ΔDesignArt 2025觀點論壇 Forum｜Collectible Design在藝術市場發展的未來 The Future of Collectible Design in Art Market

█ 講座介紹

ΔDesignArt2025觀點論壇 Forum

《ΔDesignArt》設計藝術展會是台灣首個聚焦在設計師觀點出發的藝術作品展會平台，展出內容種類多元而豐富，橫跨工藝、印刷、裝幀、推測、花藝、物件、實驗等不同領域，活用飯店房間格局優勢，規劃出在設計藝術領域框架下15個不同的討論主題與形式的展間。ΔDesignArt致力於建立設計藝術新銳的資料庫，企圖尋求代入不同變因（Δdelta），得以擴展我們對創作的眼界與認知，希望能以刁鑽口味的視角，呈現台灣當代表現中最具自我風格的群像，並藉此將這些新銳創作者推向國際舞台。

我們認為，展覽是策展觀點的具體呈現與延伸，論壇則是激盪觀者與講者聚焦在議題上的端眼討論，帶著火花再回頭去看ΔDesignArt的策展內容，會有截然不同的全知感受。本屆論壇台日韓學者專家齊聚，首先邀請韓國最重要的當代工藝策展人康在永來台，以及去年代表台灣受邀參加KCDF、同時也是ΔDesignArt的展出陣容之一的地衣荒物創辦人謝欣翰對談分享，台灣與韓國當代工藝市場的最新趨勢。日本則是請來在米蘭設計週與大阪萬國博覽會大放異彩的超新星體驗設計團隊Konel來台展出之外，也將帶來最新的日本最新技術與設計結合的分享。

去年展會聚焦在Collectible Design的講座引起參加者熱烈迴響，今年將再深入探討此風潮趨勢的未來市場性，邀請毓繡美術館創意運用整合經理葉宇眉 Zoey、AICA Taiwan藝評人協會理事長陳晞、桃園會展中心藝術總監王焜生進行一場對談，我們將從美術館結合藝術與設計的經驗分享中看見市場性，並從藝術觀點切入，窺見設計在藝術市場裡的新趨勢。

而本屆展會更跨出會場，與隔壁的新一代設計展合作，在南港設計藝術週的議題下，進行一場特別講座，邀請來三頁文設計創辦人顏伯駿、陽明交大應用藝術研究所助理教授顧廣毅、實踐大學工設系專任助理教授曾熙凱進行一場學生畢業設計製作中窺見的藝術創作風聚焦。

ΔDesignArt 2025 is Taiwan’s first art fair platform centered on the perspectives of designers. It showcases a diverse range of works across various fields, including crafts, printing, bookbinding, speculative design, floral art, objects and experimental pieces. Utilizing the unique layout of hotel rooms, the exhibition features 15 distinct thematic rooms under the framework of design art. ΔDesignArt aims to establish a database of emerging design artists, seeking to incorporate different variables (Δ delta) to broaden our vision and understanding of creation. The goal is to present a collective image of Taiwan’s contemporary expressions with distinctive personal styles and to propel these emerging creators onto the international stage.

We believe that exhibitions concretely present curatorial viewpoints, while forums stimulate focused discussions between viewers and speakers. These discussions, in turn, offer new insights when revisiting the curated content of ΔDesignArt. This year’s forum brings together scholars and experts from Taiwan, Japan and Korea. Notably, we have invited Kang Jae-young, Korea’s leading contemporary craft curator, to Taiwan. He will engage in a dialogue with Hsieh Hsin-Han, founder of Soil and Seed, who represented Taiwan at the KCDF and is also part of ΔDesignArt exhibition lineup. They will share the latest trends in the contemporary craft markets of Taiwan and Korea. From Japan, the innovative experience design team Konel, known for their impressive showcases at Milan Design Week and the Osaka Expo, will not only exhibit their work in Taiwan but also share insights into the latest Japanese technologies and design integrations.

Building on the enthusiastic response to last year’s lecture focusing on Collectible Design, this year’s forum will delve deeper into the future market potential of this trend. We have invited Zoey Yeh, Creative Application Integration Manager at Yu-Hsiu Museum of Art; Sid Chen, Chairman of AICA Taiwan; and Emerson Wang, Artistic Director of Taoyuan Convention and Exhibition Center, for a panel discussion. Through sharing experiences of integrating art and design in museums, we aim to explore market potential and, from an artistic perspective, glimpse new trends of design within the art market.

Furthermore, this year’s exhibition extends beyond the venue, collaborating with the adjacent Young Designers’ Exhibition. Under the theme of Nangang Design Art Week, a special lecture will be held, featuring Yan Bo-Jun, founder of Three Pages Design; Gu Guang-Yi, Assistant Professor at the Institute of Applied Arts, National Yang Ming Chiao Tung University; and Zeng Xi-Kai, Assistant Professor at Department of Industrial Design, Shih Chien University. They will focus on the artistic creative styles observed in student graduation projects.

Collectible Design在藝術市場發展的未來 The Future of Collectible Design in Art Market

Collectible Design風潮從歐美吹起，10年前席捲日本東京，至今許多網路媒體與相關藝術拍賣平台都開始討論，國外亦有「Design Gallery」或「Design Miami」、「Salone del Mobile Milano」、比利時「Collectible」、「DESIGNART TOKYO」等展會，這股熱潮終於也吹向台灣，在台灣當代藝術市場非常蓬勃的當下，如何從當代藝術觀點回望這股從設計興起的創作熱潮？而藝術市場是否也能有包容此類作品的空間？

The trend of Collectible Design originated in Europe and America, swept through Tokyo a decade ago, and has since become a topic of discussion across various online media and art auction platforms. Internationally, exhibitions like “Design Gallery”, “Design Miami”, “Salone del Mobile Milano”, Belgium’s “Collectible” and “DESIGNART TOKYO” have embraced this movement. Now, this wave has reached Taiwan. Given the vibrancy of Taiwan’s contemporary art market, how can we, from the perspective of contemporary art, reflect on this design-driven creative trend? Is there room in the art market to accommodate such works?

報名 To apply：https://www.accupass.com/eflow/ticket/2504230826161479789935

█ 講者介紹 Speakers

葉宇眉 Zoey／毓繡美術館創意運用整合經理 Creative Application Integration Manager, Yu-Hsiu Museum of Art

負責美術館商店的選品企劃及創作者展覽規劃，在美術館展覽的延長線上，從與設計師共同討論合作相關禮品製作，到規劃相關的活動舉辦，以「當代寫實」為核心，創造出毓繡美術館在台灣最獨特的藝術商店風景。

Responsible for product selection planning and creator exhibition planning in the museum shop. Extending from the museum’s exhibitions, she collaborates with designers on related gift productions and plans associated events. Focusing on “contemporary realism”, she has crafted one of the most unique art shop landscapes in Taiwan.

陳晞 Sid Chen／中華民國藝評人協會理事長 Chairman, AICA Taiwan

藝評書寫與研究者，第13屆國際藝評人協會台灣分會理事長，曾任典藏雜誌社（《今藝術＆投資》、《典藏ARTouch》）社群暨企劃主編。

An art critic and researcher, Sid Chen serves as the 13th Chairman of the International Association of Art Critics Taiwan Chapter. He previously held the position of Social Media and Planning Chief Editor at Artco Monthly (covering “Art Investment” and “Artouch”).

王焜生 Emerson Wang／桃園會展中心藝術總監 Artistic Director, Taoyuan Convention and Exhibition Center

碩士畢業於英國艾賽克斯歐洲現代藝術與與理論研究所，2013年為止在德國文化藝術機構工作，協助台灣企業歐洲市場布局。回國後以獨立策展人與藝術顧問身份活躍於藝術領域，曾任台北國際藝術博覽會ART TAIPEI執行長，並至台中、台南、高雄等地藝博會擔任總策劃執行。亦曾任水墨現場INK NOW藝術總監、voices展會藝術總監。

Holding a Master’s degree from University of Essex’s Institute for European Modern Art and Theory, Emerson Wang worked in German cultural and art institutions until 2013, assisting Taiwanese enterprises in entering the European market. Upon returning to Taiwan, he has been active as an independent curator and art consultant. He has served as Executive Director of ART TAIPEI and has been the Chief Planner and Executive for art fairs in Taichung, Tainan, and Kaohsiung. He also held positions as Artistic Director of INK NOW and voices exhibition.

█ 與談人 Panelist

Chad Liu｜ΔDesignArt設計藝術展會PD Program Director, ΔDesignArt／設計發浪 Founder, Designsurfing／觀止堂GM General Manager, Guanzhitang