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DTSTART;TZID=Asia/Taipei:20250703T090000
DTEND;TZID=Asia/Taipei:20250813T210000
DTSTAMP:20260405T181905
CREATED:20250707T030257Z
LAST-MODIFIED:20250707T030257Z
UID:10001341-1751533200-1755118800@events.mcu.edu.tw
SUMMARY:凝度風景 Distilled Landscapes—蔡文汀複合型態水墨創作展 Tsai Wen-Ting Composite Ink Art Exhibition
DESCRIPTION:展覽以現當代水墨之複合型態水墨創作為主要展出形式，此所謂「複合型態水墨」的表現形式是指在現當代水墨的範疇中，透過平面複合型態、空間立體裝置、影像媒介等方式，呈現水墨的多元形態表現，並將其核心藝術內涵指向於水墨現當代性的表達。 \n爱此，本次展覽將以個人二十多年來在此一創作面相研究之成果，藉由展覽形式與各界愛好藝術者分享。 \n由於個人長期關注此一創作研究面向，在展覽內容呈現將從內在心靈感知延伸至外在土地、環境的觀照。 \nThis exhibition centers on contemporary composite ink art\, a term that refers to ink creations expressed through diverse formats such as mixed media on flat surfaces\, three-dimensional spatial installations and video media. These forms highlight the evolving and multifaceted expressions of ink art\, while pointing toward the core artistic essence of contemporary and modern ink practice. \nThis exhibition showcases the results of over twenty years of research and creative exploration by the artist in this particular field\, offering a platform to share these findings with fellow art enthusiasts. \nLong committed to this creative inquiry\, Tsai Wen-Ting extends the exhibition’s thematic expression from internal spiritual perception to external observations of land and environment\, forming a bridge between personal experience and the broader natural world. \n展覽日期 Dates｜2025/7/3（四 Thur）~2025/8/13（三 Wed） \n展覽時間 Opening Hours｜周二至周日 Tuesday to Sunday 09:00~21:00 \n展覽地點 Venue｜藝文大樓1樓特展室 Special Exhibition Room\, 1/F\, Taipei City Arts
URL:https://events.mcu.edu.tw/event/%e5%87%9d%e5%ba%a6%e9%a2%a8%e6%99%af-distilled-landscapes-%e8%94%a1%e6%96%87%e6%b1%80%e8%a4%87%e5%90%88%e5%9e%8b%e6%85%8b%e6%b0%b4%e5%a2%a8%e5%89%b5%e4%bd%9c%e5%b1%95-tsai-wen-ting-composite-i/
LOCATION:藝文大樓\, 松山區八德路三段25號\, 台北市\, Taiwan
CATEGORIES:臺北市藝文推廣處,藝文大樓
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250704T100000
DTEND;TZID=Asia/Taipei:20250914T180000
DTSTAMP:20260405T181905
CREATED:20250703T060019Z
LAST-MODIFIED:20250703T060019Z
UID:10001340-1751623200-1757872800@events.mcu.edu.tw
SUMMARY:2025 臺南國際建築三年展 Re-turning「Home」 Tainan International Architecture Triennial：還。原點 Re-turning「Home」
DESCRIPTION:展覽緣起 \n自2008年首屆「見築展」起，臺南市建築師公會便致力於以展覽與論壇形式，串聯不同世代的建築師，描繪建築與生活的關係。歷屆三年展不斷深化主題，從空間敘事到都市記憶，逐步拓展至國際對話。2024年，我們攜手日本仙台，展開臺日建築交流，為2025三年展奠定更宏觀的策展視野。此次再度回到臺南市美術館，展開一場思維與感官的建築旅程。 \n策展主軸：重返建築的起點 \n「Re-turning『Home』」不僅是返回，更是重新審視——透過對「家」、「原點」、「初心」的再詮釋。借用鍵盤上的「Home鍵」作為隱喻，強調人如何在空間與時間中尋找歸屬與定位。對建築而言，「原點」是放樣與定位的起始，也是設計初衷與價值的起點。 \n展覽架構：四個場域的「還原點」 \n本展透過四個交錯對話的展間，引領觀眾踏上回原點的旅程：\n• Gallery A｜還。家─入厝辦桌：以「家」為出發點，透過建築語言回應情感與居所的歸屬感。\n• Gallery B｜還。創─建築家–傢–揪：揭示設計過程中建築師如何回望與修正初衷。\n• Gallery C｜還。鄉─返鄉起厝：從臺南歷史脈絡中，探索地方與未來的建築連結。\n• Gallery D｜還。域─跨界交陪：邀集國際建築對話，共築文化共感的多元原點。 \n每個展間都是一次對建築本質的回望，也是對人與空間關係的深層探問——從個人到城市、從地方到全球，思考建築如何持續為我們定義「回家/初心的路」。 \nExhibition Origin \nSince the first exhibition “Archimeeting U” in 2008\, the Tainan City Architects Association has been dedicated to connecting architects across generations through exhibitions and forums\, exploring the relationship between architecture and everyday life. Over the years\, each edition of the triennial has deepened its thematic focus—ranging from spatial narratives to urban memory—gradually expanding into international dialogues. In 2024\, we partnered with Sendai\, Japan\, to initiate Taiwan-Japan architectural exchanges\, laying the groundwork for a broader curatorial vision for 2025 Triennial. Returning once again to Tainan Art Museum\, this exhibition embarks on a journey of architectural thought and sensory experience. \nCuratorial Theme: Re-turning to the Origin of Architecture \n“Re-turning ‘Home’” is not merely about returning—it is a reexamination\, a reinterpretation of “home”\, “origin” and “intention”. Borrowing the metaphor of the “Home” key on a keyboard\, the theme emphasizes how people seek belonging and orientation within space and time. For architecture\, the “origin” is the starting point for layout and positioning\, as well as the foundation of design intention and core values. \nExhibition Structure: Four Points of “Return” \nThis exhibition unfolds through four interwoven gallery spaces\, guiding visitors on a journey back to architecture’s origin: \n• Gallery A | Re-turning 「Home」: \nStarting with the notion of “home”\, this section explores how architectural language responds to emotional connections and the sense of belonging within a dwelling. \n• Gallery B | Re-turning 「Originality 」: \nReveals how architects revisit and refine their original intentions throughout the design process. \n• Gallery C | Re-turning 「Hometown」: \nInvestigates architectural connections between place and future through the historical context of Tainan. \n• Gallery D | Re-turning 「Domain 」 : \nInvites international architectural dialogues to co-create diverse points of cultural resonance. \nEach gallery is a reflection on the essence of architecture and a deeper inquiry into the relationship between people and space—from the personal to the urban\, from the local to the global—rethinking how architecture continues to define our way “home”.
URL:https://events.mcu.edu.tw/event/2025-%e8%87%ba%e5%8d%97%e5%9c%8b%e9%9a%9b%e5%bb%ba%e7%af%89%e4%b8%89%e5%b9%b4%e5%b1%95-re-turning%e3%80%8chome%e3%80%8d-tainan-international-architecture-triennial%ef%bc%9a%e9%82%84%e3%80%82%e5%8e%9f/
LOCATION:臺南市美術館2館\, 中西區忠義路二段1號\, 台南市\, Taiwan
CATEGORIES:臺南市美術館
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250705T100000
DTEND;TZID=Asia/Taipei:20251006T180000
DTSTAMP:20260405T181905
CREATED:20250714T054805Z
LAST-MODIFIED:20250714T054805Z
UID:10001350-1751709600-1759773600@events.mcu.edu.tw
SUMMARY:會動的浮世繪展 Ukiyoe Immersive Art—日本藝術絕代之華 The Magnificent Art of Japan
DESCRIPTION:《會動的浮世繪》展覽集結葛飾北齋、歌川國芳、歌川廣重、喜多川歌麿、東洲齋寫樂、歌川國貞等江戶至明治時期浮世繪大師的經典畫作，超過300件真跡與代表作品精彩呈現。 \n展覽結合實體名畫展出與唯美炫目的3D CG動畫、投影映射技術，搭配濃濃東瀛風情的原創音樂，打造全方位沉浸式互動空間。 \n觀眾不只是在「看畫」，而是親身「走進」浮世繪的世界——穿梭於古江戶的街頭巷弄，感受武士英姿、遊女風華與名勝奇景，親歷一場視覺與感官的文化盛典。 \n一場穿越時空的浮世之旅，邀您共同見證日本美學的永恆魅力！ \nThe “Ukiyoe Immersive Art” exhibition brings together original masterpieces from renowned Edo to Meiji-era artists—Katsushika Hokusai\, Utagawa Kuniyoshi\, Utagawa Hiroshige\, Kitagawa Utamaro\, Tōshūsai Sharaku\, Utagawa Kunisada and others. Over 300 authentic prints and iconic works are on display. \nBy combining physical originals with stunning 3D CG animation and projection mapping\, paired with evocative original Japanese music\, this exhibit offers an immersive\, interactive experience. Visitors won’t just view the art—they’ll step into Ukiyo-e worlds\, wandering Edo streets\, witnessing samurai valor\, courtesan elegance and scenic wonders in a sensory-rich cultural journey. \n展區一 魅力起源 \n本區將帶您走進浮世繪的誕生與發展，從江戶時代的市民文化到浮世繪大師的創作歷程，深入了解浮世繪如何塑造並反映了當時的日本社會與風貌。您將看到浮世繪如何突破傳統藝術框架，捕捉日常生活中的美與情感，並對後世產生深遠影響。 \nSection 1: Origins of Charm \nExplore the birth and evolution of Ukiyo-e—from Edo’s urban culture to the creative journeys of its masters. Learn how this art form broke tradition\, capturing everyday beauty and emotion\, shaping Japanese culture and beyond. \n展區二 名勝風景-眺 \n名勝風景區帶您走進浮世繪大師的視野，沉浸於歌川廣重筆下的江戶風光與葛飾北齋《富士山三十六景》中的壯麗景色，感受日本名勝的藝術魅力。 \nSection 2: Scenic Beauty – Views \nImmerse yourself in Edo-era landscapes by Hiroshige and the majestic vistas of Hokusai’s Thirty-six Views of Mount Fuji\, experiencing the seductive power of Japanese scenery. \n \n展區三 花卉美人-麗 \n在這個華麗的空間中，欣賞自古以來備受喜愛的花卉與女性之美。盛開的花朵與浮世繪美人相映成輝，展現喜多川歌麿筆下細膩的姿態與情感，如喜悅、憤怒、悲傷與幸福。他的創新美人畫藝術，使女性的優雅與情感表現達到新的境界。 \nSection 3: Flora & Beauties – Elegance \nAdmire timeless depictions of women and flowers in Utamaro’s exquisite works. His expressive portraits elevated the genre\, capturing a spectrum of emotions with refined artistry. \n \n展區四 水之風景-瀧 \n探索葛飾北齋《各省瀑布巡遊》的壯麗水景，從柔美細緻的涓流到震撼人心的飛瀑，感受水流的力量與變化。透過深淺不一的藍色調，浮世繪大師巧妙展現水的厚度與動感，並呈現不同藝術家對水的獨特詮釋，帶來一場視覺與感官交織的「水之表現」。 \nSection 4: Waterscapes – Flow \nWitness Hokusai’s dramatic waterfall series—delicate streams to roaring cascades. Notice how artists used blue tones to portray water’s depth and dynamism\, celebrating its elemental beauty. \n \n展區五 江戶風情-藍 \n探索浮世繪中水的千姿百態——波浪、雨景、江海交融。透過沉浸式影像技術，重現浮世繪大師捕捉水瞬間變化的洞察力與筆觸。靛藍色調的夢幻空間中，觀眾將感受到水的力量與美感，以及日本藝術家一生追求的「水的表現」魅力。 \nSection 5: Edo’s Waterways – Blue \nExperience Ukiyo-e’s reinterpretation of water—waves\, rain and tides—through immersive projections. Enter a serene indigo-hued space and sense the fluid energy the artists sought. \n \n展區六 江戶蹤跡-游 \n這裡匯聚珍貴的浮世繪真跡，多件經典作品讓您近距離欣賞江戶時代的藝術精髓。此外，展區還原江戶時代的遊樂設施，親身體驗當時的娛樂，在歡樂氛圍中感受浮世繪的趣味與魅力。 \nSection 6: Edo Moments – Journey \nFeaturing original Ukiyo-e prints and recreations of Edo-era games and entertainment settings\, this section lets you relive the pleasure and playfulness of life in old Edo. \n展區七 自然之韻-彩 \n本區將帶您領略浮世繪鳥花畫作中的自然之美，細膩描繪隨季節更替的生動景色。透過精緻的動畫技術，畫中的花卉、鳥類與自然景色栩栩如生，展現每一筆每一色的動感與韻律，更傳遞出對大自然的熱愛與敬畏，並感受日本獨特的自然美學與和諧。 \nSection 7: Nature’s Rhythm – Color \nRevel in animated floral-and-avian prints that come alive with seasonal vibrancy. See how these works express reverence for nature in detailed harmony and motion. \n \n展區八 奔放狂野-豪 \n本區以動態方式展示浮世繪印刷作品，捕捉其中狂野的能量與動感。從歌川國芳的《水滸傳》系列，到戰士與相撲摔跤的激烈場面，這些作品以大膽而細膩的筆觸表現出強烈的視覺衝擊。 \nSection 8: Wild & Majestic – Bold \nFeel the energy of Kuniyoshi’s Water Margin series\, warriors and sumo wrestlers in dynamic display. Bold brushwork brings the dramatic scenes to life in high-impact visual form. \n \n展區九 雅藝再現-雅 \n浮世繪是江戶時代最具代表性的平民文化藝術，隨時代演變，影響至今。此展區以優雅華麗的視覺空間重現其精髓，呈現日本人對美的敏銳感受與細膩表現，並探索浮世繪如何啟發現代設計、流行文化與生活美學。 \nSection 9: Elegance Reimagined – Grace \nConcluding with an elegant gallery space\, explore Ukiyo-e’s ongoing influence on modern design\, pop culture and lifestyle aesthetics\, celebrating its enduring cultural relevance. \n \n使用說明 Practical Info \n\n活動期間 Date：2025/07/5（六 Sat）- 2025/10/06（一 Mon）\n開放時間 Time：週一到週日 Daily 10:00~18:00（17:00停止售票、入場 ticketing stops at 17:00）\n\n1.    每張票券限單次入場，入場聯一經核銷後無效，恕不接受退票。\n2.    票券請妥善保管，若遺失、損毀或逾期等情形，一概不予補發、更換。\n3.    套票之商品及贈品需最遲於展覽結束當日17:00現場兌換，逾期概不補發。\n4.    凡持電子票券、電子序號憑證者，不需換票請直接至展場入口處核銷進場；已核銷之QR code及電子序號，恕不接受退票。\n5.    本活動委託ACCUPASS代為處理退款事宜，依退款規則辦理。如需申請退款請於「購買成功24小時後，並於活動票券有效開始日前8日」辦理，並依文化部訂定『藝文展覽票券定型化契約應記載及不得記載事項』第六項「退、換票機制」之規定辦理，酌收票價10%退票手續費，逾期恕不受理。\n6.    若於活動票券有效開始日之8日以下辦理申請退款，請於10/6 17:00前填寫表單，逾期主辦單位概不受理。退票並將酌收票價10%退票手續費。表單連結：https://forms.gle/nKdagzgCBe8Hnijb9\n7.    詳細退票辦法及辦理方式請來電(02)2772-8880（週一至週五10:00-17:30）洽詢。\n8.    其他票務相關規定或因本票券致生之任何消費爭議，依文化部頒佈之藝文展覽票券定型化契約應記載及不得記載事項辦理。 \n\n\nEach ticket admits one entry—once scanned\, re-entry is invalid; refunds not accepted. \n\n\nSafeguard your ticket—lost\, damaged\, or expired tickets will not be reissued or replaced. \n\n\nAny bundled goods or gifts must be redeemed by 17:00 on the final day—no exceptions. \n\n\nPresent e–tickets or QR codes at entry—no exchange needed. Scanned codes cannot be refunded. \n\n\nRefunds handled via ACCUPASS. Requests accepted within 24 hours of purchase and at least 8 days before entry date\, subject to a 10 % service charge in accordance with Ministry of Culture guidelines. \n\n\nRefunds requested less than eight days before entry must be submitted before Oct 6\, 17:00; no later requests accepted. https://forms.gle/nKdagzgCBe8Hnijb9 \n\n\nFor details\, call (02)‑2772‑8880 (Mon–Fri 10:00–17:30). \n\n\nAll other ticketing matters fall under the Ministry’s standard exhibition ticketing regulations. \n\n\n報名 To apply：https://www.accupass.com/eflow/ticket/2505200819551914842943?utm_source=EventPage&utm_medium=AdCard&utm_campaign=accu_AdCard_2507030853461624162167 \n注意事項 Notes \n1. 展場內不提供寄物服務，不負責個人之財物損失，請妥善保管好隨身及貴重物品。\n2. 請遵守政府防疫規定、參觀動線、展場規則及現場工作人員指示，如遇人潮眾多，敬請依序排隊等候。\n3. 展場內禁止嬉戲、奔跑與飲食，請勿攜帶食物或飲料入場；禁止吸菸、嚼食口香糖及檳榔。\n4. 禁止於展場現場兜售、轉賣票券；如有不當行為經規勸無效者，則須立即離場且不得有異議，恕不補償或退還門票費用。\n5. 展場內不可攜帶寵物（導盲犬除外）、長柄雨傘、嬰兒車及各式危險物品與違禁品入場。\n6. 展場內禁止拍打、觸摸或攀爬展品以及展櫃，如有損壞事宜，需照價賠償。\n7. 展場內皆有定點工作人員維護場內秩序，如發現任何可疑人物或不明物體、撿到遺失物品、或身體感到不適，請立即通知附近的工作人員尋求協助。\n8. 如當日需重複入場，請至出口處蓋印驗證章，並於入口處出示驗證章再次排隊入場，限當日有效。\n9. 展覽營業時間及規定若有所異動，請依現場或官方粉絲團公告為準，上述事項若有未盡事宜，主辦單位保留活動之解釋權利。 \n\n\nNo coatroom—attendees are responsible for personal belongings. \n\n\nFollow public health\, traffic and venue staff instructions. Queue when necessary. \n\n\nNo running\, eating\, drinking\, smoking\, chewing gum or betel nut inside. \n\n\nTicket resale or unauthorized promotion is prohibited. \n\n\nNo pets (except service dogs)\, large umbrellas\, strollers\, weapons or prohibited items. \n\n\nDo not touch or climb on exhibits; damages will incur replacement costs. \n\n\nStaff are on site for assistance—report lost items or hazards immediately. \n\n\nUse exit stamps for same-day re-entry. \n\n\nExhibit changes may occur—official announcements supersede the above. Organizers reserve final interpretative rights.
URL:https://events.mcu.edu.tw/event/%e6%9c%83%e5%8b%95%e7%9a%84%e6%b5%ae%e4%b8%96%e7%b9%aa%e5%b1%95-ukiyoe-immersive-art-%e6%97%a5%e6%9c%ac%e8%97%9d%e8%a1%93%e7%b5%95%e4%bb%a3%e4%b9%8b%e8%8f%af-the-magnificent-art-of-japan/
LOCATION:松山文創園區\, 信義區光復南路133號\, 台北市\, Taiwan
CATEGORIES:ACCUPASS,翡冷翠文創事業股份有限公司
ATTACH;FMTTYPE=image/png:https://events.mcu.edu.tw/wp-content/uploads/2025/07/6.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250717T123000
DTEND;TZID=Asia/Taipei:20250728T193000
DTSTAMP:20260405T181905
CREATED:20250717T024908Z
LAST-MODIFIED:20250717T024908Z
UID:10001352-1752755400-1753731000@events.mcu.edu.tw
SUMMARY:《埋物 Burial》張育臺鏽染泥塑器物展 Chang Yu-Tai - Rusted Clay Sculpture Ware Exhibition
DESCRIPTION:浸泡錆色的泥土，如同出土的文物，取樣大自然與人類文明，運用工業遺骸的鏽鐵染色在手工泥塑的器物上，沉積、澆灌、與時間共創，像是山川的石頭堆疊，也是海洋的珊瑚連結，那份意圖埋藏的，是曾經存在的證明，更乘載著傳遞給未來的訊息。 \n觸摸，專注呼吸，我們都是安放歷史與記憶的容器。 \nSoaked in rust-colored clay like unearthed artifacts\, these works draw from both nature and human civilization. Using rusted iron from industrial remnants to dye handcrafted clay vessels\, the artist layers\, pours and collaborates with time. The results resemble stone piles of mountains or coral formations in the sea. What is intended to be buried becomes proof of once-existence\, carrying messages into the future. \nTouch. Breathe. We are all vessels of history and memory. \n複合媒材：水泥、礦物、鐵鏽染 \n\n靈感啟發：金瓜石地景 \nMixed Media: Cement\, minerals\, rust dyeInspiration: Jinguashi landscape \n日期 Date｜6/30－7/28 \n時間 Time｜wed-mon 12:30~19:30 \n地點 Venue｜地衣荒物 Earthing Way（台北市大同區民樂街34號 No. 34\, Minle St.\, Datong Dist.\, Taipei City） \n創作者自述 Artist’s Statement——— \n從架空歷史中，被掩埋的物品與埋藏記憶，充滿考古與未知性。 \n一艘古代貿易船意外沉沒於金瓜石外海。那是一個尚未發生陰陽海事件，海水清澈，珊瑚正盛。失事後的船體與船上器物，成為海底生命附著的基座。 \n隨著歲月流轉，珊瑚與貝類開始在這些人造物表面滋長、覆蓋、競爭。器物的形狀被一層層生物遺骸與礦物質變形、重塑。 \n那些本是對稱工整的物件，逐漸變得崎嶇、不規則；然而，當人類文明進走入近代，開礦的金瓜石地區流出的重金屬與酸性物質改變了海洋的命運。陰陽海的現象開始出現，曾經蓬勃的珊瑚群遭受滅頂之災，只遺留下這些被生物與時間改寫過的器物。 \n本展系列「埋物（Burial）」，正是這些虛構遺物打撈上岸。每一件作品如同從海底挖掘出的片段，是時間與自然的共創，是失落文明的證物。它們不再屬於單一時代或文化，而是多重生命交織與崩解的遺痕。 \nFrom imagined histories emerge buried objects and hidden memories\, filled with archaeology and the unknown. \nAn ancient trade ship unexpectedly sank off the coast of Jinguashi—long before the ocean became “Yin-Yang Sea”. At that time\, the waters were clear and coral thrived. After the shipwreck\, the hull and its vessels became bases for marine life to grow and attach. \nOver time\, corals and shellfish flourished on the surfaces of these man-made items\, coating and competing. The once-symmetrical vessels were gradually deformed and reshaped by biological remnants and minerals. \nThe objects\, originally crafted with precision\, became rugged and irregular. As modern civilization advanced\, mining in Jinguashi released heavy metals and acidic substances into the ocean\, altering its fate. The Yin-Yang Sea phenomenon emerged\, devastating the once-thriving coral reefs\, leaving only these vessels—rewritten by life and time. \nThe Burial series brings these fictional relics ashore. Each piece is a fragment dredged from the seabed—a co-creation of time and nature\, a testimony to a lost civilization. They no longer belong to a single era or culture\, but are traces of intertwined\, decaying lives.
URL:https://events.mcu.edu.tw/event/%e3%80%8a%e5%9f%8b%e7%89%a9-burial%e3%80%8b%e5%bc%b5%e8%82%b2%e8%87%ba%e9%8f%bd%e6%9f%93%e6%b3%a5%e5%a1%91%e5%99%a8%e7%89%a9%e5%b1%95-chang-yu-tai-rusted-clay-sculpture-ware-exhibition/
LOCATION:地衣荒物\, 大同區民樂街34號\, 台北市\, Taiwan
CATEGORIES:地衣荒物
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BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250719T090000
DTEND;TZID=Asia/Taipei:20250731T140000
DTSTAMP:20260405T181905
CREATED:20250708T065732Z
LAST-MODIFIED:20250708T065732Z
UID:10001344-1752915600-1753970400@events.mcu.edu.tw
SUMMARY:謝忠仁玉雕創作藝術展 Jade Carving Art Exhibition by Hsieh Chung-Jen—文化的延續二 The Continuation of Culture II
DESCRIPTION:謝忠仁玉雕創作已36年，擅長運用俏色巧雕各種玉材，創作不斷突破傳統思想，開創玉雕的無限可能。 \n本次展出臺灣小吃—滷肉飯以臺灣玉石雕刻的幾可亂真的美食佳餚、禪風意境的佛與人物、古典現代的玉飾，作品豐富多元引領玉雕新境界。 \n並特別安排「解構玉石、玉雕」講課，可以現場了解各種玉石特色，及玉雕工藝的創作過程。 \nHsieh Chung-Jen has been dedicated to jade carving for 36 years. Renowned for his skillful use of natural colors and intricate carving techniques across various types of jade\, he continuously breaks through traditional boundaries\, opening up infinite possibilities in the art of jade carving. \nThis exhibition features an impressive array of works\, including hyper-realistic depictions of Taiwanese cuisine—such as braised pork rice—sculpted from Taiwanese jade\, Zen-inspired representations of Buddhas and figures\, and a blend of classical and contemporary jade ornaments. The diverse range of artworks showcases a new frontier in jade art. \nA special lecture\, “Deconstructing Jade and Jade Carving”\, will also be held\, offering visitors a firsthand understanding of different jade types and the intricate carving processes involved. \n \n \n展覽日期 Dates｜2025/7/19（六 Sat）~2025/7/31（四 Thur） \n展覽時間 Opening Hours｜周二至周日 Tuesday to Sunday 09:00~17:00 （週一休館 Closed on Mondays）展期最末日開放至14:00 Open until 14:00 on the final day \n展覽地點 Venue｜藝文大樓2樓A展覽室 A Exhibition Room\, 2/F\, Taipei City Arts
URL:https://events.mcu.edu.tw/event/%e8%ac%9d%e5%bf%a0%e4%bb%81%e7%8e%89%e9%9b%95%e5%89%b5%e4%bd%9c%e8%97%9d%e8%a1%93%e5%b1%95-jade-carving-art-exhibition-by-hsieh-chung-jen-%e6%96%87%e5%8c%96%e7%9a%84%e5%bb%b6%e7%ba%8c%e4%ba%8c/
LOCATION:藝文大樓\, 松山區八德路三段25號\, 台北市\, Taiwan
CATEGORIES:臺北市藝文推廣處,藝文大樓
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BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250719T090000
DTEND;TZID=Asia/Taipei:20250731T140000
DTSTAMP:20260405T181905
CREATED:20250709T021309Z
LAST-MODIFIED:20250709T021309Z
UID:10001345-1752915600-1753970400@events.mcu.edu.tw
SUMMARY:微縮藝術的新視野 New Horizons in Miniature Art︰精細比例模型的力與美 The Power and Beauty of Precision Scale Models
DESCRIPTION:本次展出係國內資深與知名靜態模型社團與個人愛好者的聯展，結合數十位軍事比例模型同好精心製作的軍車、飛機與船艦百餘件的單品與情景作品。 \n期盼展現模型藝術整體與細節的美感，體會歷史情境再現的懷舊氣氛，並充分享受與模友同好們切磋交流的樂趣。 \nThis exhibition features a joint showcase by seasoned and renowned static model clubs and individual enthusiasts from across Taiwan. It brings together the meticulously crafted works of dozens of scale modeling hobbyists\, including over a hundred military-themed models and dioramas of tanks\, aircraft and ships. \nThe exhibition aims to highlight both the overall aesthetic and intricate details of model art\, evoke the nostalgic atmosphere of recreated historical scenes\, and provide a space for passionate modelers to connect\, exchange ideas and share the joy of their craft. \n展覽日期 Dates｜2025/7/19（六 Sat）~2025/7/31（四 Thur） \n展覽時間 Opening Hours｜周二至周日 Tuesday to Sunday 09:00~17:00 （週一休館 Closed on Mondays）展期最末日開放至14:00 Open until 14:00 on the final day \n展覽地點 Venue｜藝文大樓2樓B展覽室 B Exhibition Room\, 2/F\, Taipei City Arts
URL:https://events.mcu.edu.tw/event/%e5%be%ae%e7%b8%ae%e8%97%9d%e8%a1%93%e7%9a%84%e6%96%b0%e8%a6%96%e9%87%8e-new-horizons-in-miniature-art%ef%b8%b0%e7%b2%be%e7%b4%b0%e6%af%94%e4%be%8b%e6%a8%a1%e5%9e%8b%e7%9a%84%e5%8a%9b%e8%88%87/
LOCATION:藝文大樓\, 松山區八德路三段25號\, 台北市\, Taiwan
CATEGORIES:臺北市藝文推廣處,藝文大樓
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BEGIN:VEVENT
DTSTART;TZID=Asia/Taipei:20250724T193000
DTEND;TZID=Asia/Taipei:20250803T210000
DTSTAMP:20260405T181905
CREATED:20250717T074208Z
LAST-MODIFIED:20250717T074208Z
UID:10001353-1753385400-1754254800@events.mcu.edu.tw
SUMMARY:《時間就像是從來沒消逝過 So Weep As Well For Gladness As For Pain》影像放映會 Film Screening
DESCRIPTION:2024年末，在牯嶺街小劇場 \n林靖雁帶著一個人的身體 \n演出了無數人的記憶 \n  \n《時間就像是從來沒消逝過》 \n是一場獨角戲，也是一場召喚 \n是介於現實與幻覺之間的自白 \n是在創傷邊緣摸索自我的凝視 \n有些事我們以為被時間帶走了 \n其實只是被藏起來 \n等著你有一天回頭 \n現在，那些瞬間將再次被打開 \nLate 2024\, at Guling Street Avant-Garde TheatreLin Jing-Yan\, with a single body\,Performed the memories of countless others. \n“So Weep As Well For Gladness As For Pain”is a monologue\, but also a summoning—a confession that drifts between reality and hallucination\,a gaze exploring the self on the edge of trauma. \nSome things we thought time had taken away\,were simply hidden\,waiting for the moment we turn back.Now\, those moments will be opened once again. \n節目介紹 Program Introduction \n作品以《一千零一夜》的結構，隱喻人類在時間中的掙扎，這是一個至關重要的結構，因為它本身就是一種活命的手段。 \n說故事成為拖延死亡的方式，這個設定對創作者極其真實——創作、持續說話，彷彿是繼續存活的唯一途徑。看似脆弱的坦白中具有決絕的意志，在單一表演者框架下，有效地利用了現場表演和多媒體影像敘事的多重角度與時間軌，將存在的困頓進行了近乎病理性的思考解剖與縫合，也擴展情感表達的邊界。 \n這部作品融合私我經驗、赤裸誠懇，亦以劇場形式製造出一個場域：邀請觀眾與表演者一同停留在難以前進的時間裡。演出的核心問題是：「當一切彷彿已經過去，但你仍然停留，該如何是好？」我們都在那一刻，等待一個決定——是離開，還是留下？ \nThis work takes inspiration from the structure of One Thousand and One Nights to metaphorize the human struggle within time—a vital structure\, as storytelling itself becomes a means of survival. \nTelling stories delays death.This setup is deeply personal for the creator—to create\, to keep speaking\,as though these are the only ways to remain alive. \nWithin the fragile confessions lies a fierce will.Using a solo performer as the frame\,the piece skillfully weaves live performance with multimedia narrative across different angles and timelines.It dissects and sutures existential anguish in a near-pathological manner\,and stretches the limits of emotional expression. \nBlending raw personal experience with theatrical form\,the piece constructs a spacewhere the audience is invited to dwell with the performer in a time that can no longer move forward.At the heart of the work lies a question: \n“When it feels like everything has passed\, but you’re still stuck—what now?”At that moment\, we all await a decision—to leave\, or to stay? \n \n臺北戲劇獎 最佳獨立精神獎 得獎理由 Taipei Theatre Awards – Best Independent Spirit Award \n臺北戲劇獎網站 作品頁面 \n本劇為一名解離症患者的自我表演，透過身心痛苦的揭露、剖白與喋喋不休，向世界訴說自我存在的強烈慾望，同時展現表演本質的後設性，充滿高度的身體在場性，也挑戰了病體展示與觀者凝視之間的審美倫理。 \nThis solo performance is a self-expression by a person with dissociative disorder\, revealing physical and mental suffering with raw confessions and unrelenting repetition. It expresses a powerful desire to exist and reveals the meta-nature of performance itself. The work is highly embodied\, and confronts the ethical aesthetics between the display of illness and the gaze of the viewer. \n台新藝術獎 入圍理由 Taishin Arts Award – Finalist \n林靖雁透過編導演三種角色的融合，將生命與劇場的虛實表裡，進行了深刻的結構性思考。 \n看似脆弱的坦白中具有決絕的意志，有效地利用了現場表演和影像敘事的多重角度與時間軌，將存在的困頓進行了近乎病理性的思考解剖與縫合。 \n表演力道精準，作品節奏流暢，空間與影像強化了作品內外心理層面的矛盾掙扎，讓聚焦於主創者的病痛經歷，得以同時乘載當代的疏離，並引發更多的關懷與反思，是一個成功集眾人之力所構成的獨角戲。 \nThrough the integration of directing\, writing\, and performing\, Lin Jing-Yan deeply explores the blurred boundaries between life and theatre.Within fragile honesty lies resolute will.Through multi-perspective live and video narratives\,the work anatomizes and reassembles the pain of existence with clinical precision.The performance is precise and well-paced.The space and visual design amplify the inner psychological tension. \nBy focusing on the creator’s personal experiences with illness\, the work also reflects contemporary alienation\, sparking empathy and reflection.A successful solo piece made powerful through collaboration. \n（主筆 Lead Commentator／孫平 Sun Ping） \n牯嶺街小劇場年度優選獎 得獎理由 Guling Street Avant-Garde Theatre – Annual Best Selection Award \n「本獨角戲演員以自身疾病經驗為題，透過親身演繹，將病症與表演的實時（real-time）時間疊合，將現實的「外來者」如遲到觀眾、外送員引入舞台。 \n現場囈語、舞蹈、物件、投影、鏡頭表演等技術環節皆呈現腳本結構的選擇、擅長、拿捏。涉及（劇場）創作觀演倫理並以精神病史為母題的系列型單人演出，在視聽覺設計參與的相乘下，觀看流暢，集結共作亦為作品注入輕盈透視的活力。 \n散場時候，黑暗中坐著的演員與一一離場的觀眾之間，展開的既是無盡的對望，也是無聲的對質。」 \nIn this solo performance\, the actor draws from personal experience with illness\, merging real-time performance with symptoms of the disorder. Real-life intrusions such as late arrivals or food deliveries are incorporated into the stage as “outsiders.” \nTechniques such as on-site murmuring\, dance\, object work\, projection\, and live camera performance highlight the precision and intentionality of the script structure.This series of solo performances uses mental illness as its central theme\, exploring the ethics of theatrical creation and spectatorship.With compelling audiovisual design\, the viewing experience remains fluid\, and collaborative elements add a layer of lightness and transparency to the work. \nAt the end\, the performer remains seated in darkness\, silently exchanging gazes with each departing audience member—a moment of infinite confrontation\, and wordless reckoning. \n報名 To apply：https://www.accupass.com/eflow/ticket/2507111107266470433600?utm_campaign=accu_theme&utm_medium=home_north&utm_source=Web \n影像放映會錄影為首場演出內容（華語發音、中文字幕） \n影片時間約80分鐘 \nThis film screening presents a recording of the premiere performance.Language: Mandarin\, with Traditional Chinese subtitlesDuration: Approx. 80 minutes
URL:https://events.mcu.edu.tw/event/%e3%80%8a%e6%99%82%e9%96%93%e5%b0%b1%e5%83%8f%e6%98%af%e5%be%9e%e4%be%86%e6%b2%92%e6%b6%88%e9%80%9d%e9%81%8e-so-weep-as-well-for-gladness-as-for-pain%e3%80%8b%e5%bd%b1%e5%83%8f%e6%94%be%e6%98%a0/
LOCATION:雁域文化中心\, 信義區福德街96號\, 台北市\, Taiwan
CATEGORIES:ACCUPASS,雁域文化中心
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