81%a3%e6%b0%b8%e7%ba%8c%e6%95%99%e8%82%b2%e6%9a%a8%e8%97%9d%e8%a1%93%e6%80%a7%e7%ad%96%e5%b1%95-taiwan-arts-curation-for-sustainable-education-and-future%ef%bc%9a49%e8%99%9f%e6%b8%a1/
LOCATION:華山烏梅劇院\, 中正區八德路一段1號\, 台北市\, Taiwan
CATEGORIES:ACCUPASS,人劇團
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BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20240615T160000
DTEND;TZID=Asia/Taipei:20240616T173000
DTSTAMP:20260425T230415
CREATED:20240611T081335Z
LAST-MODIFIED:20240611T081335Z
UID:10000314-1718467200-1718559000@events.mcu.edu.tw
SUMMARY:2024桃園藝術巡演 童話戲樂享一夏 Taoyuan Performing Arts Touring
DESCRIPTION:「#2024桃園藝術巡演-童話戲樂享一夏」即將在6月中旬閃亮登場，4場精彩絕倫的表演推薦給愛看劇的你，絕對不容錯過！\n\n前2場將分別於 #蘆竹 和 #八德 舉辦，歡迎大小朋友共渡快樂的時光！\n\n“#2024 Taoyuan Arts Tour – Fairy Tale Theater Summer Fun” is set to shine in mid-June\, featuring four incredible performances that theater lovers shouldn’t miss!\n\nThe first two shows will be held in Luzhu and Bade\, welcoming both children and adults to share joyful moments together!\n\n蘆竹場 Luzhu Show\n\n《世界童話變變變–當安徒生遇見格林童話》童話故事劇場 “World Fairy Tales Transforming – When Andersen Meets Grimm Fairy Tales” Fairy Tale Theater\n\n演出單位 Performing Group：#如果兒童劇團\n\n演出時間 Date & Time：6／15（六 Saturday）16:00-17:30\n\n演出地點 Venue：蘆竹光明河濱公園天幕籃球場 Luzhu Guangming Riverside Park Canopy Basketball Court\n\n八德場 Bade Show\n\n《小丑八怪》馬戲表演 “Clown Eccentricities” Circus Performance\n\n演出單位 Performing Group：#創造焦點（Eye Catching Circus）\n\n演出日期 Date & Time：6／16（日 Sunday）16:00-17:15\n\n演出地點 Venue：八德藝文廣場 Taoyuan Arts Plaza\n\n指導單位 Guiding Units：桃園市議會、桃園市政府 Taoyuan City Council\, Taoyuan City Government\n\n同時也在這邊 #預告「#2024桃園兒童藝術節」即將在暑假和大家見面咯！今年不僅規劃了34場大大小小的演出，還涵蓋手作、體驗活動、美食兒童市集！\n\nAdditionally\, we would like to preview that the “#2024 Taoyuan Children’s Art Festival” is coming this summer! This year\, we have planned 34 performances of various sizes\, including hands-on activities\, experiential events\, and a children’s food market!\n\n\n\n\n\n更多詳情請洽 For more details\, please visit：\n\n文化局官網 Department of Cultural Affairs’s website  https://culture.tycg.gov.tw/\n\n文化局臉書 Department of Cultural Affairs’s Facebook https://www.facebook.com/tyccc.gov/?locale=zh_TW\n\n桃演本鋪臉書 https://www.facebook.com/typerformanceart
URL:https://events.mcu.edu.tw/event/2024%e6%a1%83%e5%9c%92%e8%97%9d%e8%a1%93%e5%b7%a1%e6%bc%94-%e7%ab%a5%e8%a9%b1%e6%88%b2%e6%a8%82%e4%ba%ab%e4%b8%80%e5%a4%8f-taoyuan-performing-arts-touring/
LOCATION:蘆竹光明河濱公園天幕籃球場\, 蘆竹區光明河濱公園\, 桃園市\, Taiwan
CATEGORIES:桃園市政府文化局
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BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20240615T190000
DTEND;TZID=Asia/Taipei:20240615T210000
DTSTAMP:20260425T230415
CREATED:20240524T020149Z
LAST-MODIFIED:20240524T020149Z
UID:10000273-1718478000-1718485200@events.mcu.edu.tw
SUMMARY:LSF#130 - ATOTAL法國音像藝術演出 French Audiovisual Art Performance
DESCRIPTION:本次邀請法國聲音藝術家Franck Vigroux與視覺藝術家Antoine Schmitt帶來這場演出，將極簡技術與激烈的節拍融合在一起，進化成轟隆的噪音，並以精緻的黑白格線、消失點和立方體視覺效果相搭配，創造出令人震撼的視聽盛宴。 \n演出以高音和更高音的序列和深沉的低音為核心，形成獨特的聲音結構，這種音調的安排不僅複雜且引人入勝，還與Schmitt的視覺投影形成強烈對比，在節奏強烈的音樂間隙，觀眾將體驗到如夢似幻的噪音氛圍，視覺則將這些時刻轉化為白色方塊和粒子的旋轉仿佛向觀眾衝來。 \n本次演出它是一場沉浸式體驗，模糊了數位與實體、聲音與光線之間的界限。將視聽感官推向極限，絕對不容錯過。 \nThis event features French sound artist Franck Vigroux and visual artist Antoine Schmitt\, who will deliver a performance that fuses minimalistic techniques with intense rhythms\, evolving into roaring noise. This is paired with sophisticated black and white grid lines\, vanishing points\, and cube visual effects to create a breathtaking audiovisual feast. \nThe performance revolves around sequences of high and higher pitches and deep bass\, forming a unique sound structure. This intricate and captivating arrangement of tones contrasts sharply with Schmitt’s visual projections. In the intense musical intervals\, the audience will experience a dreamlike noise atmosphere\, with visuals transforming these moments into rotating white squares and particles seemingly rushing towards the audience. \nThis performance offers an immersive experience\, blurring the boundaries between digital and physical\, sound and light. It pushes the limits of sensory perception and is an event not to be missed. \n演出時間 Date & Time：2023 年 6 月 15 日（六） (Saturday) 19:00-21:00 \n演出地點 Venue：C-LAB臺灣聲響實驗室立體聲場 Taiwan Sound Lab \n演出藝術家/Artists :\nFranck Vigroux (FR)\nAntoine Schmit (FR) \n報名 To apply：https://www.accupass.com/eflow/ticket/2405130724144610079850 \n藝術家介紹 Artist Introductions｜ \nFranck Vigroux \n是一位多才多藝的藝術家，他的作品涵蓋實驗電子音樂、現代作曲和音樂劇。Franck Vigroux的音樂充滿地殼張力、節拍、電子音色以及對聲音探索的非常個人化的方式。他既活躍於獨奏演出，也是一位合作音樂家，曾與Elliott Sharp、Mika Vainio、Reinhold Friedl、Ars Nova等音樂家合作。Vigroux的獨特之處在於他整合了新媒體和表演藝術的藝術方法。他設計跨學科的表演和視聽音樂會，與視覺藝術家Antoine Schmitt和Kurt d’Haeseleer等人合作。 \nA versatile artist whose work spans experimental electronic music\, modern composition\, and musical theater. Vigroux’s music is filled with tectonic tension\, beats\, electronic textures\, and a deeply personal approach to sound exploration. He is active both as a solo performer and as a collaborator\, having worked with artists such as Elliott Sharp\, Mika Vainio\, Reinhold Friedl\, and Ars Nova. Vigroux integrates new media and performance art\, creating interdisciplinary performances and audiovisual concerts in collaboration with visual artists like Antoine Schmitt and Kurt d’Haeseleer. \n相關連結 For more information｜\nhttps://franckvigroux.com/ \nAntoine Schmitt \n是一位裝置藝術家，他創作的作品以物體、裝置和情境的形式呈現，旨在探討各種運動過程，並質疑其固有的概念問題，無論是關於塑料、哲學還是社會性質的問題。作為動力藝術和控制藝術的繼承者，他受到形而上學的科幻作品的滋養，不斷探討人性與現實本質之間的動態互動。作為一名原始的人機關係和人工智能程式設計工程師，他將程式作為一種當代藝術材料，其活躍性質使其成為他大部分作品的核心，以揭示並實際操縱其中的力量。安托萬·施密特還將這種方法與音樂、舞蹈、建築、文學或電影等更成熟的藝術領域相結合，並與Franck Vigroux、Atau Tanaka、Vincent Epplay、Jean-Jacques Birgé、Delphine Doukhan、K.Danse、Patrice Belin、Don Nino、Cubenx、Alberto Sorbelli、Matthew Bourne等人合作。作為一名理論家、演講者和gratin.org的編輯，安托萬·施密特探索了程式藝術領域。 \nAn installation artist\, Schmitt creates works in the form of objects\, installations\, and situations\, exploring various movement processes and questioning their inherent conceptual issues\, whether plastic\, philosophical\, or social. As an inheritor of kinetic art and cybernetic art\, he is nourished by metaphysical science fiction\, continually exploring the dynamic interactions between human nature and reality. A programmer by training\, he uses programming as a contemporary artistic material\, whose active nature forms the core of most of his works\, to reveal and manipulate the forces at play. Schmitt also combines this approach with more established art forms like music\, dance\, architecture\, literature\, and cinema\, collaborating with artists such as Franck Vigroux\, Atau Tanaka\, Vincent Epplay\, Jean-Jacques Birgé\, Delphine Doukhan\, K.Danse\, Patrice Belin\, Don Nino\, Cubenx\, Alberto Sorbelli\, and Matthew Bourne. As a theorist\, lecturer\, and editor of gratin.org\, Schmitt explores the field of program art.
URL:https://events.mcu.edu.tw/event/lsf130-atotal%e6%b3%95%e5%9c%8b%e9%9f%b3%e5%83%8f%e8%97%9d%e8%a1%93%e6%bc%94%e5%87%ba-french-audiovisual-art-performance/
LOCATION:C-LAB臺灣聲響實驗室立體聲場\, 大安區建國南路一段177號\, 台北市\, Taiwan
CATEGORIES:ACCUPASS,失聲祭
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